Mentre tenta di intervistare un gangster inafferrabile, il fotoreporter Emanuelle scopre un'organizzazione che si occupa di vendere giovani donne.Mentre tenta di intervistare un gangster inafferrabile, il fotoreporter Emanuelle scopre un'organizzazione che si occupa di vendere giovani donne.Mentre tenta di intervistare un gangster inafferrabile, il fotoreporter Emanuelle scopre un'organizzazione che si occupa di vendere giovani donne.
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- QuizLaura Gemser said later that the Emanuelle films were all the same, adding "It seemed like one long, long movie that didn't end. You know, it was always the same story, the same things happens." In every film, she played a journalist or a photographer sent out to find some drug criminals, and she always had to strip naked or have sex to get what she needed. She admitted she continued to do them because they paid well and she got to travel to exotic locations, which she loved. That made continuously taking her clothes off and kissing and rubbing against other people tolerable.
- ConnessioniEdited from Emanuelle e gli ultimi cannibali (1977)
- Colonne sonoreRun, Cheetah, Run
Music and Lyrics by Nico Fidenco
Recensione in evidenza
Although it is still somewhat obscure, this is one of my favorite of the "Black Emanuelle" series. Some films like "Emanuelle in America" and "Emanuelle Around the World" are a little too sleazy, while others like the original "Black Emanuelle" are not quite sleazy enough, but this film is juuust right.
While hanging around Africa for some reason, intrepid reporter/photographer "Emanuelle" (Laura Gemser) stumbles across a white slavery operation (OK, so it doesn't exactly make sense to have a WHITE slavery operation in Africa where hardly anyone is white, but oh well). After hiding and taking lots of photos of naked, barely legal girls being paraded back and forth in front of potential "buyers", "Emanuelle" has a run-in with the vicious male transvestite who's running the operation. His rather confused sexual orientation doesn't stop him from raping her, but later they team up. There's some pretty graphic violence and another unpleasant gang-rape scene, but it's hard to take any of this too seriously when "Emanuelle" herself obviously doesn't (She eventually makes her way back across the Atlantic on a filthy trawler by agreeing to gang-bang the entire crusty, old crew).
Most of the serious sleaze is relegated to the second half of the movie, but the first half is much more sexy. "Emanuelle" teams up with a friend, played by very pretty Italian actress Ely Galeani (who was also in "Emanuelle in Bangkok") to get a scoop on a con artist hiding in the dark continent. Of course, they get the story, first by "doing" him and his friend and then by both "doing" him in a three-way scene while they all smoke strange drugs out of a hookah (god, I love the socially irresponsible 70's!). Galeani's character also has an interesting way of "paying" her African auto mechanic in an interracial sex scene that takes place in a lube pit while "Emanuelle" watches and pleasures herself (this scene was kind of borrowed from the first "Black Emanuelle", but director Joe D'Amato manages to improve on it). I also actually kind of liked the cheesy Euro-disco title song "Run, Cheetah, Run", which they play during all the hottest sex scenes with Galeani and Gemser, and which will have many viewers drooling like Pavlov's dogs whenever they hear it by the time the movie ends. Recommended.
While hanging around Africa for some reason, intrepid reporter/photographer "Emanuelle" (Laura Gemser) stumbles across a white slavery operation (OK, so it doesn't exactly make sense to have a WHITE slavery operation in Africa where hardly anyone is white, but oh well). After hiding and taking lots of photos of naked, barely legal girls being paraded back and forth in front of potential "buyers", "Emanuelle" has a run-in with the vicious male transvestite who's running the operation. His rather confused sexual orientation doesn't stop him from raping her, but later they team up. There's some pretty graphic violence and another unpleasant gang-rape scene, but it's hard to take any of this too seriously when "Emanuelle" herself obviously doesn't (She eventually makes her way back across the Atlantic on a filthy trawler by agreeing to gang-bang the entire crusty, old crew).
Most of the serious sleaze is relegated to the second half of the movie, but the first half is much more sexy. "Emanuelle" teams up with a friend, played by very pretty Italian actress Ely Galeani (who was also in "Emanuelle in Bangkok") to get a scoop on a con artist hiding in the dark continent. Of course, they get the story, first by "doing" him and his friend and then by both "doing" him in a three-way scene while they all smoke strange drugs out of a hookah (god, I love the socially irresponsible 70's!). Galeani's character also has an interesting way of "paying" her African auto mechanic in an interracial sex scene that takes place in a lube pit while "Emanuelle" watches and pleasures herself (this scene was kind of borrowed from the first "Black Emanuelle", but director Joe D'Amato manages to improve on it). I also actually kind of liked the cheesy Euro-disco title song "Run, Cheetah, Run", which they play during all the hottest sex scenes with Galeani and Gemser, and which will have many viewers drooling like Pavlov's dogs whenever they hear it by the time the movie ends. Recommended.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Emanuelle and the White Slave Trade
- Luoghi delle riprese
- Roosevelt Island Tram, Roosevelt Island, New York, New York, Stati Uniti(Emanuelle meets with Francis Harley)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
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By what name was La via della prostituzione (1978) officially released in India in English?
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