La città umana di Zion si difende dall'enorme invasione delle macchine mentre Neo combatte per porre fine alla guerra su un altro fronte e contrasta inoltre l'agente Smith.La città umana di Zion si difende dall'enorme invasione delle macchine mentre Neo combatte per porre fine alla guerra su un altro fronte e contrasta inoltre l'agente Smith.La città umana di Zion si difende dall'enorme invasione delle macchine mentre Neo combatte per porre fine alla guerra su un altro fronte e contrasta inoltre l'agente Smith.
- Premi
- 5 vittorie e 36 candidature
Trama
Lo sapevi?
- QuizThe street corner where Neo and Smith fight in the crater is the same corner from which Neo made his phone call at the end of Matrix (1999) - the corner of Pitt, Hunter, and O'Connell Streets in Sydney, Australia. You can see the phone booth to the right when they hit the ground.
- BlooperWhen Bane is talking to Neo while holding the knife to Trinity's throat, the blood appears and disappears on her throat.
- Citazioni
The Oracle: What about the others?
The Architect: ...What others?
The Oracle: The ones that want out.
The Architect: Obviously they will be freed.
The Oracle: I have your word?
The Architect: What do you think I am? Human?
- Curiosità sui creditiThe giant robotic head is listed in the credits as "Deus ex machina" Meaning "a god from a machine." In Greek and Roman drama, deus ex machina referred to a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
- Versioni alternativeWhen the film was released in theaters, the waste disposal machine shown at the end had red eyes but on the DVD release the eyes were changed to green. The making of documentary on the DVD still shows the machine with red eyes, obviously the documentary used older footage.
- ConnessioniEdited into The Matrix: Path of Neo (2005)
- Colonne sonoreThe Trainman Cometh
Written by Ben Watkins and Don Davis
Produced by Juno Reactor
Co-produced by Don Davis
Performed by Juno Reactor and Don Davis
Recensione in evidenza
Going into this movie I had one wish: To leave feeling that it was a successful conclusion to a two-part film. Taking Reloaded/Revolutions as a single (very large) movie with an intermission is the best way to evaluate it. Viewed that way I think it succeeded. I thought Revolutions was the equal of Reloaded, yet I can see how many will think it failed. The ending gave us everything we needed to know, but did not show us all we wanted to see. I'm speaking of the last twenty minutes or so here. After a visually robust middle, in which I felt my eyes grow larger in their sockets more than once, the ending seemed like an anticlimax. It needed to be longer, and I would gladly have traded some of the fx flair used earlier to give the final part of the film it's justified due. It will be awhile before I can look at it more objectively (perhaps I'll have to wait to view the two parts as one on DVD). I only suggest now that anyone seeing it let it sink in completely before being too critical.
- puppyperson
- 4 nov 2003
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Matrix: Revoluciones
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 150.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 139.313.948 USD
- Fine settimana di apertura Stati Uniti e Canada
- 48.475.154 USD
- 9 nov 2003
- Lordo in tutto il mondo
- 427.344.325 USD
- Tempo di esecuzione2 ore 9 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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