Due impresari teatrali escogitano una truffa ai danni dei finanziatori di una commedia destinata ad essere un fiasco.Due impresari teatrali escogitano una truffa ai danni dei finanziatori di una commedia destinata ad essere un fiasco.Due impresari teatrali escogitano una truffa ai danni dei finanziatori di una commedia destinata ad essere un fiasco.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 4 vittorie e 5 candidature totali
Andréas Voutsinas
- Carmen Ghia
- (as Andreas Voutsinas)
Renée Taylor
- Eva Braun
- (as Renee Taylor)
Madelyn Cates
- Concierge
- (as Madlyn Cates)
Trama
Lo sapevi?
- QuizMel Brooks cannot read music. "Springtime for Hitler" and "Prisoners of Love" (as were all the songs Brooks writes for his films) were hummed into a tape recorder and transcribed by an expert. When Brooks adapted the movie into a stage musical, he wrote the entire score by himself using the same method.
- BlooperIn LSD's number "Love Power", his musical ensemble consists of a guitarist, keyboardist, and sax player; however, the music heard clearly has flute, bass guitar, drums, and other instruments not represented, but no saxophone.
- Citazioni
Leo Bloom: I'm hysterical! I'm having hysterics. I'm hysterical. I can't stop when I get like this. I can't stop. I'm hysterical.
[Max throws a glass of water on him]
Leo Bloom: I'm wet! I'm wet! I'm hysterical, and I'm wet!
[Max slaps him]
Leo Bloom: I'm in pain! And I'm wet! And I'm still hysterical!
- Curiosità sui creditiThe closing credits are in reverse order, acting like curtain calls, which lead up to the star actor.
- Versioni alternativeSome prints eliminate the opening "Embassy Pictures" logo, as well as a few seconds of footage in the bar scene, including the drunk's dialogue "Let's have a toast...to toast! I love toast..." and the beginning of the song "By the Light of the Silvery Moon". Most prints just cut into the scene in the middle of the song verse.
Recensione in evidenza
This is a classic film with wonderful performances all around (although I didn't take to Dick Shawn's as much as the others). Zero Mostel and Gene Wilder were perfect casting as was Christopher Hewitt (later to be known as TV's "Mr. Belvedere"). What's even more impressive are the various elements of truth that are beneath the histerical if not obsurbed storyline. The current Broadway hit doesn't compete with this film. The performances are good on stage but not as wonderful as here. Due to long term business problems this film wasn't released for home video and cable until much later then it should have been. Outright broad comedy and silliness belong in our daily lives and this film offers them very well. EVERYONE should see this film!
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The Producers
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 941.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 328.673 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.091 USD
- 9 giu 2002
- Lordo in tutto il mondo
- 375.524 USD
- Tempo di esecuzione1 ora 28 minuti
- Mix di suoni
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What is the Brazilian Portuguese language plot outline for Per favore, non toccate le vecchiette (1967)?
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