Un gruppo di tuffatori si trova in gravi difficoltà con un criminale dopo aver trovato il carico illecito di un aereo affondato.Un gruppo di tuffatori si trova in gravi difficoltà con un criminale dopo aver trovato il carico illecito di un aereo affondato.Un gruppo di tuffatori si trova in gravi difficoltà con un criminale dopo aver trovato il carico illecito di un aereo affondato.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
Trama
Lo sapevi?
- QuizPaul Walker's Chesapeake Bay Retriever Boone played his character's dog in the film.
- BlooperWhen Amanda becomes entangled in the underwater plane, you can see a diver behind her trying to hide from the camera.
- Citazioni
Bryce: Get out of the water. There are sharks everywhere, look.
Jared: Give me my mask and my fins real quick.
Bryce: You - No, you don't need a mask. There's a shark. I swear to God. He's big. He' looks like Jaws. Get out.
Jared: Yeah, I know, but I lost my watch.
Bryce: You lost - ? You need an arm to wear a watch. Would you get out of the water, stupid? Please?
Jared: Sam gave me this watch for my birthday.
Bryce: I don't care! Sam, get...
[Sam tosses the mask and fins to Jared]
Bryce: What are you doing?
Sam: He's fine. They're just curious.
Bryce: Oh, curious as to what? As to what? What his ass tastes like?
- Versioni alternativeTo avoid controversy, Jessica Alba's bikini was digitally extended to cover her buttocks in the American version. The European version is unaltered.
- Colonne sonoreGood Old Days
Written and Performed by Ziggy Marley
Courtesy of RCA Victor
Under License from BMG Film & Television Music
The visuals are dazzling, with bright, vivid colors, and some terrific underwater photography that captures images of real sharks and real fish, not fake CGI effects. The plot stays slow, lazy, and realistic. The script then brings in an additional couple, turning the story into a semi-ensemble character setup. As the plot develops, our two photogenic couples find some interesting stuff beneath the waves, which revs up the tension and conflict, and presents characters with moral dilemmas.
But the second half deteriorates into your typical Hollywood assembly-line action flick, with a whole series of super fast edit sequences and silly, totally unrealistic, out-of-control plot points spurred on by peripheral characters that detract enormously from the two couples. Frenetic action, accompanied by irritatingly frenetic background music, ruins the second half, and makes a mockery of the story's premise.
Acting is okay, I guess, given that this is a highly physical film wherein physical attractiveness and agility probably mean more than subtle theatrical skills. If there's a weakness here it's Scott Caan, whose cocky Bryce comes across as a total jerk, with nary a redeeming quality.
"Into The Blue" is very easy to judge. It contains wonderful cinematography, especially the underwater segments. And the strong visuals get support from impressive sound effects. But the story, though it begins well, collapses in the second half. The script is to blame. And yet I can't help but think that the real villain here is some Hollywood producer, typically underestimating the intelligence of viewers, who thinks that the story doesn't really matter if there's enough eye candy and explosive, mind-blowing action.
- Lechuguilla
- 20 set 2010
- Permalink
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Dettagli
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 18.801.234 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.057.854 USD
- 2 ott 2005
- Lordo in tutto il mondo
- 46.117.696 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1