Aggiungi una trama nella tua linguaA colonial police officer in Rhodesia hunts down the albino terrorist who raped and murdered his fiancée.A colonial police officer in Rhodesia hunts down the albino terrorist who raped and murdered his fiancée.A colonial police officer in Rhodesia hunts down the albino terrorist who raped and murdered his fiancée.
- Dizaki
- (as Harry Makela)
- Pub customer
- (non citato nei titoli originali)
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Whispering Death: You know your eyes? There's so much hate there. Like a man on the edge of insanity. Is it because of your girl? You're surprised my English is so good. I went to an excellent university.
Terrick: You disgust me.
Whispering Death: She was very beautiful, wasn't she? She had skin, so soft to the touch. Her breasts, full and firm. And she was very brave. At first she was silent. But then later she began to scream. And scream and scream. You should have heard her. It was quite wonderful and very stimulating.
Terrick: [he screams in anguish] Awwww!
Terrick: Terrick. You are Terrick aren't you? She kept calling out your name. Again and again. But you weren't there to help her, were you?
Terrick: One way or another, you're dead, Albino.
Whispering Death: It's you and your kind who are going to die. We shall sweep through this country like a bush fire. But you won't be there to see it.
- Versioni alternativeAlthough passed intact for UK cinema the Heron video release suffered over a minute of cuts to the rape of Saly.
- ConnessioniFeatured in Tod in der Sonne: Ein Interview mit Jürgen Goslar (2012)
The film itself suffers from its only real problem: Goslar directed the movie as a mix of revenge thriller in the tradition of the John Boorman classic "Deliverance" and a tedious social drama that can not succeed in leaving clichés about African natives out of the story. So the film itself becomes a mishmash of entertaining exploitation film and laughably banal social comment. Whenever Goslar goes for the exploitation, he succeeds; we witness a savage (if not that explicit) rape and murder, some really painful torture and a graphic head shot in "Dawn of the Dead" tradition, only that this film was made two years earlier. Whenever Goslar goes for social comment, the movie becomes bothersome, because it's not really convincing. The climax, on the other hand, is a worst case scenario that partially manages to bring the two aspects of the story together.
All in all, this film is quite interesting for fans of obscure films of the Seventies (be it for the actors alone), but it's also a good example for a movie that doesn't live up to its potentials.
- rundbauchdodo
- 17 mar 2002
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