VALUTAZIONE IMDb
6,4/10
33.403
LA TUA VALUTAZIONE
Lo spirito di un pilota recentemente scomparso, aiuterà il nuovo pilota a conquistare la ragazza che ha dovuto lasciare.Lo spirito di un pilota recentemente scomparso, aiuterà il nuovo pilota a conquistare la ragazza che ha dovuto lasciare.Lo spirito di un pilota recentemente scomparso, aiuterà il nuovo pilota a conquistare la ragazza che ha dovuto lasciare.
- Premi
- 3 candidature
Ascension Fuentes
- Child on Bus
- (as Acencion Fuentes)
Trama
Lo sapevi?
- QuizThis was Audrey Hepburn's final film before her death on January 20, 1993 at the age of 63. She accepted the role of Hap because she wanted to work with Steven Spielberg.
- BlooperThe Douglass A-26 Invader Air Tanker is powered by two 2,000 HP engines and empty, weighs about 23,000 Lbs. When it drops its 1200 gallons of fire retardant, it suddenly loses almost 11,000 Lbs. There should be no problem in getting the plane to climb after the drop. In fact, after a drop, keeping the plane from climbing too fast can be a problem.
- Citazioni
Dorinda Durston: It's not the dress... it's the way you see me.
- Curiosità sui creditiOn the Blu Ray release, at the very end of the end credits, there is a warning. It reads, in quotation marks: "Caution: Inhaling of helium from balloons is dangerous, and can cause serious injury or death."
- Versioni alternativeIn the bar scene early in the movie, when Pete is trying to give the wrapped gift to Dorinda and she is resistant, this is almost perfect duplication of a scene early in the movie "A Guy Named Joe," upon which this movie is based. In both movies, Jack finally jokingly throws the box over Dorinda's head and it lands on a flight of stairs, falling open, revealing the elegant dress. And in both movies, Dorinda's attitude and manner completely change when she turns around and sees the dress.
- Colonne sonoreSmoke Gets in Your Eyes
Written by Jerome Kern and Otto A. Harbach (as Otto Harbach)
Performed and Produced by JD Souther
Recensione in evidenza
Spielberg deserves a fresh look. I open with that because as I read the decidedly mixed thoughts on this and other films of his, I notice the same thought over and over again. People who review Spielberg usually want to pigeonhole him into a type: the ET-warm-and-fuzzy-alien children's storyteller versus the special-effects-heavy-but-rather-empty-plot dreamer. All the while there is the generic whine of 'why doesn't he ever try to do something else (SCHINDLER'S LIST notwithstanding)?' Then when he does, as evidenced here, there are wails of dissatisfaction that he tried to do something over his head. Oy.
It's so silly to label and categorize a filmmaker so much. ALWAYS is, first and foremost, a love story. A remake of an earlier film to be sure, but even this 1989 treatment looks and feels nostalgic with its amber-tinted cinematography, the sentimental presentation of the devoted fighter pilots, even Holly Hunter's birthday gift of 'girl clothes' tips a hat to 1940's elegance. And you can't get more nostalgic than the appearance of the ageless, magical Audrey Hepburn (sharp as a tack in her last film as a bright-eyed, no-nonsense angel). All of Hepburn's scenes with Richard Dreyfuss are wonderful (especially the first one when she tries- slightly befuddled- to explain his state of existence), as is the leitmotiv of "Smoke Gets In Your Eyes-" used in two dance sequences with Dreyfuss and Hunter: one at a charming birthday party (watching all the burly firemen clean up is a riot), the other in a bewitching soliloquy of mourning. And once again, John Goodman rises to the occasion as the best friend anyone could ever have. Just saw it on TCM, rounding out a July 2005 tribute to Ms. Hepburn. You should check it out.
It's so silly to label and categorize a filmmaker so much. ALWAYS is, first and foremost, a love story. A remake of an earlier film to be sure, but even this 1989 treatment looks and feels nostalgic with its amber-tinted cinematography, the sentimental presentation of the devoted fighter pilots, even Holly Hunter's birthday gift of 'girl clothes' tips a hat to 1940's elegance. And you can't get more nostalgic than the appearance of the ageless, magical Audrey Hepburn (sharp as a tack in her last film as a bright-eyed, no-nonsense angel). All of Hepburn's scenes with Richard Dreyfuss are wonderful (especially the first one when she tries- slightly befuddled- to explain his state of existence), as is the leitmotiv of "Smoke Gets In Your Eyes-" used in two dance sequences with Dreyfuss and Hunter: one at a charming birthday party (watching all the burly firemen clean up is a riot), the other in a bewitching soliloquy of mourning. And once again, John Goodman rises to the occasion as the best friend anyone could ever have. Just saw it on TCM, rounding out a July 2005 tribute to Ms. Hepburn. You should check it out.
- movibuf1962
- 27 lug 2005
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- How long is Always?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Always
- Luoghi delle riprese
- Sprague, Washington, Stati Uniti(walking through wheat field)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 31.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 43.858.790 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.713.480 USD
- 25 dic 1989
- Lordo in tutto il mondo
- 74.134.790 USD
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Proporzioni
- 1.85 : 1
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By what name was Always - Per sempre (1989) officially released in India in English?
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