Due impresari teatrali escogitano una truffa ai danni dei finanziatori di una commedia destinata ad essere un fiasco.Due impresari teatrali escogitano una truffa ai danni dei finanziatori di una commedia destinata ad essere un fiasco.Due impresari teatrali escogitano una truffa ai danni dei finanziatori di una commedia destinata ad essere un fiasco.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 4 vittorie e 5 candidature totali
Andréas Voutsinas
- Carmen Ghia
- (as Andreas Voutsinas)
Renée Taylor
- Eva Braun
- (as Renee Taylor)
Madelyn Cates
- Concierge
- (as Madlyn Cates)
Trama
Lo sapevi?
- QuizMel Brooks cannot read music. "Springtime for Hitler" and "Prisoners of Love" (as were all the songs Brooks writes for his films) were hummed into a tape recorder and transcribed by an expert. When Brooks adapted the movie into a stage musical, he wrote the entire score by himself using the same method.
- BlooperIn LSD's number "Love Power", his musical ensemble consists of a guitarist, keyboardist, and sax player; however, the music heard clearly has flute, bass guitar, drums, and other instruments not represented, but no saxophone.
- Citazioni
Leo Bloom: I'm hysterical! I'm having hysterics. I'm hysterical. I can't stop when I get like this. I can't stop. I'm hysterical.
[Max throws a glass of water on him]
Leo Bloom: I'm wet! I'm wet! I'm hysterical, and I'm wet!
[Max slaps him]
Leo Bloom: I'm in pain! And I'm wet! And I'm still hysterical!
- Curiosità sui creditiThe closing credits are in reverse order, acting like curtain calls, which lead up to the star actor.
- Versioni alternativeSome prints eliminate the opening "Embassy Pictures" logo, as well as a few seconds of footage in the bar scene, including the drunk's dialogue "Let's have a toast...to toast! I love toast..." and the beginning of the song "By the Light of the Silvery Moon". Most prints just cut into the scene in the middle of the song verse.
Recensione in evidenza
This is a marvellous piece - a combination of utter farce, black humour, Jewish schtick and high camp, "The Producers" remains a truly wonderful film.
From the opening sequences, where Theatre agent Max is a despairing old fool trying to avoid tax, through the "little old lady seduction" scenes, to the gorgeous rooftop scene where a mad German pigeon fancier tries to remain within the bounds of sanity and fails, via the meeting with "top" Hollywood director Roger" we're not alone" de Bris, the film traces the hapless and eponymous producers who devise a foolproof scheme to make money out of a flop. They employ a Nazi writer to script the musical "Springtime for Hitler", which is guaranteed to be a flopperoony. Of course, they manage to totally miss the mood of the day and the projected flop is a huge hit - whereupon they have to pay back the 16,000 percent of the cost that they acquired....
Wild, manic, joyous and deeply perceptive, this is Mel Brooks at his finest - Jewish gags abound, but never alienate, accountants get the mickey taken (cheers all round!) and the final production - well, if you haven't seen this film, where have you been living? One of the greats.
From the opening sequences, where Theatre agent Max is a despairing old fool trying to avoid tax, through the "little old lady seduction" scenes, to the gorgeous rooftop scene where a mad German pigeon fancier tries to remain within the bounds of sanity and fails, via the meeting with "top" Hollywood director Roger" we're not alone" de Bris, the film traces the hapless and eponymous producers who devise a foolproof scheme to make money out of a flop. They employ a Nazi writer to script the musical "Springtime for Hitler", which is guaranteed to be a flopperoony. Of course, they manage to totally miss the mood of the day and the projected flop is a huge hit - whereupon they have to pay back the 16,000 percent of the cost that they acquired....
Wild, manic, joyous and deeply perceptive, this is Mel Brooks at his finest - Jewish gags abound, but never alienate, accountants get the mickey taken (cheers all round!) and the final production - well, if you haven't seen this film, where have you been living? One of the greats.
- nigel-bourne
- 16 set 2002
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- Paese di origine
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- The Producers
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
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- Budget
- 941.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 328.673 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.091 USD
- 9 giu 2002
- Lordo in tutto il mondo
- 375.524 USD
- Tempo di esecuzione1 ora 28 minuti
- Mix di suoni
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