Un trio di cantanti soul femminili nere entra nelle classifiche pop all'inizio degli anni '60, affrontando le proprie lotte personali lungo la strada.Un trio di cantanti soul femminili nere entra nelle classifiche pop all'inizio degli anni '60, affrontando le proprie lotte personali lungo la strada.Un trio di cantanti soul femminili nere entra nelle classifiche pop all'inizio degli anni '60, affrontando le proprie lotte personali lungo la strada.
- Regia
- Sceneggiatura
- Star
- Vincitore di 2 Oscar
- 67 vittorie e 93 candidature totali
Beyoncé
- Deena Jones
- (as Beyoncé Knowles)
Keith D. Robinson
- C.C. White
- (as Keith Robinson)
Mariah Iman Wilson
- Magic
- (as Mariah Wilson)
Ralph Louis Harris
- M.C.
- (as Ralph Harris)
Eddie Murphy Through the Years
Eddie Murphy Through the Years
From Reggie Hammond in 48 Hrs. to Chris Carver in Candy Cane Lane, take a look back at the iconic career of Eddie Murphy.
Trama
Lo sapevi?
- QuizThe film, and the original Broadway musical, are based heavily on The Supremes (later known as "Diana Ross & The Supremes"). Curtis Taylor, Jr. represents Motown Founder Berry Gordy. Both men worked in the automotive industry before focusing on music, and integrated aspects of the automotive business into the music making process. Both were romantically involved with the lead singer of their label's most successful female group. Effie's departure from the group closely matches Florence Ballard, whose voice was much more powerful than Ross's.
- BlooperWhen Deena and the girls perform the disco version of 'One Night Only', the stage backdrop is made up of computerized moving head lights, which didn't exist at the time.
- Citazioni
Curtis Taylor Jr.: Who was the first artist to sing "Hound Dog"?
C.C. White: Elvis Presley.
Curtis Taylor Jr.: Big Mama Thorton. She had the number-one single on the R&B charts, but the white stations wouldn't play it, because to them it was just another race record.
- Curiosità sui creditiThe film begins immediately after the distribution studio logos, with no opening titles/credits of any kind.
- Versioni alternativeIn 2017, Paramount released a "Director's Extended Edition" of "Dreamgirls." This version runs ten minutes longer than the theatrical version and contains changes which include the following:
- The opening talent show scene has extended performances of "I'm Looking' for Something'" and "Goin' Downtown," including a longer scene on the stairs outside the Detroit Theater, where Curtis offers Marty a cigarette and a sales pitch after Charlene and Joanne walk out on him, and Curtis catches a first glimpse of Deena
- Sung dialogue leading up to "Steppin' to the Bad Side" ("You've got me to think for you now...") proceeds the scene in which Curtis tells Wayne and CC of his plan to sell off the car dealership, similar to the lead-up to the song in the original Broadway show. This scene takes the place of the shorter, spoken word alternate version used in the theatrical version
- All shots of Wayne enacting Curtis' payload plans at radio stations are replaced with scenes of the Mafia members Curtis makes a deal with distributing the records and the money
- The Jimmy & the Dreamettes performance section go "Steppin to the Bad Side" is extended
- "Love You I Do" is extended by adding an instrumental break under the scene in which Michelle gets a job at Rainbow Records, and then showing Effie sing the song's second verse on camera
- "Heavy" is extended by adding a break and a chorus, and placing more emphasis on Effie keeping an eye on Deena's image taking over the TV studio monitors
- There is an extra shot of Curtis and Deena's mansion as Deena heads to the service car outside
- An extra scene shows Curtis, C.C., Wayne and other Rainbow executives at a board meeting, at which Curtis decides to finance his "Cleopatra" film pet project with a 10th anniversary special (This scene includes two F-bombs by Jamie Foxx; the Director's Extended Edition is unrated as a result)
- "Patience" is extended by adding extra choruses to the section in which Jimmy and Lorrell record the song, accompanied by a choir
- "Perfect World" is extended by including a full verse and chorus
- "I Meant You No Harm" and "Lorrell Loves Jimmy" are both extended by a few bars
- Jimmy's silent glare at Deena basking in her fame at the Rainbow 10th anniversary TV special is replaced by sung dialogue ("Because I was here long before you...") similar to the "Firing of Jimmy" scene in the original Broadway show
- "I Miss You, Old Friend" is extended by a few bars
- "Effie, Sing My Song" - sung dialogue in which C.C. and Effie reconcile - is added in place of the spoken word alternate version used in the theatrical version
- "One Night Only" is performed in full (only half is used in the theatrical version). At the conclusion of the song, Curtis' Mafia associates come to Effie's performance in Max Washington's bar, which is how they get word (and a tape) to alert Curtis
- Curtis has an extra line of dialogue when being interviewed on the Dreams' farewell performance red carpet, in which he announces that his new artist, Tania Williams, will be releasing her debut album in a month
- ConnessioniEdited into Dreamgirls: T4 Movie Special (2007)
- Colonne sonoreI'm Looking for Something
Written by Henry Krieger and Tom Eyen
Performed by Maxi Anderson, Charlene Carmen, and Keisha Heely
Produced by The Underdogs (Harvey Mason Jr. and Damon Thomas)
Published by Dreamgirls Music (ASCAP) admin. by Universal-Geffen Music and Dreamettes Music (BMI) admin. by Universal-Geffen Music
Recensione in evidenza
Screened overnite in Australia for critics and industry.
Ten minutes into director Bill Condon's adaptation of the hit musical, I whispered to my friend "There's no way the film can go at this pace for two hours!" Because up to that point, we had been utterly dazzled by breathtaking staging, impassioned performances and a display of film-making craftsmanship in all its forms (direction, editing, design) that had the packed audience stunned.
Well, two hours later, I'd been proved wrong. Condon has created a vivid, emotional spectacle that will dominate the 06/07 Oscar nominations. Dreamgirls is one of the five best movie musicals ever made.
There is really nothing new about the storyline - smalltown singers make it big and ride the roller-coaster of fame. But thats what works so well for the film - the great cinematic clichés are embraced and played to the hilt by a creative team, both behind and in front of the camera, that knows what makes a great Hollywood musical.
There's not one weak link in the cast. Condon's camera is in love with Beyonce Knowles and she handles the journey from the innocence of the groups early years to the staggering success and fortune of the group at its peak with surprising range. While most singer/actress attempts are failures (Madonna, Whitney, Britney, k.d. lang), Beyonce proves to have genuine talent.
Jamie Foxx centres and grounds the film in a less-flashy role but one that is crucial to the films credibility.
But there are two standouts. Eddie Murphy as fading star Early has never done better work. And Jennifer Hudson delivers an absolute tour-de-force performance in a role that sees her dominate every scene she is in. Her belting solo number was applauded by the audience (a rare enough occurrence during an industry screening but a moment that was repeated a few times thru the film). Hudson is a lock for the supporting actress Oscar, even this far from the ceremony.
Dreamgirls is a better movie in every way than recent award winning musicals Chicago and Moulin Rouge (both of which I am a huge fan). It is a film that tells a classic rags-to-riches story utilising great cinematic technique and bravado. 2006 has offered up some great movie-going experiences for me (Thank You For Smoking, Children Of Men, V For Vendetta, Little Miss Sunshine); for the sheer cinematic thrill it provides, however, Dreamgirls proves to be the best two hours I've spent in a cinema this year.
Ten minutes into director Bill Condon's adaptation of the hit musical, I whispered to my friend "There's no way the film can go at this pace for two hours!" Because up to that point, we had been utterly dazzled by breathtaking staging, impassioned performances and a display of film-making craftsmanship in all its forms (direction, editing, design) that had the packed audience stunned.
Well, two hours later, I'd been proved wrong. Condon has created a vivid, emotional spectacle that will dominate the 06/07 Oscar nominations. Dreamgirls is one of the five best movie musicals ever made.
There is really nothing new about the storyline - smalltown singers make it big and ride the roller-coaster of fame. But thats what works so well for the film - the great cinematic clichés are embraced and played to the hilt by a creative team, both behind and in front of the camera, that knows what makes a great Hollywood musical.
There's not one weak link in the cast. Condon's camera is in love with Beyonce Knowles and she handles the journey from the innocence of the groups early years to the staggering success and fortune of the group at its peak with surprising range. While most singer/actress attempts are failures (Madonna, Whitney, Britney, k.d. lang), Beyonce proves to have genuine talent.
Jamie Foxx centres and grounds the film in a less-flashy role but one that is crucial to the films credibility.
But there are two standouts. Eddie Murphy as fading star Early has never done better work. And Jennifer Hudson delivers an absolute tour-de-force performance in a role that sees her dominate every scene she is in. Her belting solo number was applauded by the audience (a rare enough occurrence during an industry screening but a moment that was repeated a few times thru the film). Hudson is a lock for the supporting actress Oscar, even this far from the ceremony.
Dreamgirls is a better movie in every way than recent award winning musicals Chicago and Moulin Rouge (both of which I am a huge fan). It is a film that tells a classic rags-to-riches story utilising great cinematic technique and bravado. 2006 has offered up some great movie-going experiences for me (Thank You For Smoking, Children Of Men, V For Vendetta, Little Miss Sunshine); for the sheer cinematic thrill it provides, however, Dreamgirls proves to be the best two hours I've spent in a cinema this year.
- Screen-Space
- 29 nov 2006
- Permalink
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Dettagli
Botteghino
- Budget
- 70.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 103.365.956 USD
- Fine settimana di apertura Stati Uniti e Canada
- 378.950 USD
- 17 dic 2006
- Lordo in tutto il mondo
- 155.456.301 USD
- Tempo di esecuzione2 ore 10 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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