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In un flashback vengono raccontati i rischi romantici di Mathieu, un sofisticato francese di mezza età che si innamora della sua ex cameriera diciannovenne Conchita.In un flashback vengono raccontati i rischi romantici di Mathieu, un sofisticato francese di mezza età che si innamora della sua ex cameriera diciannovenne Conchita.In un flashback vengono raccontati i rischi romantici di Mathieu, un sofisticato francese di mezza età che si innamora della sua ex cameriera diciannovenne Conchita.
- Candidato a 2 Oscar
- 6 vittorie e 11 candidature totali
Ángela Molina
- Conchita
- (as Angela Molina)
André Weber
- Martin
- (as Andre Weber)
Valerie Blanco
- Isabelle
- (as Valérie Blanco)
Auguste Carrière
- La femme qui reprise dans la vitrine
- (as Auguste Carriere)
Trama
Lo sapevi?
- QuizAccording to screenwriter Jean-Claude Carrière, the reason Maria Schneider was dismissed from the film was her heavy drug use, which caused her to give a "lackluster" performance and caused tremendous friction between her and Buñuel.
- BlooperMathieu enters the room where Conchita dances nude, throws the leftmost table to the right, and chases out all the men. The remaining table and chairs on the left are standing upright. After they talk for two minutes the camera returns to the area with the tables, where that same table and chairs lean against the wall in disarray.
- ConnessioniFeatured in A propósito de Buñuel (2000)
- Colonne sonoreDie Walküre
Written by Richard Wagner
Performed by Orchester der Bayreuther Festspiele
Conducted by Karl Böhm
Philips 6747947
Recensione in evidenza
Contrary to the initial comment on this page, the director Luis Bunuel did not use two different actresses to play the lead role as a plot device to show "One actress for her placid nature and another actress for her tempermental side."
While this is an oft-repeated misconception, it's not remotely true. In Luis Bunuel's autobiography, "My Last Sigh" (A fantastic book, still in print) the director discusses the reason for this unique directorial device, and how funny he finds it that so many "fans" assume that the choices were based on the actresses temperment or his desire to "express" something obscure. In truth, two actresses were used simply because the lead actress quit partway through production after having completed many critical scenes. Luis was beside himself over the wasted time and money in reshooting, so he hired a replacement to shoot only the missing scenes, and edited them irregardless of who was acting in a given scene. It served him well, as the end result was brilliant.
While this is an oft-repeated misconception, it's not remotely true. In Luis Bunuel's autobiography, "My Last Sigh" (A fantastic book, still in print) the director discusses the reason for this unique directorial device, and how funny he finds it that so many "fans" assume that the choices were based on the actresses temperment or his desire to "express" something obscure. In truth, two actresses were used simply because the lead actress quit partway through production after having completed many critical scenes. Luis was beside himself over the wasted time and money in reshooting, so he hired a replacement to shoot only the missing scenes, and edited them irregardless of who was acting in a given scene. It served him well, as the end result was brilliant.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- That Obscure Object of Desire
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 2.864 USD
- Tempo di esecuzione1 ora 43 minuti
- Mix di suoni
- Proporzioni
- 1.66 : 1
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