Un'analista comportamentale dell'FBI viene contattata dalla polizia franco-canadese per catturare un serial killer che si impossessa dell'identità di ogni sua vittima.Un'analista comportamentale dell'FBI viene contattata dalla polizia franco-canadese per catturare un serial killer che si impossessa dell'identità di ogni sua vittima.Un'analista comportamentale dell'FBI viene contattata dalla polizia franco-canadese per catturare un serial killer che si impossessa dell'identità di ogni sua vittima.
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- QuizA scene was shot in which Illeana drives back to her house with the old pick-up and a branch from a tree falls and breaks the windshield. It took several takes to get the shot, and apparently destroyed the last remaining windshields for the pick-up available anywhere in North America at the time. The scene was not used.
- BlooperThe three lead police investigators all speak with Parisian French accents. Quebec French is as distinct from Parisian French as British English is distinct from New York English.
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Martin Asher: That guy was nothing, alright? I didn't take his life, I lived it. I was the best thing that ever happened to that guy. You looked at him, and you saw me, and I looked at you, and I saw you, and we are the same.
- Versioni alternativeAvailable in both its R-rated theatrical version (103 min.) and in an unrated director's cut (109 min.).
Recensione in evidenza
The good news is that "Taking Lives" isn't as bad as the reviews on this board would have you believe; the bad news is that there isn't much about it that's a) unpredictable or b) new. It sports a fine cast of Angelina Jolie, Ethan Hawke, Gena Rowlands, Kiefer Sutherland, Tchéky Karyo, Jean-Hugues Anglade and Oliver Martinez. Sutherland and Rowlands, however, are completely wasted.
The film begins in the '60s with a brutal murder and then jumps to the present. An FBI profiler (Jolie) is out to nab a serial killer in Montreal who takes on the identity of his victim. A witness to one of the killings, an art gallery owner (Hawke) is cleared of suspicion. While under special protection by the police, he falls for Jolie. A woman (Gena Rowlands) comes forward, claiming to have seen her dead son, which leads the investigation to the true identity of the killer.
As others have pointed out, it's fairly derivative stuff. The filmmakers would have been better off delving more into Jolie's character - a beautiful, unmarried woman who wears a wedding ring to keep the men away and sits in her bath staring at autopsy photos and also pastes them around her bed so she can study them. Jolie gives us the inability to read the profiler but the script doesn't offer much else.
There are a couple of Swiss-cheese sized holes in this film, but mentioning them would give away the plot. For all of its lack of originality, "Taking Lives" offers some suspenseful moments and some good acting.
The film begins in the '60s with a brutal murder and then jumps to the present. An FBI profiler (Jolie) is out to nab a serial killer in Montreal who takes on the identity of his victim. A witness to one of the killings, an art gallery owner (Hawke) is cleared of suspicion. While under special protection by the police, he falls for Jolie. A woman (Gena Rowlands) comes forward, claiming to have seen her dead son, which leads the investigation to the true identity of the killer.
As others have pointed out, it's fairly derivative stuff. The filmmakers would have been better off delving more into Jolie's character - a beautiful, unmarried woman who wears a wedding ring to keep the men away and sits in her bath staring at autopsy photos and also pastes them around her bed so she can study them. Jolie gives us the inability to read the profiler but the script doesn't offer much else.
There are a couple of Swiss-cheese sized holes in this film, but mentioning them would give away the plot. For all of its lack of originality, "Taking Lives" offers some suspenseful moments and some good acting.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Taking Lives
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 45.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 32.682.342 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.458.465 USD
- 21 mar 2004
- Lordo in tutto il mondo
- 65.470.529 USD
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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