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Nella Francia occupata dai nazisti, un bambino ebreo viene allontanato dalla sua famiglia e nasconde la sua appartenenza religiosa all'anziano antisemita che si prende cura di lui.Nella Francia occupata dai nazisti, un bambino ebreo viene allontanato dalla sua famiglia e nasconde la sua appartenenza religiosa all'anziano antisemita che si prende cura di lui.Nella Francia occupata dai nazisti, un bambino ebreo viene allontanato dalla sua famiglia e nasconde la sua appartenenza religiosa all'anziano antisemita che si prende cura di lui.
- Premi
- 5 vittorie e 2 candidature totali
Elisabeth Rey
- La petite Dinou
- (as La petite Elisabeth Rey)
Didier Perret
- Le petit frère de Dinou
- (as Le petit Didier Perret)
Yves Boussus
- L'homme dans le magasin de jouets
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizIn Paris director Claude Berri was born Claude Berel Langmann to Eastern European Jewish immigrant parents, on July 1, 1934, making him 9 years old in November, 1943. But in the first line of the film Claude Langmann says as an adult in a voiceover "In November, 1943, I was 8 years old." Alain Cohen, who played the boy in the film, was age 8 during the 3 month film shoot that started in July, 1966, which is probably why "8 years old" was used. Like the boy in the film, Claude Berri was sent away during the occupation of Paris to live with a non-Jewish family and his name was changed to be more "French."
- BlooperWhen Claude joins a wooden-sword fight while the Langmann family is living in Dijon, a flag containing a swastika is hanging from a building in the background (at 0:08:51 on the Cohen Film Collection BD; at 0:09:01 on the Criterion Collection DVD). Most viewers would assume that the only swastika flag allowed to be flown on dry land in German occupied France would be the German national flag (1920-1945) containing (on both sides) a right-facing swastika rotated to a 45 degree angle from vertical on a white circle in a red background. The flag shown in the film has a left facing swastika whose arms are aligned with vertical and horizontal.
- ConnessioniFeatured in Le fantôme d'Henri Langlois (2004)
- Colonne sonoreMaréchal, nous Voilà !
Music by André Montagard and Charles Courtioux
Lyrics by André Montagard
Recensione in evidenza
"Le vieil homme et l'enfant " is the first of a series of four autobiographical movies about the director's salad days : for the record , the three other works are : "le pistonné" (1969) "le cinéma de papa" (1970) which became a common noun to designate the old (but great) old French cinema and "la première fois" (1976 )(starring Alain Cohen ,the young star of "le vieil homme" )
The first movie is undoubtly the best and it's sure easy to see why :It features Michel Simon ,one of the all-time greatest French actors ; by 1967,he had under his belt masterpieces by the dozen by the masters of the history of French cinema: Renoir, Duvivier,Carné ,Gance,Guitry,Decoin et al.
Once more, he shines in his part of a grumpy old man , with received ideas , who epitomizes the Marechal Pétain 's ideology in the occupied France; he hates the English,the Jews and the commies although he has never met one of these persons in his lifetime .
But the father (a very good Charles Denner ,who would reappear in "la première fois" ;in both middle movies,the part of the daddy was played by Yves Robert ) wants his son to be in security :in the country ,in the occupation days , French people had more food than in the cities and they stand less danger of being caught up in a round-up because they are Jews.
So the little boy must pretend he was brought up a catholic , he must know his "our father" prayer by heart: It's all the more important since the old country man is a limited anti-Semite ;so is the entourage ,particularly the schoolteacher who has her pupils sing the petainist anthem "Marechal Nous Voila " dutifully every morning.;and the Marechal's portrait is to be seen here there and everywhere .
A warning tells us it's "the occupied years seen through a child's eye" ,a child who does not understand the plight man's madness put them in.
The boy/old man relationship is extraordinary -and you'll shed a tear for their companion,the good old dog-It's double initiation rites: not only the boy has to discover an unknown milieu ,but he embarrasses his protector with naive (but relevant) questions about Jesus (so his daddy was a Jew, wasn't he?)which lead the narrow-minded person to question himself .He will see the others differently when the war is over.
The first movie is undoubtly the best and it's sure easy to see why :It features Michel Simon ,one of the all-time greatest French actors ; by 1967,he had under his belt masterpieces by the dozen by the masters of the history of French cinema: Renoir, Duvivier,Carné ,Gance,Guitry,Decoin et al.
Once more, he shines in his part of a grumpy old man , with received ideas , who epitomizes the Marechal Pétain 's ideology in the occupied France; he hates the English,the Jews and the commies although he has never met one of these persons in his lifetime .
But the father (a very good Charles Denner ,who would reappear in "la première fois" ;in both middle movies,the part of the daddy was played by Yves Robert ) wants his son to be in security :in the country ,in the occupation days , French people had more food than in the cities and they stand less danger of being caught up in a round-up because they are Jews.
So the little boy must pretend he was brought up a catholic , he must know his "our father" prayer by heart: It's all the more important since the old country man is a limited anti-Semite ;so is the entourage ,particularly the schoolteacher who has her pupils sing the petainist anthem "Marechal Nous Voila " dutifully every morning.;and the Marechal's portrait is to be seen here there and everywhere .
A warning tells us it's "the occupied years seen through a child's eye" ,a child who does not understand the plight man's madness put them in.
The boy/old man relationship is extraordinary -and you'll shed a tear for their companion,the good old dog-It's double initiation rites: not only the boy has to discover an unknown milieu ,but he embarrasses his protector with naive (but relevant) questions about Jesus (so his daddy was a Jew, wasn't he?)which lead the narrow-minded person to question himself .He will see the others differently when the war is over.
- ulicknormanowen
- 4 feb 2022
- Permalink
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By what name was Il vecchio e il bambino (1967) officially released in India in English?
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