Ambientata nell'Australia settentrionale prima della seconda guerra mondiale, un'aristocratica inglese che eredita un ranch fa con riluttanza un patto con un agente di magazzino per protegge... Leggi tuttoAmbientata nell'Australia settentrionale prima della seconda guerra mondiale, un'aristocratica inglese che eredita un ranch fa con riluttanza un patto con un agente di magazzino per proteggere la sua proprietà da un piano di acquisizione.Ambientata nell'Australia settentrionale prima della seconda guerra mondiale, un'aristocratica inglese che eredita un ranch fa con riluttanza un patto con un agente di magazzino per proteggere la sua proprietà da un piano di acquisizione.
- Candidato a 1 Oscar
- 12 vittorie e 37 candidature totali
Jamal Sydney Bednarz
- Mission Boy
- (as Jamal Bednarz-Metallah)
Nathin Art Butler
- Carney Boy #1
- (as Nathin Butler)
Trama
Lo sapevi?
- QuizIn an interview that aired October 16, 2008, Hugh Jackman told 60 Minutes (1979) that Nicole Kidman agreed to star in the film without reading the script. According to Jackman, she told him at a Super Bowl party that she had to be in the movie. When Jackman told her he didn't even have a script, Kidman told him to forget the script, because Baz Luhrmann was directing.
- BlooperWhen discussing Nullah's future, Sarah mentions "a wonderful School of the Air." School of the Air is a correspondence course that uses shortwave radio (and, now, the internet) to teach children in the Outback. The Alice Springs School of the Air covers over a million square kilometers. School of the Air started in 1951.
- Curiosità sui creditiThere is a statement at the beginning of the film: "Aboriginal and Torres Strait Islander viewers should exercise caution when watching this film as it may contain images and voices of deceased persons."
- Versioni alternativeBaz Luhrman shot so much "extra" footage that he turned all of it into the miniseries "Faraway Downs" (2023).
- ConnessioniEdited from Tora! Tora! Tora! (1970)
- Colonne sonoreBy the Boab Tree
Music by Felix Meagher, Baz Luhrmann and Angela Little
Lyrics by Baz Luhrmann, Felix Meagher, Anton Monsted, Angela Little and Schuyler Weiss
Performed by Angela Little
Produced by BLAM (Baz Luhrmann & Anton Monsted), Felix Meagher and Angela Little
Mixed by Eden Martin
Recensione in evidenza
It seems just about right that Baz Luhrman waited seven years after "Moulin Rouge!" to bring us "Australia". Not because it is a better movie, but because it's very different and a lot more ambitious. Of course that this has a downside, and it's fair to say it as soon as possible: "Australia" is flawed and longer than it should be, and maybe (just maybe) one day it will be viewed as the dream come true of a man very much in love with cinema, and-let's not forget-with love.
We shouldn't forget that we're talking about Baz Luhrman, we should know what to expect sometimes. Therefore, if the beginning of this film disappoints you a bit, it's completely understandable. We meet a little boy named Nullah (the very promising Brandon Walters), who talks about races and unnamed countries, about a lady everyone calls Mrs. Boss and the road that got her to Australia and more specifically to a place called Faraway Downs in the company of a man they call the Drover.
Yes, it's all quite confusing, even more when Luhrman throws in a historical context that, I suspect, he doesn't really care much about. But everything is fine because we get to meet the stars of the show. Mrs. Boss is actually called Sarah and is played by Nicole Kidman with the same air and tone of voice she's been giving us the whole decade. Her job ends up being less risky than Hugh Jackman's, who plays this Drover as a successful combination of what he's been giving us since he came into the scene: the action hero, the tough guy, the romantic and sensitive lover and the sexy man who makes women scream.
Maybe I'm not being critical enough, but there's a scene in which the Drover appears dressed up in a suit, clean-shaven I promise you that every women in the theater exhaled. Does this mean something to you? To me, it means that Luhrman's dream is a reality. Three hours of film and not getting tired one minute? Not feeling disgust when listening to cheesy phrases and watching excessively dramatic moments? "Australia" is pure melodrama, and I compliment its director for making it look that way without any shame. The keys can be seen all along the ride: the repetition of clichéd phrases, the intense close-ups, the slow-motion parts of the characters, the epic proportions of David Hirschfelder's score, the establishment of a song that accompanies the characters through their endless journey and the use of narration in places it didn't need to be; the same with some images.
However, the movie is one wonderful image after another (cinematographer Mandy Walker, from Australia-the country-; best of luck with the Oscar nomination you deserve), and it wins the audience like few movies out there these days can, providing delightful entertainment; you may discuss if it does this fairly, or if it cheats and it manipulates. You may also discuss the ambiguous ending.
One more thing. As with any dream, there's a moment in which we wake up; and that moment for Luhrman has to do with believing his picture could get to the race of Best Picture contenders, like his fantastic "Moulin Rouge!". But as I said, this movie is very different from the latter one, and Luhrman is no James Cameron That one really had it the whole way.
We shouldn't forget that we're talking about Baz Luhrman, we should know what to expect sometimes. Therefore, if the beginning of this film disappoints you a bit, it's completely understandable. We meet a little boy named Nullah (the very promising Brandon Walters), who talks about races and unnamed countries, about a lady everyone calls Mrs. Boss and the road that got her to Australia and more specifically to a place called Faraway Downs in the company of a man they call the Drover.
Yes, it's all quite confusing, even more when Luhrman throws in a historical context that, I suspect, he doesn't really care much about. But everything is fine because we get to meet the stars of the show. Mrs. Boss is actually called Sarah and is played by Nicole Kidman with the same air and tone of voice she's been giving us the whole decade. Her job ends up being less risky than Hugh Jackman's, who plays this Drover as a successful combination of what he's been giving us since he came into the scene: the action hero, the tough guy, the romantic and sensitive lover and the sexy man who makes women scream.
Maybe I'm not being critical enough, but there's a scene in which the Drover appears dressed up in a suit, clean-shaven I promise you that every women in the theater exhaled. Does this mean something to you? To me, it means that Luhrman's dream is a reality. Three hours of film and not getting tired one minute? Not feeling disgust when listening to cheesy phrases and watching excessively dramatic moments? "Australia" is pure melodrama, and I compliment its director for making it look that way without any shame. The keys can be seen all along the ride: the repetition of clichéd phrases, the intense close-ups, the slow-motion parts of the characters, the epic proportions of David Hirschfelder's score, the establishment of a song that accompanies the characters through their endless journey and the use of narration in places it didn't need to be; the same with some images.
However, the movie is one wonderful image after another (cinematographer Mandy Walker, from Australia-the country-; best of luck with the Oscar nomination you deserve), and it wins the audience like few movies out there these days can, providing delightful entertainment; you may discuss if it does this fairly, or if it cheats and it manipulates. You may also discuss the ambiguous ending.
One more thing. As with any dream, there's a moment in which we wake up; and that moment for Luhrman has to do with believing his picture could get to the race of Best Picture contenders, like his fantastic "Moulin Rouge!". But as I said, this movie is very different from the latter one, and Luhrman is no James Cameron That one really had it the whole way.
- jpschapira
- 12 gen 2009
- Permalink
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- Paesi di origine
- Lingue
- Celebre anche come
- Chuyện Tình Nước Úc
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 130.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 49.554.002 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.800.723 USD
- 30 nov 2008
- Lordo in tutto il mondo
- 211.788.761 USD
- Tempo di esecuzione2 ore 45 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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