VALUTAZIONE IMDb
7,1/10
3391
LA TUA VALUTAZIONE
Vengono esaminati gli ultimi sessantasette giorni della vita di Van Gogh.Vengono esaminati gli ultimi sessantasette giorni della vita di Van Gogh.Vengono esaminati gli ultimi sessantasette giorni della vita di Van Gogh.
- Premi
- 3 vittorie e 12 candidature totali
Leslie Azzoulai
- Adeline Ravoux
- (as Leslie Azoulai)
Remy Bourgeois
- Maître de danse
- (non citato nei titoli originali)
Véronique Chevallier
- La couturière
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizDaniel Auteuil was originally considered for the part of Van Gogh, but he declined. The role was then proposed to Jean-Hugues Anglade, before Jacques Dutronc was finally cast.
- ConnessioniReferenced in Cine Terapia: Cine Terapia - Diego Araujo (2017)
- Colonne sonoreDexuième Symphonie, Pour Cordes
Arthur Honegger
Symphonieorchester des Bayerischen Rundfunks
Direction: Charles Dutoit
Editions Salabert, Enregistrement : Erato Disques 45247
Recensione in evidenza
I loved every golden minute of this film. It was honest, sensitive and respectful of the artist and anyone who loves Van Gogh's paintings and wants the fly-on-the-wall glimpse of his last days on earth will be in for a wonderful experience.
Unlike such films as "Lust for Life" with the Academy Awards so visibly in mind, this one doesn't offer any mad scenes, or pulpitizing or self-mutilation. In other words, if you are looking for Kirk Douglas chewing up the scenery or Stanley Kramer, bullhorn in hand, preaching one of his messages, or, heaven forbid, "Mondo Cane", this will be a disappointment. Unlike so many biopics of artists' lives, this one doesn't sell out to the mass audience with cheap histrionics. It dares to respect its subject and treat it humanely and humbly.
Every object, every face, every scene evokes what Van Gogh would have witnessed himself before his death. Just walking through a field evokes the thrill of recognizing the scene from one of his paintings! As undramatic as it may seem to some, it's really quite exciting for those of us who revere the artist and his work. In fact, I was actually angry at the end of the film that the beauty finally had to stop.
I would recommend this with all my heart to those viewers who love Van Gogh's paintings and are in search of a film that respects the artist in his dying days. It is moving and honest.
Curtis Stotlar
Unlike such films as "Lust for Life" with the Academy Awards so visibly in mind, this one doesn't offer any mad scenes, or pulpitizing or self-mutilation. In other words, if you are looking for Kirk Douglas chewing up the scenery or Stanley Kramer, bullhorn in hand, preaching one of his messages, or, heaven forbid, "Mondo Cane", this will be a disappointment. Unlike so many biopics of artists' lives, this one doesn't sell out to the mass audience with cheap histrionics. It dares to respect its subject and treat it humanely and humbly.
Every object, every face, every scene evokes what Van Gogh would have witnessed himself before his death. Just walking through a field evokes the thrill of recognizing the scene from one of his paintings! As undramatic as it may seem to some, it's really quite exciting for those of us who revere the artist and his work. In fact, I was actually angry at the end of the film that the beauty finally had to stop.
I would recommend this with all my heart to those viewers who love Van Gogh's paintings and are in search of a film that respects the artist in his dying days. It is moving and honest.
Curtis Stotlar
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Ван Гог
- Luoghi delle riprese
- Gare, Richelieu, Indre-et-Loire, Francia(train station)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 193.205 USD
- Lordo in tutto il mondo
- 193.718 USD
- Tempo di esecuzione2 ore 38 minuti
- Colore
- Proporzioni
- 1.66 : 1
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