VALUTAZIONE IMDb
5,9/10
129.560
LA TUA VALUTAZIONE
Un uomo incontra un clone di se stesso e si imbatte in una grande cospirazione sui cloni che conquistano il mondo.Un uomo incontra un clone di se stesso e si imbatte in una grande cospirazione sui cloni che conquistano il mondo.Un uomo incontra un clone di se stesso e si imbatte in una grande cospirazione sui cloni che conquistano il mondo.
- Premi
- 8 candidature totali
Rodney Rowland
- P. Wiley
- (as Rod Rowland)
Taylor Reid
- Clara Gibson
- (as Taylor Anne Reid)
Trama
Lo sapevi?
- QuizThe intro to the film gives us a history of breakthroughs in cloning tech. There is an entry on the cloning of a sheep, which is credited to "Two pioneering scientists Drs. Lerrad Yarg and Phillip Slanigan, both of the Rosaritio Institute." In real life, the two pioneering scientists were Keith Campbell and Ian Wilmut, of the Roslin Institute in Scotland. The year was 1996, not 1997. The name of the sheep, 'Dolly', is correct. Dolly lived until 2003, having been euthanized due to lung disease and severe arthritis, which were said to be unrelated to the cloning process.
- BlooperWhen Adam lands his whisper craft on the roof of the building, a security guard comes out to stop him. Adam provides his clearance to be there by presenting him with the contract he signed earlier in the movie. When the guard looks at it, you can clearly see that none of the lines are filled out.
- Citazioni
Adam Gibson: [1:33:22] If you really believe that then you should clone yourself while you're still alive.
Drucker: Why is that? So I can understand your unique perspective?
Adam Gibson: No. So you can go fuck yourself!
- Curiosità sui creditiOn the Region 1 DVD release, in "The Future Is Coming" making-of featurette, a member of the production crew (Nancy Tate) is credited as a "Cloned Consultant".
- Versioni alternativeOn the Region 6 China DVD by Excel Media, the flirting scene is cut.
- Colonne sonoreHappy Birthday to You
Written by Mildred J. Hill and Patty S. Hill
Recensione in evidenza
I recently had the pleasure of teaching the wonders of film criticism to an English composition class at Marietta College in Marietta, Ohio. The experience was enjoyable, and the class posed a number of questions. One of the more interesting questions concerned the films I had seen that I believed had potential, but ultimately failed in execution. While I have seen a number of films that fit into this category, I couldn't think of a decent example. This was because I hadn't seen "The 6th Day" yet. What could have been an interesting and exciting look at the evils of cloning was a "B" grade action film at best, despite an above-par script and one of Arnold Schwarzenegger's better roles to date.
The film's premise is heavily based in TRUE science fiction; that is, fiction having its basis in scientific truth, using projections of the future to fully examine some aspect of our society. Sorry to go into such an elaborate definition, but I believe a lot of stuff gets swept into the category of science fiction simply because it has a robot, or takes place in outer space. But I digress.
This fictional reality here deals with cloning. In the film, which takes place in the "near future," cloning is an every-day practice, but only with pets and animals. Cloning people has been outlawed, as the original human cloning project went horribly wrong. Schwarzenegger plays Adam Gibson, a decent family man and helicopter pilot chartered to fly Michael Drucker (Tony Goldwyn), a rich businessman who owns Replacement Technologies. This corporation is at the height of cloning technology, running everything from a fish cloning company to help repopulate the oceans, to "RePet," a company that clones dead family pets. There's even a rumor that the company's head doctor (Robert Duvall) is experimenting with illegal human cloning. Something goes terribly wrong on Drucker's first flight, and before he knows, Gibson discovers he has been cloned. Its up to him to discover the secret controversy, and get his life back.
With this premise, the film is wide open to make many social observations, and does so very well, on occasion. Much of the legalities concerning cloning, as well as the ethical concerns, are discussed and examined by the characters. Even though the technology exists in the future, it is not widely accepted. Some of these observations are stated with all the eloquence you could expect from an Arnold/action film, but others are done so subtly, and surprisingly, with biting humor. Much of the concept of "RePet" is quite amusing.
However, if science fiction is the film's basis, lame action sequences are its filler. In between these intriguing dialogues are shoddy, cookie-cutter action scenes one should expect from a made for TV film. No matter if it's a car chase, a laser gun shoot-out, or a helicopter battle, it all feels very dull. It's not that I'm knocking these things, because they have to appear in action film; I just wish they were done well. Ultimately, the action suffers from a lack of creativity, which ironically, is where the rest of the script excels.
And one can't blame Arnold for not trying, as he is both charming and believable in his part. His is a performance with a surprising level of humanity, especially in scenes where he's going about his daily life. One almost forgets he's an action star and begins to take him a little seriously. But don't worry, after the first half-hour he's picked up a laser gun and is fighting and one-lining his way to the climax.
I guess my one qualm with "The 6th Day" is its failed potential: with some better action sequences (like those found in "The Matrix"), this could have been a very decent film, one I would be sending you to right away. Instead, it's simply a wait-for-video flick, and by my guess, that wait won't be long.
The film's premise is heavily based in TRUE science fiction; that is, fiction having its basis in scientific truth, using projections of the future to fully examine some aspect of our society. Sorry to go into such an elaborate definition, but I believe a lot of stuff gets swept into the category of science fiction simply because it has a robot, or takes place in outer space. But I digress.
This fictional reality here deals with cloning. In the film, which takes place in the "near future," cloning is an every-day practice, but only with pets and animals. Cloning people has been outlawed, as the original human cloning project went horribly wrong. Schwarzenegger plays Adam Gibson, a decent family man and helicopter pilot chartered to fly Michael Drucker (Tony Goldwyn), a rich businessman who owns Replacement Technologies. This corporation is at the height of cloning technology, running everything from a fish cloning company to help repopulate the oceans, to "RePet," a company that clones dead family pets. There's even a rumor that the company's head doctor (Robert Duvall) is experimenting with illegal human cloning. Something goes terribly wrong on Drucker's first flight, and before he knows, Gibson discovers he has been cloned. Its up to him to discover the secret controversy, and get his life back.
With this premise, the film is wide open to make many social observations, and does so very well, on occasion. Much of the legalities concerning cloning, as well as the ethical concerns, are discussed and examined by the characters. Even though the technology exists in the future, it is not widely accepted. Some of these observations are stated with all the eloquence you could expect from an Arnold/action film, but others are done so subtly, and surprisingly, with biting humor. Much of the concept of "RePet" is quite amusing.
However, if science fiction is the film's basis, lame action sequences are its filler. In between these intriguing dialogues are shoddy, cookie-cutter action scenes one should expect from a made for TV film. No matter if it's a car chase, a laser gun shoot-out, or a helicopter battle, it all feels very dull. It's not that I'm knocking these things, because they have to appear in action film; I just wish they were done well. Ultimately, the action suffers from a lack of creativity, which ironically, is where the rest of the script excels.
And one can't blame Arnold for not trying, as he is both charming and believable in his part. His is a performance with a surprising level of humanity, especially in scenes where he's going about his daily life. One almost forgets he's an action star and begins to take him a little seriously. But don't worry, after the first half-hour he's picked up a laser gun and is fighting and one-lining his way to the climax.
I guess my one qualm with "The 6th Day" is its failed potential: with some better action sequences (like those found in "The Matrix"), this could have been a very decent film, one I would be sending you to right away. Instead, it's simply a wait-for-video flick, and by my guess, that wait won't be long.
- Tom Schulz
- 5 dic 2000
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Il sesto giorno
- Luoghi delle riprese
- Cleveland Dam, Capilano River Regional Park, North Vancouver, British Columbia, Canada(where Cadillac goes over top of dam.)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 82.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 34.604.280 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.020.883 USD
- 19 nov 2000
- Lordo in tutto il mondo
- 96.085.477 USD
- Tempo di esecuzione2 ore 3 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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