Un poliziotto di New York viene reclutato per tornare nella sua città natale e infiltrarsi nella mafia gestita dal fratello del suo migliore amico.Un poliziotto di New York viene reclutato per tornare nella sua città natale e infiltrarsi nella mafia gestita dal fratello del suo migliore amico.Un poliziotto di New York viene reclutato per tornare nella sua città natale e infiltrarsi nella mafia gestita dal fratello del suo migliore amico.
- Regia
- Sceneggiatura
- Star
- Frankie's Man
- (as Brian Burke)
- Frankie's Man
- (as Michael Cunningham)
Trama
Lo sapevi?
- QuizSeveral incidents in the film are based on actual testimony given by captured mobsters. The meeting in the restaurant with the Italian mobster and the dead man's hand sequences are based on the recollections of various New York gangs.
- BlooperWhen Nicholson guns down the bartender who had just been talking to Terry, the baseball bat the bartender is holding while being shot varies from being shot to pieces to being back in one piece again between shots.
- Citazioni
Terry: So I was in Boston, I just ended up there. Seemed far enough away. They come to me then, it just happened, you know how that is, things happen and other things happen and its your life. They were looking to get somebody to go undercover here, they wanted to get somebody who knew the kitchen who was known. And I coulda said no but I thought I could do it. It was like this opportunity in which I could look the entire thing in the eye. And you'd be gone, or married forgotten about me I thought. And Jack, I would leave him out of it. But it was only an idea. Nothing to do with the truth. It was just a fuckin' idea like... You believe in the angels or the saints or there's such a thing as a state of grace. And you believe it, but it's got nothing to do with reality. It just an idea. I mean you got your ideas and you got reality, and they're all... they're all fucked up.
- Colonne sonoreWhite City
Written by Shane MacGowan
Performed by The Pogues
Published by Stiff Music Limited.
Courtesy of Island Records, Inc.
In the midst of this very dangerous situation enters Terry Noonan (Sean Penn), Jackie's best friend from childhood who is now a cop and undercover with the directive to do no less than take down Frank's entire gang. In the beginning Terry seems eager to do his job, but as the reality of what he must do comes crashing down he is torn between his love for his old friend, and his duty as a policeman. This is further complicated by the fact that Jackie's sister Kathleen (Robin Wright Penn) and Terry were childhood sweethearts. As Terry renews his relationship with both Jackie and Kathleen he begins to lose his identity and his soul as he is torn apart by the things he must do as a policeman, what he sees being done by Frank and his gang, and his deepening relationship with Kathleen.
Oldman delivers an explosive performance and he seems to become even more unhinged and unpredictable each moment that he and Penn spend together. The true beauty of his performance is the fact that we know how intelligent Oldman is; yet he is totally believable as this half-witted madman who is rushing towards his own demise. It is Penn though that has the heavy lifting to do, because he doesn't have the luxury of hiding behind the frenetic machinations that Oldman's character does. You actually feel pain as you watch Terry get in deeper and deeper, drinking more and more, sleeping less and less, losing his direction and his mind.
The music by Ennio Morricone is haunting, brooding and electrifying; perfectly suited to the evolving story on screen. As we watch Terry betray his friends and himself, it seems as if pieces of him actually float away, carried on the wings of Morricone's music. Robin Wright Penn also delivers as a young woman who is desperately trying to escape the mean streets of the Kitchen, the violent world of her brothers, and her meager upbringing. She also underestimated what being with Terry would mean, especially after learning Terry's true identity. She is sucked back into what she has tried so hard to become free of, and must watch as her family and Terry disintegrates.
The entire movie is set upon a collision course between Terry and Frank, and when they finally collide, director Phil Joanou films it almost like a dream sequence. The power of this film is how it manages to so vividly portray one man's attempt to finally confront his past and his own character flaws. All of us have demons and we promise and strive to finally confront them, but do we ever? Facing our fears is one thing, but the true measure of a person's character is how we perform when that fear stares into us, face to face. Here, Terry comes full circle and finally confronts the demons of his youth, and the showdown might cost his life.
Watch this film for the terrific performances of all the lead actors, for the fantastic music, the frenetic action, and the moving drama, but watch it also to ask yourself, what are your demons, when will you finally face them and what will happen when you do?
- Bladerunner•
- 6 apr 2007
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Estado de gracia
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 18.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.911.542 USD
- Fine settimana di apertura Stati Uniti e Canada
- 179.927 USD
- 16 set 1990
- Lordo in tutto il mondo
- 1.911.542 USD
- Tempo di esecuzione2 ore 14 minuti
- Colore
- Proporzioni
- 1.85 : 1