VALUTAZIONE IMDb
6,8/10
1932
LA TUA VALUTAZIONE
Il marito di una giovane donna torna ferito dopo la prima guerra mondiale. Di fronte a una vita con un marito ormai incapace di attività sessuale, inizia una relazione con il giardiniere.Il marito di una giovane donna torna ferito dopo la prima guerra mondiale. Di fronte a una vita con un marito ormai incapace di attività sessuale, inizia una relazione con il giardiniere.Il marito di una giovane donna torna ferito dopo la prima guerra mondiale. Di fronte a una vita con un marito ormai incapace di attività sessuale, inizia una relazione con il giardiniere.
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Lo sapevi?
- QuizSean Bean (Oliver Mellors) was called back at the beginning of filming to shoot extra shots on his previous film, Giochi di potere (1992) - and during a fight scene, Harrison Ford hit him with a boat hook, which left him with stitches, and later a scar, below his eye.
- Citazioni
Lady Chatterley: It's never the obvious that happens, is it?
- ConnessioniFeatured in Points of View: Episodio #26.21 (1993)
Recensione in evidenza
Yes, this is a fascinating movie. But it raises questions of yesterday's class differences, and today's male prudery. Here's the question: as they have it all ways, including Greek, why does Ms. Richardson have to portray her everything over and over, but M'sieu Bean, that hunk, is carefully covered so his 'dangly bits' don't show. Read the biography and you'll see how hard they had to work to make sure he DIDN'T portray full male nudery. How come, I ask? Is it because male directors are so afraid of their size problems, that they don't dare breech that frontier? If one shows, then the others will have to. And please!!! I'm not promiscuous or a nympho, but Richardson was obviously contemplating a dental appointment in the 'throes of her passion'. And Bean was obviously pushing a sack of potatoes up a hill. Why won't those directors make some shots from behind the woman's viewpoint, and let us see the male faces during intercourse? That is not obscene, and when there is both love and lust, there IS a difference as most human beings know. OK, and why aren't we shown the most telling and lasting scene from the book: where Connie wreathes Mellor's willy in flowers. I read this as a teen=ager and I still remember that mental image 40 years later. So why not, Mr. Russell? You're so 'outrageous', yeah. Not so. The gorgeous ENglish country house, oh, it's to swoon over with all the paintings. Yes, Russell can indeed photograph beautifully England. The lines about the colliers and the serving class right in front of them, and the photo switch to the maids' tight faces was genius, pure genius. Even if the paralyzed husband was a wee bit cartoonery in his outrageous insensitivity. D.E. Lawrence is known as a misogynist and this ditzy Connie was no exception. She was so flighty it's amazing and I'm wondering what Canada would have done to the REAL spoiled darling, beset with the turmoil and strains of pregnancy and a primitive culture. Of course, we have a class conscious culture here in the U.S., but I don't think it's quite as ludicrous as the English was. (I know Northern English salesmen with their wierd accents who are so cute. And the line where the sister asks Mellors to speak English 'properly' without the dialect is precious. can it be from the movie? So, OK, Sean. Now let's give them a movie where love-making is really shown as love on the face. Not as simply an animal maneuver.
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What is the Brazilian Portuguese language plot outline for Lady Chatterley (1993)?
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