VALUTAZIONE IMDb
4,2/10
432
LA TUA VALUTAZIONE
L'ereditiera e nubile più famosa del mondo viene rapita dalla campagna italiana. Riuscirà a sopravvivere al calvario?L'ereditiera e nubile più famosa del mondo viene rapita dalla campagna italiana. Riuscirà a sopravvivere al calvario?L'ereditiera e nubile più famosa del mondo viene rapita dalla campagna italiana. Riuscirà a sopravvivere al calvario?
Enrique Johnson
- Pablo
- (as Enrique Johson)
Carole James
- Brigitte
- (as Pepita Full James)
Fernando Bilbao
- Hombre que inicia pelea
- (non citato nei titoli originali)
Hans Burmann
- Hombre bailando
- (non citato nei titoli originali)
Vicente del Águila
- Amigo de Alain
- (non citato nei titoli originali)
Adriano Domínguez
- Policía
- (non citato nei titoli originali)
Emilio Fornet
- Truck Driver
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizStar Jewel Shepard wrote in her 2013 website blog about her career roles and nude scenes: My supreme starring (undraped) role to date was in a direct-to-Playboy Channel flick called Christina, which, nakedness aside, could be marketed as an over-the-counter sleep aid. It was shot all over Europe with what the press book called "a multinational crew," which means that no two people involved spoke a common language. I was promised "tasteful nudity," which in this case meant that I got to be topless in front of the Eiffel Tower. We shot it when there were no gendarmes about, on a dreary morning with the temperature hovering around eight degrees. And that's Fahrenheit. All I can recall is that my nipples looked liked the pop-up timers on Butterball turkeys, and there were tourists taking photos and muttering; "Now this is what Paris should be like." Whereas for some films you negotiate how much nudity you'll do, on this picture I actually found myself haggling to be clothed in one or two scenes, and I had to bargain with the man who held my return ticket. (I had previously disabused him of the notion, which he claimed to have learned in film school, that more of the budget can be put "on the screen" if the leading lady shares her hotel room with the producer.) At one point, I had to single-handedly defeat several armed ninja assassins. The director thought it would help the scene if I was naked.
- Versioni alternativeThe UK version had to be cut by 11 seconds to remove a scene in which a horse's head was hit by a motorcycle, as this breached the Cinematograph Films (Animals) Act 1937.
Recensione in evidenza
My review was written in September 1984 after watching the movie on a video cassette screener copy.
"Chrisitna" is the third, and least interesting, of the European-made featurefilms from producer Harry Alan Towers, created for the Playboy Channel and various overseas theatrical and home video distributors. Softcore opus features plenty of nudity, spotlighting attractive women, but not much more.
Bookended by threats of numerous sequels, pic limns the adventures of Christina (Jewel Shepard), a jetset playgirl and publishing empire heiress, who has a habit of being kidnapped for ransom. In fact, this episodi film consists solely of bad guys (and bad girls) nabbing her, having their way with her and then losing her to another antisocial group.
Along the way, Christina has a run-in with several femme veterans of Towers-Playboy's "Black Venus" film, but the ensuing martial arts fights by women are embarrassingly fake, as are director Paco Lara's cheaply staged action-and-chase sequences. Though pacing is much sprightlier than the average sex film, this exercise in voyeurism remains stillborn.
Having replaced first choice Monique Gabrielle (the memorable dream nude of "Bachelor Party") in the title role, Shepard displays a beautiful body and a toothy grin, but (partly due to weak material) creates no character meriting one's ongoing interest, whether or not the series of additional films materializes.
Pic's oddest touch is the recurring device (a la "Alice in Wonderland") of Christina falling asleep when in danger, cuing goofball dream sequences in which gloved hands roll Tinkertoy-size cars across her nude body. Domestically, pic might have had theatrical chances as a programmer but onde again, Towers has opted for unacceptably haphazard dubbing, even thouth the actors articulate in English.
"Chrisitna" is the third, and least interesting, of the European-made featurefilms from producer Harry Alan Towers, created for the Playboy Channel and various overseas theatrical and home video distributors. Softcore opus features plenty of nudity, spotlighting attractive women, but not much more.
Bookended by threats of numerous sequels, pic limns the adventures of Christina (Jewel Shepard), a jetset playgirl and publishing empire heiress, who has a habit of being kidnapped for ransom. In fact, this episodi film consists solely of bad guys (and bad girls) nabbing her, having their way with her and then losing her to another antisocial group.
Along the way, Christina has a run-in with several femme veterans of Towers-Playboy's "Black Venus" film, but the ensuing martial arts fights by women are embarrassingly fake, as are director Paco Lara's cheaply staged action-and-chase sequences. Though pacing is much sprightlier than the average sex film, this exercise in voyeurism remains stillborn.
Having replaced first choice Monique Gabrielle (the memorable dream nude of "Bachelor Party") in the title role, Shepard displays a beautiful body and a toothy grin, but (partly due to weak material) creates no character meriting one's ongoing interest, whether or not the series of additional films materializes.
Pic's oddest touch is the recurring device (a la "Alice in Wonderland") of Christina falling asleep when in danger, cuing goofball dream sequences in which gloved hands roll Tinkertoy-size cars across her nude body. Domestically, pic might have had theatrical chances as a programmer but onde again, Towers has opted for unacceptably haphazard dubbing, even thouth the actors articulate in English.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- The Exotic Adventures of Christina
- Luoghi delle riprese
- Parigi, Francia(Establishing shots from a moving car, of Arc de Triomphe and Eiffel Tower.)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
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