Ambientata nell'Australia settentrionale prima della seconda guerra mondiale, un'aristocratica inglese che eredita un ranch fa con riluttanza un patto con un agente di magazzino per protegge... Leggi tuttoAmbientata nell'Australia settentrionale prima della seconda guerra mondiale, un'aristocratica inglese che eredita un ranch fa con riluttanza un patto con un agente di magazzino per proteggere la sua proprietà da un piano di acquisizione.Ambientata nell'Australia settentrionale prima della seconda guerra mondiale, un'aristocratica inglese che eredita un ranch fa con riluttanza un patto con un agente di magazzino per proteggere la sua proprietà da un piano di acquisizione.
- Candidato a 1 Oscar
- 12 vittorie e 37 candidature totali
Jamal Sydney Bednarz
- Mission Boy
- (as Jamal Bednarz-Metallah)
Nathin Art Butler
- Carney Boy #1
- (as Nathin Butler)
Trama
Lo sapevi?
- QuizIn an interview that aired October 16, 2008, Hugh Jackman told 60 Minutes (1979) that Nicole Kidman agreed to star in the film without reading the script. According to Jackman, she told him at a Super Bowl party that she had to be in the movie. When Jackman told her he didn't even have a script, Kidman told him to forget the script, because Baz Luhrmann was directing.
- BlooperWhen discussing Nullah's future, Sarah mentions "a wonderful School of the Air." School of the Air is a correspondence course that uses shortwave radio (and, now, the internet) to teach children in the Outback. The Alice Springs School of the Air covers over a million square kilometers. School of the Air started in 1951.
- Curiosità sui creditiThere is a statement at the beginning of the film: "Aboriginal and Torres Strait Islander viewers should exercise caution when watching this film as it may contain images and voices of deceased persons."
- Versioni alternativeBaz Luhrman shot so much "extra" footage that he turned all of it into the miniseries "Faraway Downs" (2023).
- ConnessioniEdited from Tora! Tora! Tora! (1970)
- Colonne sonoreBy the Boab Tree
Music by Felix Meagher, Baz Luhrmann and Angela Little
Lyrics by Baz Luhrmann, Felix Meagher, Anton Monsted, Angela Little and Schuyler Weiss
Performed by Angela Little
Produced by BLAM (Baz Luhrmann & Anton Monsted), Felix Meagher and Angela Little
Mixed by Eden Martin
Recensione in evidenza
Here is a film that works on multiple levels; thrilling action adventure, detailed period piece, moving romance, stirring war movie, and it also continues the resurrection of the western.
As a result, the sum of its vast parts make for a long running film (165 min), yet every minute is filled to the brim with captivating detail.
What Luhrmann does well with Australia is tap into the majestic allure of the outback, and amplifies it. This is no surprise, since he is a master at approaching his material with a fantastical bent, creating truly memorable and often surreal sequences, which Australia provides plenty.
Aboriginal culture and its relationship with nature, in particular, have fuelled Luhrmann's imaginative vision. The heart and soul of Australia lies within the mythology and customs of Australia's indigenous people, and their often tumultuous relationship with European settlers.
This is made flesh in the form of young Nullah, a mixed race Aboriginal boy on the run from the authorities, who want to forcibly remove him from his home, and place him in a "civilised" environment. He is played by Brandon Walters, who is impressive in his debut performance.
With Nullah playing narrator, the viewer is introduced to Lady Sarah Ashley (Nicole Kidman), an English aristocrat who inherits her late husband's cattle station, which is located in the Northern Australian city of Darwin. Caught in a rivalry with fellow beef exporter King Carney (Bryan Brown), Lady Ashley enlists the services of The Drover (Hugh Jackman) to herd 1500 head of cattle in order to fulfil a contract with the Australian Army.
Both Kidman and Jackman two exceptionally gifted actors who, with the help of Australia, have overcome recent rocky patches in their careers provide noteworthy performances and believable on screen chemistry.
Tall, pale, and thin, Kidman plays regal very well, courting an in full force stiff upper lip, that gives way to several funny moments, while trying to break out of her icy exterior. Of particular mention is her vain attempt to herd cattle; and a woeful rendition of "Somewhere over the Rainbow" to a clearly amused Walters.
Jackman, meanwhile, evokes Clint Eastwood, Harrison Ford, and Humphrey Bogart to fine effect as the no nonsense, hands on Drover, while also providing eye candy for female viewers.
Supporting roles are superbly fulfilled by top shelf Australian talent: Bryan Brown is effective yet given a disappointing limited amount of screen time; Jack Thompson seems to be gleefully enjoying his role as an alcoholic lawyer; and a scene stealing David Wenham is all evil smirks and nasty attitude as the films key villain.
Yet the most impressive character in Australia has to be its awe inspiring and vibrant landscape, which is captured magnificently by cinematographer Mandy Walker.
Unfortunately, the films use of artificial visual effects does clash with the natural beauty that the outback projects.
Australia is a film which clearly parades its influences on screen. References to The African Queen, Gone with the Wind, and Big Country are particularly notable.
Yet it is no mere carbon copy of the films from decades past. Rather, Australia is an enchanting throwback to an era of film-making which strived to entertain its audiences with dazzling spectacle and melodrama, coupled with a historical snapshot of circa early 1940s Darwin, and all of the beauty and ugliness that comes with it.
As a result, the sum of its vast parts make for a long running film (165 min), yet every minute is filled to the brim with captivating detail.
What Luhrmann does well with Australia is tap into the majestic allure of the outback, and amplifies it. This is no surprise, since he is a master at approaching his material with a fantastical bent, creating truly memorable and often surreal sequences, which Australia provides plenty.
Aboriginal culture and its relationship with nature, in particular, have fuelled Luhrmann's imaginative vision. The heart and soul of Australia lies within the mythology and customs of Australia's indigenous people, and their often tumultuous relationship with European settlers.
This is made flesh in the form of young Nullah, a mixed race Aboriginal boy on the run from the authorities, who want to forcibly remove him from his home, and place him in a "civilised" environment. He is played by Brandon Walters, who is impressive in his debut performance.
With Nullah playing narrator, the viewer is introduced to Lady Sarah Ashley (Nicole Kidman), an English aristocrat who inherits her late husband's cattle station, which is located in the Northern Australian city of Darwin. Caught in a rivalry with fellow beef exporter King Carney (Bryan Brown), Lady Ashley enlists the services of The Drover (Hugh Jackman) to herd 1500 head of cattle in order to fulfil a contract with the Australian Army.
Both Kidman and Jackman two exceptionally gifted actors who, with the help of Australia, have overcome recent rocky patches in their careers provide noteworthy performances and believable on screen chemistry.
Tall, pale, and thin, Kidman plays regal very well, courting an in full force stiff upper lip, that gives way to several funny moments, while trying to break out of her icy exterior. Of particular mention is her vain attempt to herd cattle; and a woeful rendition of "Somewhere over the Rainbow" to a clearly amused Walters.
Jackman, meanwhile, evokes Clint Eastwood, Harrison Ford, and Humphrey Bogart to fine effect as the no nonsense, hands on Drover, while also providing eye candy for female viewers.
Supporting roles are superbly fulfilled by top shelf Australian talent: Bryan Brown is effective yet given a disappointing limited amount of screen time; Jack Thompson seems to be gleefully enjoying his role as an alcoholic lawyer; and a scene stealing David Wenham is all evil smirks and nasty attitude as the films key villain.
Yet the most impressive character in Australia has to be its awe inspiring and vibrant landscape, which is captured magnificently by cinematographer Mandy Walker.
Unfortunately, the films use of artificial visual effects does clash with the natural beauty that the outback projects.
Australia is a film which clearly parades its influences on screen. References to The African Queen, Gone with the Wind, and Big Country are particularly notable.
Yet it is no mere carbon copy of the films from decades past. Rather, Australia is an enchanting throwback to an era of film-making which strived to entertain its audiences with dazzling spectacle and melodrama, coupled with a historical snapshot of circa early 1940s Darwin, and all of the beauty and ugliness that comes with it.
- MattsMovieReviews
- 18 nov 2008
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Chuyện Tình Nước Úc
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 130.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 49.554.002 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.800.723 USD
- 30 nov 2008
- Lordo in tutto il mondo
- 211.788.761 USD
- Tempo di esecuzione2 ore 45 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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