VALUTAZIONE IMDb
7,0/10
42.117
LA TUA VALUTAZIONE
Henry, un vagabondo, commette una serie di brutali omicidi, operando impunemente.Henry, un vagabondo, commette una serie di brutali omicidi, operando impunemente.Henry, un vagabondo, commette una serie di brutali omicidi, operando impunemente.
- Premi
- 9 vittorie e 8 candidature totali
Benjamin Passman
- Kid with Football #2
- (as Benjamen Passman)
Trama
Lo sapevi?
- QuizMichael Rooker said he was working as a janitor when he auditioned for the part of Henry, and went to the audition in his janitor uniform. He got the part, and continued to wear his uniform throughout the film shoot. He only had one jacket, though, and he took it off before he "killed" anyone, so he wouldn't get blood on it.
- BlooperDuring the home invasion scene, the boy can be seen breathing after being killed.
- Citazioni
Store clerk: How about those Bears?
Henry: Fuck the Bears.
- Curiosità sui creditiBefore the film begins, the following text is shown: "This film is a fictional dramatization of certain events. 'Henry' is not intended to be an accurate portrayal of a true story. The film is based partly on confessions of a person named Henry, many of which he later recanted. As to Otis and Betty, the film is fictional."
- Versioni alternativeThe film has had a long and complex relationship with the BBFC. In 1990, distributor Electric Pictures submitted it for classification with 38 seconds already removed (the pan across the hotel room and into the bathroom, revealing the semi-naked woman on the toilet with a broken bottle stuck in her mouth). Electric Pictures had performed this edit themselves without the approval of director John McNaughton because they feared it was such an extreme image so early in the film, it would turn the board against them. The film was classified 18 for theatrical release in April 1991, but only if 24 seconds were cut from the family massacre scene (primarily involving the shots where Otis gropes the mother's breasts both prior to killing her and after she is dead). Total time cut from the film: 62 seconds.
- ConnessioniFeatured in Gorgon Video Magazine (1989)
- Colonne sonoreToo Old for These Blues
Written by T.K. Thady
Performed by Kid Tater and The Cheaters
Recensione in evidenza
A flat disturbing film, almost documentary in scope which trawls the depths of the human condition. 'Henry' is not surprisingly often slated as a violent exploitation film, bundled together at Film Fairs with the Italian cannibal flicks of the 70's.
Make no mistake though, this is a highly commendable piece of movie-making, which tackles the subject of serial killers with the same no-holds-barred approach which 'M' did way back in 1931. By referencing the early Fritz Lang classic, I am intentionally comparing 'Henry' favourably with it. I would also say that Henry Rooker's performance is on a par with Peter Lorre's.
The film develops like a three-handed play, revolving around Henry's flat which he shares with former prison-mate, Otis. The trio is made up by Becky, the sister of Otis, who comes to visit.
We are introduced to Henry immediately as a killer and the story does exactly what it says it will in the film's title. We simply follow Henry throughout his daily routine. No mention is given to any police enquiries and Henry is oblivious to any notion of avoiding capture or covering his tracks. Much of the film's power comes from this nonchalant approach, whereby if a person doesn't register that something he is doing is wrong, then it quickly becomes almost acceptable.
Rooker, in the title role, is totally convincing and gives a chilling performance, free from the mannerism clichés which detract from more famous serial killer characters like Hannibal Lector and Norman Bates. I can only think of Kevin Spacey in 'Seven' (1995) giving a similar level of performance for this character-type.
Despite a couple of scenes whose violent content borders on the gratuitous, for the most part 'Henry' succeeds by relying on a suffocating atmosphere and it's down-beat characters.
Anyone without a sense of desolation at the end of the film must be devoid of their senses.
BEST SCENE - Henry and Otis enjoying a night in on the sofa, watching their recent home-video recordings, is one of the most disturbing scenes I can remember watching.
Make no mistake though, this is a highly commendable piece of movie-making, which tackles the subject of serial killers with the same no-holds-barred approach which 'M' did way back in 1931. By referencing the early Fritz Lang classic, I am intentionally comparing 'Henry' favourably with it. I would also say that Henry Rooker's performance is on a par with Peter Lorre's.
The film develops like a three-handed play, revolving around Henry's flat which he shares with former prison-mate, Otis. The trio is made up by Becky, the sister of Otis, who comes to visit.
We are introduced to Henry immediately as a killer and the story does exactly what it says it will in the film's title. We simply follow Henry throughout his daily routine. No mention is given to any police enquiries and Henry is oblivious to any notion of avoiding capture or covering his tracks. Much of the film's power comes from this nonchalant approach, whereby if a person doesn't register that something he is doing is wrong, then it quickly becomes almost acceptable.
Rooker, in the title role, is totally convincing and gives a chilling performance, free from the mannerism clichés which detract from more famous serial killer characters like Hannibal Lector and Norman Bates. I can only think of Kevin Spacey in 'Seven' (1995) giving a similar level of performance for this character-type.
Despite a couple of scenes whose violent content borders on the gratuitous, for the most part 'Henry' succeeds by relying on a suffocating atmosphere and it's down-beat characters.
Anyone without a sense of desolation at the end of the film must be devoid of their senses.
BEST SCENE - Henry and Otis enjoying a night in on the sofa, watching their recent home-video recordings, is one of the most disturbing scenes I can remember watching.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Henry: Portrait of a Serial Killer
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 111.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 609.939 USD
- Lordo in tutto il mondo
- 609.939 USD
- Tempo di esecuzione1 ora 23 minuti
- Colore
- Proporzioni
- 1.33 : 1
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By what name was Henry - Pioggia di sangue (1986) officially released in India in Hindi?
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