Il mostro è in tavola... barone Frankenstein

Titolo originale: Flesh for Frankenstein

1973
(Banned)
1h 35min

VALUTAZIONE IMDb

LA TUA VALUTAZIONE

Il mostro è in tavola... barone Frankenstein (1973)

Aggiungi una trama nella tua linguaBaron Frankenstein creates two "zombies" - one male, one female - planning to mate them in order to create a master race.Baron Frankenstein creates two "zombies" - one male, one female - planning to mate them in order to create a master race.Baron Frankenstein creates two "zombies" - one male, one female - planning to mate them in order to create a master race.

Vedi le informazioni sulla produzione su IMDbPro

VALUTAZIONE IMDb

5,8/10

7261

LA TUA VALUTAZIONE

Vedi le informazioni sulla produzione su IMDbPro

Premi
- 1 candidatura in totale

Video1

Trailer 1:14

Trailer

Foto111

+ 105

Altri elementi simili

6,1

Dracula cerca sangue di vergine e... morì di sete!!!

6,1

Trash - I rifiuti di New York

6,1

5,7

6,0

5,8

5,2

6,6

5,8

4,3

5,7

5,7

Flavia, la monaca musulmana

Trama

Modifica

Lo sapevi?

Modifica

Quiz
Although the film is often referred to as "Andy Warhol's Frankenstein," he wasn't directly involved in the production, but allowed the director to use his name. Warhol would make rare visits to the sets and during the editing period.

Blooper
Frankenstein created his zombies out of selected pieces of various people, and wanted to breed them to get offspring. However, regardless of the body parts he selected for each zombie, the offspring would only be a product of the reproductive organs, so choosing good brains/legs/arms etc would have made no difference at all.

Citazioni
Baron Frankenstein: To know death, Otto, you have to fuck life... in the gall bladder!

Versioni alternative
The original UK cinema version was cut by around 8 minutes on its initial release in 1973. Despite a lesser cut (2 minutes 8 secs) version being shown at London's Scala cinema 10 years later, the video certificate was withheld after the film became one of the infamous "DPP 72" list of video nasties. It eventually secured a UK video release in 1996 - minus 56 seconds of cuts to shots of the Baron smearing blood across the breasts of a female corpse and sexually caressing the body - and was finally granted a full uncut certificate in March 2006.

Connessioni
Edited into The Frankenstein Files: How Hollywood Made a Monster (2002)

Colonne sonore
Main Title
Composed by Claudio Gizzi
Conducted by Claudio Gizzi
Courtesy by RCA

Recensioni degli utenti108

Recensione in evidenza

6/10

Good Clean Fun!

This was the first of 2 films made in quick succession by Paul Morrissey in Italy in 1973. Blood for Dracula was the other.

Flesh for Frankenstein was obviously made with it's tongue firmly in it's cheek. It's a step beyond anything Hammer attempted in this genre, especially regarding gore and dodgy accents!

Udo Kier and Arno Juerging are possibly the best comic duo to hit the screens since Abbot & Costello as the Baron and faithful sidekick Otto! Whether fooling around in the lab or scouting for suitable organs they never fail to raise a smile. Kier gets all the best lines, letting us know his views on gall bladders and his plans for the new race he is ..ehm.. putting together.

Monique Van Vooren is more sinister as the Baroness, who initially appears relatively normal, in comparison to her "husband" at least. However her eccentricities become apparent as the film goes on.

Joe Dallesandro is on screen a lot but his character doesn't contribute much to the plot. Presumably his name was used to garner publicity for the film in the US.

The Frankenstein kids take after their parents and are crucial to the twist at the end of the film. The young actors playing the kids do a good job.

The actors playing the Baron's works in progress don't have much to do, even when their characters are brought to life.

Certainly the film will not be to everybody's taste. There is plenty of gore and some dodgy sex scene sound effects. The scene showing the Baron's "interest" in the female creation and her innards pushes the boundaries a bit but it is too over the top to be anything more than comical. So sit back and enjoy this piece of 70's schlock horror.