Aggiungi una trama nella tua linguaSpalding Gray discusses his participation in the film Urla del silenzio (1984) and the background story about the troubles of Cambodia.Spalding Gray discusses his participation in the film Urla del silenzio (1984) and the background story about the troubles of Cambodia.Spalding Gray discusses his participation in the film Urla del silenzio (1984) and the background story about the troubles of Cambodia.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 candidature totali
- Additional Cast from 'The Killing Fields'
- (filmato d'archivio)
- Additional Cast from 'The Killing Fields'
- (filmato d'archivio)
Trama
Lo sapevi?
- QuizThe cover of Gray's spiral notebook is an illustration of Ronald McDonald kicking a soccer ball.
- Citazioni
[last lines]
Spalding Gray: Farewell, to the fantastic breakfasts, free every morning and there they were, waiting on you with the papaya, mango, and pineapple like I'd never tasted before. Farewell, to the Thai maids with the king-sized cotton sheets and the big king-sized beds. Farewell, to the fresh meat flown in from America, daily. Roast potatoes, green beans and roast lamb, at 110 degrees under a circus tent, according to British Equity. Farewell to the drivers with the tinted glasses and the Mercedes with the tinted windows. Farewell to the cakes, teas and ices every day exactly at four o'clock. Farewell to those beautiful smiling people. Farewell to that single, fresh rose in a vase on my bureau every day. And just as I was climbing into that first-class seat, and wrapping myself in a blanket, just as I was adjusting my pillow behind my head, and having a sip of that champagne, and just as I was bringing down and adjusting my Thai purple sleep mask... I had an inkling, I had a flash... I suddenly thought I knew what it was that had killed Marilyn Monroe...
- Versioni alternativeA&E cuts out the part of the sex performer doing tricks with her vagina (including the banana hitting the wall, which Gray alludes to early in the act.) In addition, the scene uses different close-ups, and ends with "boobly oobly."
For one thing, -Monster in a Box- was very well directed, and the "special effects" do not get in the way. But in -Swimming to Cambodia-, the sound effects are often too loud, and thecutting is too quick and artsy, when it should have been nothing but slow pans and zooms, sort of like -My Dinner With Andre-. Then there is this awful effect with the lights, basically shutting them off to cut the emotional rhythm. This was unneeded. Gray's performance itself establishes rhythm enough.
My second big complaint is with the monologue itself. It is mostly very interesting, but it is not polished or cohesive. Just as he does in -Monster in a Box-, Gray alternates between very hilarious narrative (such as the descriptions of the sex acts in Thailand) and very harrowing narrative (such as the descriptions of Pol Pot's revolution). That technique works extraordinarily in -Monster in a Box-, but the two halves of the narratives don't seem to do with each other at all. The funny half concerns the work on the movie -The Killing Fields-, and the harrowing half very intensely examines the true story of the Kamir Rouge and America's dealing with these kinds of situations. Also, the monologue seems to end almost arbitrarily.
This film is definitely worth a rental. It is under 90 minutes, which I always count as a plus. But if you want to be impressed, rent -Monster in a Box-. 7/10
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Dettagli
- Data di uscita
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- Lingua
- Celebre anche come
- Spalding Gray's Swimming to Cambodia
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 1.092.911 USD
- Lordo in tutto il mondo
- 1.092.911 USD
- Tempo di esecuzione1 ora 25 minuti
- Mix di suoni