On a planet in a distant galaxy, colonized by women when the Earth got sick, Roxy (aka Toxic), rescues Katarzyna Buszowska (aka Kate Bush), who has been buried up to her neck in sand to await death by the incoming tide. Roxy's merciful act unleashes a tide of misfortune on her friends, as Kate Bush turns out to be a killer. The village's coven of elders therefore order Roxy (Paula-Luna Breitenfelder) and her hairdresser mother Zora (Elina Löwensohn) to pursue and kill Kate Bush, a task that takes them into sci-fi western territory, as they ride off with designer weapons on an amateurish bounty hunt that turns out to be a sexual and spiritual odyssey for them both.
Nothing could have prepared them, or the viewer, for what they encounter as they travel inland - hallucinogenic caterpillars, giant fungi, monstrous creatures of various sorts, and a pretentious artist called Sternberg (Vimala Pons) with her male android partner. Director Bertrand Mandico overwhelms the viewer with a torrent of bizarre imaginings - the lesbian jacuzzi session that takes place in the entrails of a recently deceased antediluvian creature isn't the half of it.
The living planet with its sexualized flora is a field day for Freudians, and the film is obviously saying something about female liberation from the patriarchy, though exactly what is anyone's guess. Is it indeed a dirty paradise, or a world just as violent as the male-dominated Earth was? This is a true work of surrealism, from which you can take any message you can find, or none. Kate Bush has a third eye (no spoilers here, but it's not in her forehead) and we are invited to have our own spiritual awakening, not though being preached at, but by allowing this seductive stream of weirdness to float us out of normality.
Although the film never runs out of ideas, I found the two hours plus running time overlong. The plot is confusing, though arguably that's the point of it. If you want something different, After Blue certainly delivers: it's so bonkers it's beyond good or bad, and it is difficult to think of another film like this one. Perhaps if Tarkovsky had directed Barbarella it would have been something like this.
