VALUTAZIONE IMDb
6,4/10
33.400
LA TUA VALUTAZIONE
Lo spirito di un pilota recentemente scomparso, aiuterà il nuovo pilota a conquistare la ragazza che ha dovuto lasciare.Lo spirito di un pilota recentemente scomparso, aiuterà il nuovo pilota a conquistare la ragazza che ha dovuto lasciare.Lo spirito di un pilota recentemente scomparso, aiuterà il nuovo pilota a conquistare la ragazza che ha dovuto lasciare.
- Premi
- 3 candidature
Ascension Fuentes
- Child on Bus
- (as Acencion Fuentes)
Trama
Lo sapevi?
- QuizThis was Audrey Hepburn's final film before her death on January 20, 1993 at the age of 63. She accepted the role of Hap because she wanted to work with Steven Spielberg.
- BlooperThe Douglass A-26 Invader Air Tanker is powered by two 2,000 HP engines and empty, weighs about 23,000 Lbs. When it drops its 1200 gallons of fire retardant, it suddenly loses almost 11,000 Lbs. There should be no problem in getting the plane to climb after the drop. In fact, after a drop, keeping the plane from climbing too fast can be a problem.
- Citazioni
Dorinda Durston: It's not the dress... it's the way you see me.
- Curiosità sui creditiOn the Blu Ray release, at the very end of the end credits, there is a warning. It reads, in quotation marks: "Caution: Inhaling of helium from balloons is dangerous, and can cause serious injury or death."
- Versioni alternativeIn the bar scene early in the movie, when Pete is trying to give the wrapped gift to Dorinda and she is resistant, this is almost perfect duplication of a scene early in the movie "A Guy Named Joe," upon which this movie is based. In both movies, Jack finally jokingly throws the box over Dorinda's head and it lands on a flight of stairs, falling open, revealing the elegant dress. And in both movies, Dorinda's attitude and manner completely change when she turns around and sees the dress.
- Colonne sonoreSmoke Gets in Your Eyes
Written by Jerome Kern and Otto A. Harbach (as Otto Harbach)
Performed and Produced by JD Souther
Recensione in evidenza
Always is a landmark film in Steven Spielberg's canon for more than one reason. It would be the first time Spielberg would adapt someone else's work, and also it would see Spielberg caught in transition between bidding farewell to childhood memories and a crowd pleasing necessity. In fact it is not too bold to say that without Always, Spielberg could not have progressed into the superlative director he most assuredly is. Often wrongly thought of as a Spielberg flop, it actually grossed $74,134,790 worldwide, that's three times what it cost to make. Always is awash with sentimentality, the kind that Spielberg detractors use to constantly berate the director as being his safe haven calling card, yet it's an oddly tender movie about loss, love and the need to move on from former yearnings. Working from the excellent original source by Dalton Trumbo called A Guy Named Joe, Spielberg crafts his tale with deftly visual flourishes aiding the sweet nature of the piece, none more so than when Audrey Hepburn arrives {in her last film appearance} as Pete's angel guide, Hap.
Richard Dreyfuss takes the lead role of Pete Sandwich, with both he and Spielberg sharing a passion for A Guy Named Joe. So much so that Spielberg honoured a promise to Dreyfuss back in the Jaws days that he would cast him should he ever remake the film. Holly Hunter takes on the pivotal female lead of Dorinda and does brilliant work, all doe eyed beauty fusing with tight emotion that has the discerning viewer eating out of her hands. John Goodman is suitably ebullient as Al Yackey, with Spielberg framing him rather well in certain scenic sequences, while the only weak link in the film is probably Brad Johnson as Ted Baker, but time has been kind to his performance and it doesn't quite jar as much as it used too. The critics hated it on release and the watching public were most indifferent to it as well. Yet it's definitely one to revisit as we all get older, be it with a loved one or during times of reflection. You obviously can't get away from the sentimental aspects of it, but sometimes sentiment is a necessity to smooth out those rough edges. Charming, delightful and a real important film in Steven Spielberg's career. 7/10
Richard Dreyfuss takes the lead role of Pete Sandwich, with both he and Spielberg sharing a passion for A Guy Named Joe. So much so that Spielberg honoured a promise to Dreyfuss back in the Jaws days that he would cast him should he ever remake the film. Holly Hunter takes on the pivotal female lead of Dorinda and does brilliant work, all doe eyed beauty fusing with tight emotion that has the discerning viewer eating out of her hands. John Goodman is suitably ebullient as Al Yackey, with Spielberg framing him rather well in certain scenic sequences, while the only weak link in the film is probably Brad Johnson as Ted Baker, but time has been kind to his performance and it doesn't quite jar as much as it used too. The critics hated it on release and the watching public were most indifferent to it as well. Yet it's definitely one to revisit as we all get older, be it with a loved one or during times of reflection. You obviously can't get away from the sentimental aspects of it, but sometimes sentiment is a necessity to smooth out those rough edges. Charming, delightful and a real important film in Steven Spielberg's career. 7/10
- hitchcockthelegend
- 21 apr 2009
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- How long is Always?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Always
- Luoghi delle riprese
- Sprague, Washington, Stati Uniti(walking through wheat field)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 31.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 43.858.790 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.713.480 USD
- 25 dic 1989
- Lordo in tutto il mondo
- 74.134.790 USD
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Proporzioni
- 1.85 : 1
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Divario superiore
By what name was Always - Per sempre (1989) officially released in India in English?
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