Zir-e noor-e maah

Like many Iranian films of late (and now, not-so-late), tells a simple story with simple characters resulting in some very complex questions about life, existence, morality. Though obviously dealing with an Islamic society (and, therefore, presumably asks questions about Islam), film can be viewed by a person of any faith (including those with none) and still resonate profoundly. Asks the essential question: if God exists, how can there be so much suffering on Earth? In typical meditative style, pic tries to tell a simple story, in as clear a manner as it can. Reminiscent of all the greats, including Bergman, Bunuel & Tarkovsky, in style as well as theme, also maintains sense of humor (where the Bunuel comparison truly comes alive-'Viridiana' & 'Los Olvidados' come to mind).

Ending may provide a bit too much closure, to an otherwise wonderfully open-ended point of view, but is satisfying nonetheless. Yet another great addition to a growing body of Iranian works which affirm the seventh art status of the medium.