La città umana di Zion si difende dall'enorme invasione delle macchine mentre Neo combatte per porre fine alla guerra su un altro fronte e contrasta inoltre l'agente Smith.La città umana di Zion si difende dall'enorme invasione delle macchine mentre Neo combatte per porre fine alla guerra su un altro fronte e contrasta inoltre l'agente Smith.La città umana di Zion si difende dall'enorme invasione delle macchine mentre Neo combatte per porre fine alla guerra su un altro fronte e contrasta inoltre l'agente Smith.
- Premi
- 5 vittorie e 36 candidature
Trama
Lo sapevi?
- QuizThe street corner where Neo and Smith fight in the crater is the same corner from which Neo made his phone call at the end of Matrix (1999) - the corner of Pitt, Hunter, and O'Connell Streets in Sydney, Australia. You can see the phone booth to the right when they hit the ground.
- BlooperWhen Bane is talking to Neo while holding the knife to Trinity's throat, the blood appears and disappears on her throat.
- Citazioni
The Oracle: What about the others?
The Architect: ...What others?
The Oracle: The ones that want out.
The Architect: Obviously they will be freed.
The Oracle: I have your word?
The Architect: What do you think I am? Human?
- Curiosità sui creditiThe giant robotic head is listed in the credits as "Deus ex machina" Meaning "a god from a machine." In Greek and Roman drama, deus ex machina referred to a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
- Versioni alternativeWhen the film was released in theaters, the waste disposal machine shown at the end had red eyes but on the DVD release the eyes were changed to green. The making of documentary on the DVD still shows the machine with red eyes, obviously the documentary used older footage.
- ConnessioniEdited into The Matrix: Path of Neo (2005)
- Colonne sonoreThe Trainman Cometh
Written by Ben Watkins and Don Davis
Produced by Juno Reactor
Co-produced by Don Davis
Performed by Juno Reactor and Don Davis
Recensione in evidenza
It is hard to believe that the original Matrix's philosophical subtlety came from the same authors of the two sequels.
It seems the brothers must have cribbed the original story for the first Matrix, since the last 2 show none of the original's subtlety or interest, just rehashing and CGI multiplication.
One evil robot, two evil robots, many many evil robots. Wow, what an idea, what creativity!
Viewing the behind-the-scenes on DVD disc 2, you can see the reasons for the incoherence of story and scenes - the huge fractured design team, numerous 'senior this' 'senior that', all contributing to some corporate creation lacking any inspiration. Maybe the corporate cube-farm culture works for making cars, but it doesn't seem to work for films.
I would have liked to have seen another level of reality exposed behind the mindless machines, and why are they so mindlessly evil when they can think up such a subtle ruse to enslave the humans? It isn't consistent. Why not introduce an alien ET culture who is really the master culture enslaving the machine culture by some similar hallucinatory ruse. Or, have the humans escape by transcending their bodies, as in all the traditional gnostic spiritualities.
All in all, the Matrix is just a retread of the movie TRON. TRON at least had some insight into what the machine mindset and motivation for domination might be, e.g. tyrannical game addiction, much like the decadent Roman emperors. The Matrix, after the first film, gives no thought to any subtle motivations of the machine culture, preferring the tired cliché of 'alien villain = mindless unrelenting violence'.
It seems the brothers must have cribbed the original story for the first Matrix, since the last 2 show none of the original's subtlety or interest, just rehashing and CGI multiplication.
One evil robot, two evil robots, many many evil robots. Wow, what an idea, what creativity!
Viewing the behind-the-scenes on DVD disc 2, you can see the reasons for the incoherence of story and scenes - the huge fractured design team, numerous 'senior this' 'senior that', all contributing to some corporate creation lacking any inspiration. Maybe the corporate cube-farm culture works for making cars, but it doesn't seem to work for films.
I would have liked to have seen another level of reality exposed behind the mindless machines, and why are they so mindlessly evil when they can think up such a subtle ruse to enslave the humans? It isn't consistent. Why not introduce an alien ET culture who is really the master culture enslaving the machine culture by some similar hallucinatory ruse. Or, have the humans escape by transcending their bodies, as in all the traditional gnostic spiritualities.
All in all, the Matrix is just a retread of the movie TRON. TRON at least had some insight into what the machine mindset and motivation for domination might be, e.g. tyrannical game addiction, much like the decadent Roman emperors. The Matrix, after the first film, gives no thought to any subtle motivations of the machine culture, preferring the tired cliché of 'alien villain = mindless unrelenting violence'.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Matrix: Revoluciones
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 150.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 139.313.948 USD
- Fine settimana di apertura Stati Uniti e Canada
- 48.475.154 USD
- 9 nov 2003
- Lordo in tutto il mondo
- 427.344.325 USD
- Tempo di esecuzione2 ore 9 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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