Un agente dell'intelligenza in pensione e ora diventato detective privato aiuta vari clienti minacciati a pareggiare le probabilità.Un agente dell'intelligenza in pensione e ora diventato detective privato aiuta vari clienti minacciati a pareggiare le probabilità.Un agente dell'intelligenza in pensione e ora diventato detective privato aiuta vari clienti minacciati a pareggiare le probabilità.
- Candidato a 7 Primetime Emmy
- 2 vittorie e 11 candidature totali
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Trama
Lo sapevi?
- QuizDuring the height of the show's popularity, Edward Woodward was often approached on the street by people in need, with situations similar to those depicted in the show. He began carrying flyers with the phone numbers of social services organizations and legal clinics for them to contact.
- Citazioni
Mickey Kostmayer: What do we need a diversion for? Just kick in the door and hose the room.
Robert McCall: Mickey, there is a five year old boy in there.
Mickey Kostmayer: Oh yeah, we're gonna need a diversion.
- Versioni alternativeThe Region 1 DVD releases have fifty percent of the show's original music replaced for copyright reasons. However, international DVD releases retain the original music.
- ConnessioniFeatured in The 38th Annual Primetime Emmy Awards (1986)
Recensione in evidenza
I doubt that I could call this an objectively excellent show, but I loved it. We all have worries and concerns in this world, and when The Equalizer would come on, it was as if someone showed up to take care of it all.
The violence was gratuitous, the hero flawed, the premises and execution over the top. Yet the team, headed by an effective if somewhat hammy Edward Woodward who is in turn flanked by Mickey Kostmayer, and Jimmy and Sterno, and the regulars - Control, Pete O'Phelan, Lt. Smalls, Scott, etc. - grew on us. So many budding actors, now famous, guested on this show.
In a key conversation, McCall tells Control how he wished the rain pouring outside could clear away all the human scum and filth that terrorizes society. McCall took it upon himself to do so.
I often wished that longer-term plot elements would take hold. At one point, McCall says to Saul Rubinek's character, "Jason, you set me up. I don't know why, but believe me, I will find out" - but nothing came of this. Some of today's shows, Alias for example, show the potential for twists and turns in long-term plot elements. So, while there were serial elements (ex. McCall's family tribulations), the episodes were largely stand-alone. The Equalizer had huge potential for groundbreaking storylines, but failed to realize it. Still, it provided me with my weekly dose of valued escapism.
The violence was gratuitous, the hero flawed, the premises and execution over the top. Yet the team, headed by an effective if somewhat hammy Edward Woodward who is in turn flanked by Mickey Kostmayer, and Jimmy and Sterno, and the regulars - Control, Pete O'Phelan, Lt. Smalls, Scott, etc. - grew on us. So many budding actors, now famous, guested on this show.
In a key conversation, McCall tells Control how he wished the rain pouring outside could clear away all the human scum and filth that terrorizes society. McCall took it upon himself to do so.
I often wished that longer-term plot elements would take hold. At one point, McCall says to Saul Rubinek's character, "Jason, you set me up. I don't know why, but believe me, I will find out" - but nothing came of this. Some of today's shows, Alias for example, show the potential for twists and turns in long-term plot elements. So, while there were serial elements (ex. McCall's family tribulations), the episodes were largely stand-alone. The Equalizer had huge potential for groundbreaking storylines, but failed to realize it. Still, it provided me with my weekly dose of valued escapism.
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