Ecco l'impero dei sensi

Titolo originale: Ai no korîda

1976
VM18
1h 49min

VALUTAZIONE IMDb

LA TUA VALUTAZIONE

L'appassionata storia di Sada Abe, una donna la cui relazione con il suo padrone l'ha portata a una relazione sessuale ossessiva e alla fine distruttiva.L'appassionata storia di Sada Abe, una donna la cui relazione con il suo padrone l'ha portata a una relazione sessuale ossessiva e alla fine distruttiva.L'appassionata storia di Sada Abe, una donna la cui relazione con il suo padrone l'ha portata a una relazione sessuale ossessiva e alla fine distruttiva.

Regia
- Nagisa Ôshima
Sceneggiatura
- Nagisa Ôshima
- Kôji Wakamatsu
Star

Vedi le informazioni sulla produzione su IMDbPro

VALUTAZIONE IMDb

6,6/10

23.598

LA TUA VALUTAZIONE

Regia
- Nagisa Ôshima
Sceneggiatura
- Nagisa Ôshima
- Kôji Wakamatsu
Star

Vedi le informazioni sulla produzione su IMDbPro

Premi
- 4 vittorie totali

Quiz
Demand to see the film at its first appearance at the Cannes Film Festival was so high, 13 screenings were arranged.

Citazioni
Kichizo: I've got to pee. Okay with you?
Sada Abe: There's no need to leave. Do it here.
Kichizo: Where?
Sada Abe: Inside of Sada, all nice and warm.
Kichizo: You're mad! It's impossible to do both at the same time.

Versioni alternative
The original version ran 108 minutes. Producer Anatole Dauman received Oshima's permission to recut the film, resulting in a shorter 102-minute edit. This version has been distributed theatrically in some countries (such as France) and is available on video in Australia, the UK, the United States, and France. The French DVD includes both versions (via seamless branching), while the U.S. Criterion DVD features the cut footage as an extra. The PAL releases run 97 minutes. This shorter version makes the following changes:
An early scene in which Sada has sex with Ishida while playing a shamisen has been cut by about a minute and a half. In the original version, Sada seemingly goes unconscious and Ishida checks for her heartbeat.
A brief shot (12 seconds) of Ishida and Sada on a bridge has been added to the scene in which the couple goes out walking at night.
A later scene (in which the geishas assault one of their own with a dildo) is cut by 14 seconds to remove a shot of Ishida and Sada's faces in mid-copulation.
An entire two-minute scene is deleted about an hour into the film. This scene features Sada and Ishida having sex behind a thin screen, while Ishida speaks of the "darkness" he feels inside Sada.
The scene in which Sada first strangles Ishida is cut by just over one minute. In the short version, the scene ends when Ishida starts coughing and Sada releases his throat. In the original version, Ishida asks her to resume, which she does (only to stop when he begins coughing again).
The scene in which Ishida becomes drowsy while having sex with Sada is edited differently. The original version has slightly different dialogue and has an additional minute of footage where Ishida actually does fall asleep for a short time.
The scene in which Sada wakes up after her final night with Ishida is cut by one minute. The original version shows Sada lying on the floor and apparently panicking, walking around the room and opening doors for no obvious reason. The short version cuts straight from Sada waking up to the shot of her standing over Ishida's body.

Connessioni
Edited into Video Macumba (1991)

Colonne sonore
Ballades for koto II-Spring: Mebae (Seeding)
Composed by Minoru Miki

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Recensione in evidenza

Overshadowed by the pointless "art" versus "porn" debate!

'Empire Of The Senses' is one of the least seen and much debated movies of the Seventies. "Least seen" because in many countries, including the one I live in, it has been banned, or only available in censored versions for many years. This movie divides people - those that like it hail it as ART, those that don't dimiss it snobbishly as PORN. Both camps are fooling themselves! 'Empire Of The Senseless' is BOTH.

Is it "serious"? Yes. Is it voyeuristic and prurient? Yes. Is it a masterpiece? Not quite. Is it worth watching? Very much so. In fact I'd say it was essential viewing for anyone interested in extreme or taboo-breaking movies.

The Seventies were the decade where the boundaries of screen sex, violence and disturbing imagery were repeatedly stretched. Peckinpah's 'Straw Dogs' and 'Bring Me The Head Of Alfredo Garcia', Bertolucci's 'Last Tango In Paris', Scorsese's 'Taxi Driver', Kubrick's 'A Clockwork Orange',were all milestones, and the the art movies of Herzog, Warhol, Pasolini, and Jodorowsky battled it out with the horror and exploitation of Russ Meyer, Dario Argento, John Waters,and David Cronenberg. Add to that the unexpected crossover success of 'Deep Throat' and the very existence of shockers like 'Ilse, She Wolf Of The SS' and 'Cannibal Holocaust', and what do you get? The artificial and meaningless divisions of genres, "high art" vs "trash", new ways of thinking vs new ways of making money, it was all on the table. For one brief decade it looked like a brave new world.

Then everything that was gained was lost - Spielberg and Simpson/Bruckheimer cleaned up (financially and aesthetically), and things have never been the same since. Watch 'Empire Of The Senseless' with that in mind. It may be flawed - you'll be alternatively fascinated and bored - but it is an important movie from an important period in movie history.