L'editore di tabloid di New York City Henry deve affrontare decisioni difficili mentre affronta diverse serie sfide della vita e un'offerta di lavoro allettante.L'editore di tabloid di New York City Henry deve affrontare decisioni difficili mentre affronta diverse serie sfide della vita e un'offerta di lavoro allettante.L'editore di tabloid di New York City Henry deve affrontare decisioni difficili mentre affronta diverse serie sfide della vita e un'offerta di lavoro allettante.
- Candidato a 1 Oscar
- 1 candidatura in totale
Trama
Lo sapevi?
- QuizMany people in the press state that this film was and still is the greatest representation of what actually goes on in newspaper offices all over the world. Director Ron Howard and co-writer David Koepp are still amazed at the impact the film still has despite the fact that at the time of filming, the printed press was really started to dwindle down mostly due to financial issues and some newspapers did in fact shutter at the time but still has made a lasting impact.
- BlooperThe shooting incident occurred in Brooklyn's (fictional) 91st Precinct in the Williamsburg section, yet the two suspects are "perp walked" from 100 Centre Street, which is the Manhattan Criminal Courts. In reality, these suspects would have been processed at Brooklyn's central booking facility at 120 Schermerhorn Street, and walked IN to the building, where they would be arraigned, not OUT.
- Citazioni
Henry: I realize this doesn't exactly get us off on the right foot.
Paul Bladden, New York Sentinel: The right foot, are you out of your mind? The offer is rescinded. How stupid do you think we are? What do you think I get when I put two and two together? Three? Three and a half?
Henry: Look, I'm trying to be reasonable here, and just let me...
Paul Bladden, New York Sentinel: Why don't you just take my wallet as well?
Henry: Let me talk. Let me say something, wait a m...
Paul Bladden, New York Sentinel: Well, I hope you're satisfied, asshole! You just blew your chance to cover the world!
Henry: Really? Well guess fucking what? I don't really fucking care. You wanna know fucking why? Because I don't fucking live in the fucking world! I live in fucking New York City! So go fuck yourself!
[Henry slams down telephone back on the receiver]
Janet, Henry's Secretary: You handled that well.
Henry: Thank you.
It's a cliché to say so, but there's never a dull moment in THE PAPER. The multi-faceted storyline sucks the viewer in and doesn't let go until after the exciting, root-on-the-good-guys finale. An interesting film could have been made about any one of the angles explored here, be it the incredibly hectic behind-the-scenes workings of a major daily, the personal toll such an operation takes on its employees, or the media's tendency to oversimplify. To combine these into one film results in an infinitely mesmerizing piece of work. And let's not forget Ron Howard's direction, which is smooth and virtually flawless. The writing is equally brilliant. Whatever reaction the film tries to inflict -- laughter, excitement, surprise -- it inevitably succeeds.
The performances in THE PAPER deserve special mention. Everyone is so well cast that it's impossible to picture anyone else in these roles. Keaton has never been better in a starring role that is tailor-made to his comedic and dramatic abilities. Robert Duvall is on top of his game as the publisher whose job has cost him so much in other areas of his life. Marisa Tomei, as Mrs. Hackett, proves MY COUSIN VINNY was no fluke. (The scene where she glares at her husband in disbelief as he tells her he has to miss an important dinner with her parents is absolutely priceless). Randy Quaid is as quirky as can be as the paper's resident columnist. And although his appearances are brief, the late Spalding Gray is unforgettable as the head of a rival paper. This group of actors may very well comprise one of the most talented ensembles of the 1990s.
It's a shame THE PAPER has never received the attention it deserved. Had it been released 50 years ago, in a less cluttered era, it would most certainly be widely hailed as a classic today.
- ReelCheese
- 14 nov 2006
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Dettagli
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 38.824.341 USD
- Fine settimana di apertura Stati Uniti e Canada
- 175.507 USD
- 20 mar 1994
- Lordo in tutto il mondo
- 48.424.341 USD