VALUTAZIONE IMDb
5,8/10
4394
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA woman and a doctor's twin trace Los Angeles Jack the Ripper.A woman and a doctor's twin trace Los Angeles Jack the Ripper.A woman and a doctor's twin trace Los Angeles Jack the Ripper.
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- 1 candidatura in totale
Trama
Lo sapevi?
- QuizDirector Rowdy Harrington originally wanted the movie to be titled "Red Rain" and Peter Gabriel's song of the same name was meant to play at the opening credits. Since this was a low budget film, he couldn't get the rights to the song, so he hired Paul Saax to compose the song "Red Harvest" instead. Shortly before the movie release, the studio felt that the title "Red Rain" had no relation to the plot so they decided to change to a more appealing title, "Jack's Back".
- BlooperIdentical twins do not have the same fingerprints.
- Citazioni
Sam Hilliard: This is an emergency. May we come in?
Chris Moscari: I'm not really dressed.
Scott Morofsky: It's okay, we're police officers.
Recensione in evidenza
Rating: *** out of ****
Despite having one of the worst titles I've ever heard, Jack's Back is actually a nifty little thriller, a true hidden gem if I ever saw one. I happened to come across the film at a used video store (like the title, the cover box is pretty awful, too) (makes you wonder if the trailers and TV promos were also just as lame), and being a James Spader fan, decided to give it a look. Nice to see this turned out to be one of the better impulse buys I've made in a while.
The title refers to Jack the Ripper, or more specifically, a copycat who's committing similar murders in Los Angeles on the same days on the hundredth anniversary of when the original killings occurred. Without giving anything away, I'll simply say that James Spader and Cynthia Gibb are the protagonists who are searching for the killer, even though Spader himself might be the one.
Despite a plot that plays somewhat like a routine thriller, the story is still fairly enjoyable for what it is. There are a few plot twists and turns, some unpredictable, some which are fairly obvious. Fans of whodunnits (and let's face it, I think everyone enjoys a good whodunnit every once in a while) will find just enough intriguing detail to make this at least an average viewing.
But what sets this apart from many thrillers, particularly those of the late 80's, is the emphasis on characters. Writer/director Rowdy Herrington probably spends even more time developing the lead protagonists than he does fueling the main plot (I can actually see how this might somewhat disappoint whodunnit fans hoping for a very convoluted plot, or slasher fans expecting more, well, slashing). Consequently, the suspense is ratcheted up a few notches and we find ourselves caring about the outcome.
Most of the credit for this should go to Spader, who delivers a terrifically charismatic and extremely likable performance. He plays a man who's hardly a saint, but realistic in that he's flawed, and simultaneously more than capable of showing a genuine conscience. Cynthia Gibb (who's very cute) works well with Spader, she's charmingly convincing and adorable. The rest of the cast isn't really worth mentioning except for maybe Robert Picardo as a thoughtful police psychologist (who happens to live in a mansion, no less). Everybody else is mostly present to act as suspects or people who are simply in Spader's way.
Herrington's direction is quite good, setting up a creepy atmosphere, nicely accompanied with an equally creepy score. It's Herrington's storytelling that could use more work. While many details are set up well, the finale stumbles due to a rather large leap in logic. To some, the film's conclusion might also seem rather abrupt, without quite enough explanation for all that transpired. If Herrington had tightened up his story, he might have had a great thriller on his hands. As it is, this is merely a good movie that rates well above average. But I shouldn't be complaining. Jack's Back is a pleasant surprise, even moreso for a movie with such an awful title.
Despite having one of the worst titles I've ever heard, Jack's Back is actually a nifty little thriller, a true hidden gem if I ever saw one. I happened to come across the film at a used video store (like the title, the cover box is pretty awful, too) (makes you wonder if the trailers and TV promos were also just as lame), and being a James Spader fan, decided to give it a look. Nice to see this turned out to be one of the better impulse buys I've made in a while.
The title refers to Jack the Ripper, or more specifically, a copycat who's committing similar murders in Los Angeles on the same days on the hundredth anniversary of when the original killings occurred. Without giving anything away, I'll simply say that James Spader and Cynthia Gibb are the protagonists who are searching for the killer, even though Spader himself might be the one.
Despite a plot that plays somewhat like a routine thriller, the story is still fairly enjoyable for what it is. There are a few plot twists and turns, some unpredictable, some which are fairly obvious. Fans of whodunnits (and let's face it, I think everyone enjoys a good whodunnit every once in a while) will find just enough intriguing detail to make this at least an average viewing.
But what sets this apart from many thrillers, particularly those of the late 80's, is the emphasis on characters. Writer/director Rowdy Herrington probably spends even more time developing the lead protagonists than he does fueling the main plot (I can actually see how this might somewhat disappoint whodunnit fans hoping for a very convoluted plot, or slasher fans expecting more, well, slashing). Consequently, the suspense is ratcheted up a few notches and we find ourselves caring about the outcome.
Most of the credit for this should go to Spader, who delivers a terrifically charismatic and extremely likable performance. He plays a man who's hardly a saint, but realistic in that he's flawed, and simultaneously more than capable of showing a genuine conscience. Cynthia Gibb (who's very cute) works well with Spader, she's charmingly convincing and adorable. The rest of the cast isn't really worth mentioning except for maybe Robert Picardo as a thoughtful police psychologist (who happens to live in a mansion, no less). Everybody else is mostly present to act as suspects or people who are simply in Spader's way.
Herrington's direction is quite good, setting up a creepy atmosphere, nicely accompanied with an equally creepy score. It's Herrington's storytelling that could use more work. While many details are set up well, the finale stumbles due to a rather large leap in logic. To some, the film's conclusion might also seem rather abrupt, without quite enough explanation for all that transpired. If Herrington had tightened up his story, he might have had a great thriller on his hands. As it is, this is merely a good movie that rates well above average. But I shouldn't be complaining. Jack's Back is a pleasant surprise, even moreso for a movie with such an awful title.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Delitti perfetti
- Luoghi delle riprese
- 901 E. Edgeware Road, Los Angeles, CA 90026, Stati Uniti(Interior and exterior. John Wesford's apartment.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 USD (previsto)
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