Little Malcolm and His Struggle Against the Eunuchs

1974
1h 49min

VALUTAZIONE IMDb

LA TUA VALUTAZIONE

Little Malcolm and His Struggle Against the Eunuchs (1974)

Aggiungi una trama nella tua linguaAn art student is thrown out of college. Depressed, he comes up with the Party of Dynamic Erection, a near-fascist "party" that promotes male sexual dominance, and which attracts a couple of... Leggi tuttoAn art student is thrown out of college. Depressed, he comes up with the Party of Dynamic Erection, a near-fascist "party" that promotes male sexual dominance, and which attracts a couple of other unsavory confused characters.An art student is thrown out of college. Depressed, he comes up with the Party of Dynamic Erection, a near-fascist "party" that promotes male sexual dominance, and which attracts a couple of other unsavory confused characters.

Regia
- Stuart Cooper
Sceneggiatura
- David Halliwell
- Derek Woodward
Star

Vedi le informazioni sulla produzione su IMDbPro

VALUTAZIONE IMDb

6,8/10

292

LA TUA VALUTAZIONE

Regia
- Stuart Cooper
Sceneggiatura
- David Halliwell
- Derek Woodward
Star

Vedi le informazioni sulla produzione su IMDbPro

Premi
- 1 vittoria e 1 candidatura in totale

Foto20

+ 16

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Quiz
According to Sir John Hurt, this movie was completely financed by George Harrison.

Citazioni
Malcolm Scrawdyke: He could get out of bed. Four o'clock in the afternoon. Light up a fag and smoke it, just like that! What a man!

Curiosità sui crediti
Apple acknowledge the co-operation of Oldham Council and Huddersfield Polytechnic whose premises currently available to students are not necessarily as depicted.

Connessioni
Referenced in Z Channel: A Magnificent Obsession (2004)

Colonne sonore
Not With You
Performed by Harpoon

Recensioni degli utenti5

Recensione in evidenza

7/10

The Impotence of Being Earnest

The original Incel critique and a weirdly underrated film from the beginning of the film careers of both producer George Harrison and stars David Warner and John Hurt (the promise of seeing the two of them young and facing off being worth the watch alone). Bewitchingly atmospheric and clunkily theatrical, shot in a very wintery and distinctly Northern landscape of Oldham, winds dark and barks loudly at stuntedly masculine power-trippers. Tremendously well observed by dramatist Halliwell and as such hauntingly familiar to the many of us still looking. Goes much darker than I was expecting and hits much harder than I was thinking it might.