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6,5/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThree blokes,claiming that their car is broken-down,burst into an isolated house in the Alpilles where Roger and Irène take care of maladjusted teenagers.Three blokes,claiming that their car is broken-down,burst into an isolated house in the Alpilles where Roger and Irène take care of maladjusted teenagers.Three blokes,claiming that their car is broken-down,burst into an isolated house in the Alpilles where Roger and Irène take care of maladjusted teenagers.
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- QuizThis movie is inspired by a crime novel written by Jean Amila. The adaptation is rather faithful to the genuine material. Characters, atmosphere, settings.
- Colonne sonoreCha Cha Cha du Loup
Music by Serge Gainsbourg and Alain Goraguer
Lyrics by Serge Gainsbourg
Performed by Serge Gainsbourg
Recensione in evidenza
"Les Fruits Sauvages" (1953): a bunch of youngsters escapes from their families and from the police (one of them played by promising newcomer Estella Blain has committed murder)and takes refuge in an abandoned village
"La Bonne Tisane" (1957) : an injured gangster is admitted in an hospital which becomes the place where cops and robbers settle scores; featuring again gorgeous Estella Blain as a nurse who will spend a "night to remember" .
"Les Loups Dans La Bergerie" combined the young characters from the former work and the intruders from the latter.Unfortunately ,the story is tentative ,and the director seems to be caught between two stools : the old cinema à la Delannoy ("Chiens Perdus Sans Colliers") and the broader ( are they?) horizons of the Nouvelle Vague :thus all the ending ,filmed on location (which Bromberger pulled off with gusto in "Les Fruits Sauvages " ) , lacks focus ,with actors left to their own devices ,tries to ape the free form dear to the Young Turks but only captures its looseness.
Actors directing is weak :the three bandits on the run are carbon copies of those of Wyler's "desperate hours" ; the threesome features the obligatory neurotic character :Wyler's Sam was fat and Jean-François Poron (future bland Duc De Nemours in Delannoy's overlooked "Princesse De clèves")is slim but it does not make a big difference ,and anyway Bromberger is no match for Wyler.Poron ,chuckling and shooting, gets on one's nerves after some time .The rest of the cast is a little above average :Mondy plays Mondy; the best of the lot is probably Jean-Marc Bory (future Jeanne Moreau's lover in Louis Malle's work)but he is not given a single moment to shine .
On the plus side ,the splendid landscapes, a good scene of a youngster the gangster forces to run before his car ,to the sound of the locusts and Gainsbourg's jazzy music .
The Office Catholique Du Cinema was not too hard on the movie but they wrote that a short scene (they do not mention it but I bet it's Françoise Dorléac's naked breasts )should have been cut.
This is curiosity ,certainly much more uneven than both Bromberger's movies I mention above and " Identité Judiciaire' (many consider his best) ,but certainly better than "Nagana" ;my feelings are mixed.
"La Bonne Tisane" (1957) : an injured gangster is admitted in an hospital which becomes the place where cops and robbers settle scores; featuring again gorgeous Estella Blain as a nurse who will spend a "night to remember" .
"Les Loups Dans La Bergerie" combined the young characters from the former work and the intruders from the latter.Unfortunately ,the story is tentative ,and the director seems to be caught between two stools : the old cinema à la Delannoy ("Chiens Perdus Sans Colliers") and the broader ( are they?) horizons of the Nouvelle Vague :thus all the ending ,filmed on location (which Bromberger pulled off with gusto in "Les Fruits Sauvages " ) , lacks focus ,with actors left to their own devices ,tries to ape the free form dear to the Young Turks but only captures its looseness.
Actors directing is weak :the three bandits on the run are carbon copies of those of Wyler's "desperate hours" ; the threesome features the obligatory neurotic character :Wyler's Sam was fat and Jean-François Poron (future bland Duc De Nemours in Delannoy's overlooked "Princesse De clèves")is slim but it does not make a big difference ,and anyway Bromberger is no match for Wyler.Poron ,chuckling and shooting, gets on one's nerves after some time .The rest of the cast is a little above average :Mondy plays Mondy; the best of the lot is probably Jean-Marc Bory (future Jeanne Moreau's lover in Louis Malle's work)but he is not given a single moment to shine .
On the plus side ,the splendid landscapes, a good scene of a youngster the gangster forces to run before his car ,to the sound of the locusts and Gainsbourg's jazzy music .
The Office Catholique Du Cinema was not too hard on the movie but they wrote that a short scene (they do not mention it but I bet it's Françoise Dorléac's naked breasts )should have been cut.
This is curiosity ,certainly much more uneven than both Bromberger's movies I mention above and " Identité Judiciaire' (many consider his best) ,but certainly better than "Nagana" ;my feelings are mixed.
- dbdumonteil
- 17 gen 2019
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- The Wolves in the Sheepfold
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- Tempo di esecuzione1 ora 20 minuti
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- 1.37 : 1
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By what name was Alt! alla delinquenza (1960) officially released in Canada in English?
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