VALUTAZIONE IMDb
6,9/10
2017
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTwo sisters become victims of the patriarchal, ultra-orthodox society.Two sisters become victims of the patriarchal, ultra-orthodox society.Two sisters become victims of the patriarchal, ultra-orthodox society.
- Premi
- 3 vittorie e 9 candidature totali
Yael Abecassis
- Rivka
- (as Yaël Abecassis)
Meital Berdah
- Malka
- (as Meital Barda)
Uri Klauzner
- Yossef
- (as Uri Ran-Klausner)
Leah Koenig
- Elisheva
- (as Lea Koenig)
Amos Gitai
- Man in the bar
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizAmos Gitai began shooting on February 2, 1999 and shot the majority of the sequences in continuity. He then edited his film at the rate of 18 hours per day, to send it in mid-April to Gilles Jacob, the president of the Cannes Film Festival, who selected it immediately.
- BlooperThe scene where Yossef the zealot prays loudly for understanding the Torah is completely preposterous. An Orthodox Jew would always pray silently, even when alone. To pray in such a boorish manner would only invite ridicule.
- Versioni alternativeThe "Making of" featurette shows several scenes cut from the movie, including one of Rivka preparing a meal.
- ConnessioniFeatured in Historia Shel Hakolnoah Israeli (2009)
Recensione in evidenza
I have many ultra-Ortodox cousins in Jerusalem. As much as I love them, I will be forever uncomfortable with the status of women in the community. One of my cousins, who was in a way the younger sister I never had, is now stuck in what I view as a terrible marriage that would never last in most Western societies -- rightfully so, I think. Yet, there, it is accepted and she must live with it. (Just one example of many...)
Having said that, this movie does not portray this world with any truth, actual or figurative. This is not a story as it might have happened. Sad in a way, as the truth could have been used to make some aspects of the point Amos Gitai seems to wish to make. He also neglects the warm, loving and spiritually nurturing environment that the haredi world can be.
So, if you watch this cardboard movie, please remember it has nothing to do with the texture of reality.
Having said that, this movie does not portray this world with any truth, actual or figurative. This is not a story as it might have happened. Sad in a way, as the truth could have been used to make some aspects of the point Amos Gitai seems to wish to make. He also neglects the warm, loving and spiritually nurturing environment that the haredi world can be.
So, if you watch this cardboard movie, please remember it has nothing to do with the texture of reality.
- jeffreydorfman
- 14 mag 2007
- Permalink
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