Le strabilianti avventure di Superasso

Evel Knievel is the world's leading motorcycle jumper. When he is asked to accompany his friend Jessie (Marjoe Gartner), the second best motorcycle jumper, on a tour of Mexico he accepts. However Millard, the tour's organiser (Leslie Nielsen) plans to use Knievel to smuggle drugs back over the Mexican border, using Knievel's fame to escape detection.

This is very much a star vehicle of it's time - it screams 70's all the way through - from the clothes to the attitude, from the stars to the cheesy theme song it's all very dated. However we should allow this to put us off - although it is hard to see past the terrible flares and big collars. This is actually a reasonable plot - if a little far fetched - but the 70's definitely produced worse crime thrillers. This manages to be quite clever and have an exciting chase conclusion. That's not to say that it's brilliant - but for an Evel Knievel movie anything that is better than OK is good. There is a side plot involving Knievel's mechanic Will and his estranged son - but this doesn't really add any value to the plot.

The main weakness of this is that it is a Knievel vehicle (pardon the pun). Several times the film slows down and loses the main plot so that Knievel can be kind to kids, or lecture about the dangers of drugs etc. If the part had been played by a "normal" actor then it wouldn't have stolen as much of the focus as Knievel did. That said - there are times that this doesn't seem like a star vehicle. Knievel overall is played as a kind man who is good to kids etc, but quite often during the film he is an unpleasant man - arrogant, rude, selfish and, in one throwaway remark, racist. It just surprised me that he would let himself be portrayed in that way - unless of course he is like that and didn't see it in the finished film. For the most part though this is a star film that shows him as a moral, kid loving, God-fearing American.

The rest of the support is quite surprising, Gene Kelly plays Will quite well, but overdoes the emotions in his subplot. Leslie Nielsen is good as the bad guy, pre-spoof days, and plays it straight (read boring) and steady. Even Red Buttons pops up momentarily as Knievel's organiser. But most are sidelined as the story focuses on Knievel.

Overall a good 1970's crime movie, but both Knievel and the other subplots slow the plot and take away from the film. For what it is - it isn't as bad as I thought it would be.