VALUTAZIONE IMDb
6,8/10
4047
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young man in 1981 South Africa must complete his brutal and racist two years of compulsory military service while desperately maintaining the secrecy of his homosexuality.A young man in 1981 South Africa must complete his brutal and racist two years of compulsory military service while desperately maintaining the secrecy of his homosexuality.A young man in 1981 South Africa must complete his brutal and racist two years of compulsory military service while desperately maintaining the secrecy of his homosexuality.
- Nominato ai 1 BAFTA Award
- 2 vittorie e 19 candidature totali
Kai Luke Brummer
- Nicholas van der Swart
- (as Kai Luke Brümmer)
Barbara-Marié Immelman
- Suzie van der Swart
- (as Barbara-Marie Immelman)
Trama
Lo sapevi?
- QuizThe title is a homophobic slur used in South Africa.
- Colonne sonoreFall Of The Empire
Written by Steve Swindells
Performed by Steve Swindells
Courtesy of Sophie Small, Music Gateway Ltd
Recensione in evidenza
Let's start by saying what this film is not. It's not an historical film. It's not a gay drama. It's not a documentary. It's not a war film.
What is it? It's a picture of a young man who barely understands that he is attracted to guys negotiating his way through military training, relationships in a brutal and macho culture, actual patrols in the bush and a strongly forbidden relationship. Worse, he is doing this as a native English speaker with an Afrikaans name.
I started like this because I think several reviewers may have wanted different things from the film as mentioned in their appraisals of it. That they didn't get it speaks, for me, to the excellence of the film which holds the interest throughout. We didn't need bludgeoning with details of the border war, a weepy romance, grisly scenes of gore and shattered flesh. Thank goodness we didn't have them.
We see, despite the in-your-face military training and the rudeness of barracks life, something that is almost impressionistic in its alighting from scene to scene some of which are respites from the relentless horror of instilling hard, soulless conformity into a company of disparate kids and some of which are flashbacks. The film is happening, we know the outlines of the situation, but it's as if it's happening outside the bounds of the events in the world at large which are incidental yet essential to the film's progress.
The loathsome oppressiveness of life in South Africa in the 80s is shown - obligatory church services, indoctrination, no dissent brooked, patriotism compulsory, psychological torture for those who do not conform, medical interventions amounting to abuse for those suspected of being gay.
In this poisonous atmosphere, Nick finds fleeting happiness with a fellow recruit Stassen.
After the conscription period, Nick returns home and fulfils his promise to see the sea together. The ending is perfect and equivocal and it leaves the viewer to use his or her own mind as to what might have come after.
As for the alleged inaccuracies in the script, so what? It's a film. I didn't care that the guys hadn't been shaved to a number two. So what if the sergeant would have normally been a corporal doing the basic training?
It's a film that will certainly stay with me.
What is it? It's a picture of a young man who barely understands that he is attracted to guys negotiating his way through military training, relationships in a brutal and macho culture, actual patrols in the bush and a strongly forbidden relationship. Worse, he is doing this as a native English speaker with an Afrikaans name.
I started like this because I think several reviewers may have wanted different things from the film as mentioned in their appraisals of it. That they didn't get it speaks, for me, to the excellence of the film which holds the interest throughout. We didn't need bludgeoning with details of the border war, a weepy romance, grisly scenes of gore and shattered flesh. Thank goodness we didn't have them.
We see, despite the in-your-face military training and the rudeness of barracks life, something that is almost impressionistic in its alighting from scene to scene some of which are respites from the relentless horror of instilling hard, soulless conformity into a company of disparate kids and some of which are flashbacks. The film is happening, we know the outlines of the situation, but it's as if it's happening outside the bounds of the events in the world at large which are incidental yet essential to the film's progress.
The loathsome oppressiveness of life in South Africa in the 80s is shown - obligatory church services, indoctrination, no dissent brooked, patriotism compulsory, psychological torture for those who do not conform, medical interventions amounting to abuse for those suspected of being gay.
In this poisonous atmosphere, Nick finds fleeting happiness with a fellow recruit Stassen.
After the conscription period, Nick returns home and fulfils his promise to see the sea together. The ending is perfect and equivocal and it leaves the viewer to use his or her own mind as to what might have come after.
As for the alleged inaccuracies in the script, so what? It's a film. I didn't care that the guys hadn't been shaved to a number two. So what if the sergeant would have normally been a corporal doing the basic training?
It's a film that will certainly stay with me.
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- Tempo di esecuzione1 ora 44 minuti
- Colore
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- 1.48 : 1
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