Anyone who knows director Francois Ozon only for his daft musical comedy 'Eight Women' might be rather shocked by the first scene of this movie, a nasty moment of post-marital rape. The film consists of five episodes in a couple's life (hence the title), the obvious point for comparison is Bergman's 'Scenes from a Marriage', and the novelty is that we see the episodes in reverse order. After watching the first one, I was filled with dread at the horrors I would witness thereafter, seeing the poison creep into the relationship, with a growing theme of retrospectively false hope - I thought this would be a very harrowing movie. Instead, none of this happens. Ozon samples the marriage more than tells its full story, many of the scenes hint at the subtle complexity of the relationship between man and wife, but this is not a narrative of destruction, just a collection of snapshots from two lives. There are moments of perception, others seem less adept (I didn't believe the American businessman, for example); but whereas Bergman seemed to show character as destiny, here there's an incidental quality to the plot, and though I enjoyed the movie, ultimately I wasn't quite sure of its point.
