"Tarana" (1979) was perhaps the last movie from the Rajshri banner which delivered a super-hit and then followed spate of flops. A decade later 1989, Sooraj Barjatya stealthily pulled a miraculous feat. The end result was "Maine Pyar Kiya". He ensured the product was high on family values which Rajshri banner is best known for. In all honesty ad-mist all the contaminated films that were around "Maine Pyar Kiya" was a whiff of fresh air. Loaded with ten songs it was Bollywood musical at its best. With the unadulterated & pristine love-story Sooraj ensured the young generation walked over the clouds. Every teenager was practically mouthing the lines from "Maine Pyar Kiya" (predominantly "No sorry, no thanks" and "I love you so much that it hurts" Ouch!!). Nearly forgot, the nation had suddenly taken penchant for the pigeons as Mr. Barjatya in the performance review did a job enlargement (read that makeover of a postman).
Bhagyashree became a national persona of "girl next door". Just like Dimple Kapadia she bid adieu to the stardom to live happily ever-after. How I wish all the fairy-tales would turn true.
Salman Khan became every teenager's poster boy. The nation suddenly looked up to this guy's well tones muscles who gave a new meaning for a must-have qualities of an actor.
Alok Nath, Reema Lagoo & Rajeev Varma were adequate.
Lakshmikant Berde was a new comedian on the block. Sadly he couldn't catapult to the same success levels in subsequent outings.
Raam-Laxman, a Rajshri regular suddenly was the most sought-after musician and needless to say, he made hay while the sun shines. Lata as usual was her melodious best. S P Bala was once again noticed after "Ek Duje Ke Liye" and became Salman Khan's regular playback for a while.
Sooraj Barjatya poured his heart and soul into "Maine Pyar Kiya" and it showed. Sadly his subsequent ventures could not match up to the pinnacle of "Maine Pyar Kiya".