Una coppia di sposi che vive nel Connecticut negli anni 50 tenta di salvare il proprio matrimonio e crescere due figli.Una coppia di sposi che vive nel Connecticut negli anni 50 tenta di salvare il proprio matrimonio e crescere due figli.Una coppia di sposi che vive nel Connecticut negli anni 50 tenta di salvare il proprio matrimonio e crescere due figli.
- Candidato a 3 Oscar
- 20 vittorie e 73 candidature totali
- Party Dancer
- (as Joe Kamara)
Trama
Lo sapevi?
- QuizWhile directing the love scene between Leonardo DiCaprio and Kate Winslet, director Sir Sam Mendes, Winslet's then-husband, opted to watch the monitor from another room. Mendes admitted that directing his own wife in a sex scene was awkward, but added that directing sex scenes are always awkward. Winslet found this very uncomfortable. "Leo's my best friend, Sam's my husband, this is a bit weird!" However, DiCaprio found it very easy, as "we've done this a thousand times before", while filming Titanic (1997).
- BlooperWhen April shows Paris on the globe, the borders of the European countries are current. Most notably, the reunified Germany is visible, with the borders it did not have until 1990.
- Citazioni
April Wheeler: So now I'm crazy because I don't love you, right? Is that the point?
Frank Wheeler: No! Wrong! You're not crazy, and you do love me. That's the point, April.
April Wheeler: But I don't. I hate you. You were just some boy who made me laugh at a party once, and now I loathe the sight of you. In fact, if you come any closer, if you touch me or anything, I think I'll scream.
Frank Wheeler: Oh, come on, stop this April.
[He touches her for an instant and she screams at the top of her lungs before walking away. He chases after her]
Frank Wheeler: Fuck you, April! Fuck you and all your hateful, goddamn...
[He breaks a chair against a wall]
April Wheeler: What are you going to do now? Are you going to hit me? To show me how much you love me?
Frank Wheeler: Don't worry, I can't be bothered! You're not worth the trouble it would take to hit you! You're not worth the powder it would take to blow you up. You are an empty, empty, hollow shell of a woman. I mean, what the hell are you doing in my house if you hate me so much? Why the hell are you married to me? What the hell are you doing carrying my child? I mean, why didn't you just get rid of it when you had the chance? Because listen to me, listen to me, I got news for you - I wish to God that you had!
- Curiosità sui creditiIn the end credits, there are six for songs where no individual is mentioned, just the group name. Of the six, five read "Performed by," followed by the name of the group. One, "Performed The King Cole Trio." incorrectly omits the adverb "by." It should be "Performed BY [my emphasis] The King Cole Trio."
- ConnessioniFeatured in At the Movies: Summer Special 2008/09 (2008)
- Colonne sonoreThe Gypsy
Written by Billy Reid
Performed by The Ink Spots
Courtesy of Geffen Records
Under license from Universal Music Enterprises
It's 1955. Frank and April Wheeler have been married seven years, live in the Connecticut suburb and have two children. Frank works for a company that his father worked for, and he hates his job. April is a stay-at-home mom who wanted to be an actress.
While it might look good on the outside, this isn't the life either one envisioned. But April has an idea. They have enough money saved so that they can move to Paris, a city Frank loves. She can get a job as a secretary, which pays very well over there, and Frank can stay at home and decide what he really wants to do with his life. It sounds possible but maybe not practical, though Frank ultimately agrees to it.
Frank can't seem to find the right moment to give his notice; and then April discovers that she is pregnant. What now? There are lots of layers in this emotionally resonant, magnificently acted film. It's very much a story of its time for several reasons. The first is that it's obvious that April suffers from very bad depression. Though post-war psychological problems were recognized, actual depression, especially in a woman, probably wasn't given much attention. It was the returning soldiers who had suffered trauma who had the psychiatric focus. If by some means she had been discovered to have clinical depression, the medicine was horrible.
The second thing is that it was 1955. The ideas of picking up and moving to Europe with your family and the woman as breadwinner were outrageous back then. Now, not so much.
The third reason is that April at least had an artist's mentality and an artist's way of looking at the world. In this world, we have the practical and the artist, as in the O'Neill play Beyond the Horizon, where one brother is a farmer and the other brother is a poet who dreams of going out to sea. The problem is, there's no way to kill those attributes, and if you try, you won't be happy. April shouldn't have been married, shouldn't have been living in the suburbs, and shouldn't have stayed home.
Frank is more practical, though he'd like to be different, would like to do something he loves, if only he knew what that was. April thought he was cosmopolitan, adventurous, and that together, they'd be special. The idea that they're not special is something she can't tolerate.
This is such a fascinating movie about life's disappointments, punctuated with some humor by Kathy Bates as Mrs. Givings, a loquacious woman, whose son (Michael Shannon) has been institutionalized. When he meets the Wheelers, he has an uncanny way of speaking exactly the truth no one wants to hear. Shannon does a fantastic job in these disturbing scenes.
A shattering movie. I like to be entertained in films. I feel like we all have so much to reality to face, why not be able to turn away from it - but a beautifully realized film like this about dysfunction - somehow, I don't mind.
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Dettagli
Botteghino
- Budget
- 35.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 22.911.480 USD
- Fine settimana di apertura Stati Uniti e Canada
- 189.911 USD
- 28 dic 2008
- Lordo in tutto il mondo
- 75.981.180 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1