Die Nibelungen 2. Teil - Kriemhilds Rache

1967
1h 50min

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Siegfried Wischnewski in Die Nibelungen 2. Teil - Kriemhilds Rache (1967)

Aggiungi una trama nella tua linguaNow Brunhild knows by which treason she was won for king Gunther of Burgund by Siegfried of Xanthen, and has been revenged by his foul murder by Hagen, more bloody revenge is inevitable. Hag... Leggi tuttoNow Brunhild knows by which treason she was won for king Gunther of Burgund by Siegfried of Xanthen, and has been revenged by his foul murder by Hagen, more bloody revenge is inevitable. Hagen steals the Nibelungen-treasure to sink it in the stream and manages to kill Alberich an... Leggi tuttoNow Brunhild knows by which treason she was won for king Gunther of Burgund by Siegfried of Xanthen, and has been revenged by his foul murder by Hagen, more bloody revenge is inevitable. Hagen steals the Nibelungen-treasure to sink it in the stream and manages to kill Alberich and seize his invisibility-cap. Queen Kriemhild is packed of to an abbey so her son may grow... Leggi tutto

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6,2/10

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Foto8

Interpreti principali25

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Rolf Henniger

König Gunther

Siegfried Wischnewski

Hagen

Maria Marlow

Kriemhild

Christian Rode

Dietrich von Bern

Karin Dor

Brunhilde

Herbert Lom

Etzel

Terence Hill

Giselher
(as Mario Girotti)

Fred Williams

Gernot

Hans von Borsody

Volker von Alzey

Skip Martin

Alberich

Hilde Weissner

Königin Ute

Dieter Eppler

Rüdiger von Bechlarn

Barbara Bold

Hildegunt

Milan Bosiljcic-Beli

Dankwart
(as Milan Bosiljcic)

Samson Burke

Blo-Edin

Djordje Nenadovic

Slaodel
(as George Heston)

Ingrid Lotarius

Gudrun

Hans-Walter Clasen

Blo-Edin
(voce)
(non citato nei titoli originali)

Regia
- Harald Reinl
Sceneggiatura
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8/10

Titles

The picture wasn't shown for a long time in Brazil, by the end of the 60's, but only for a curiosity, the title was translated to "Are the gods dead??", with quotation mark.

Herbert Lom was a very known actor and European pictures were (and still are) extremely rare on Brazilian screens, whose exhibitions contemplated mostly American movies.

As for the translation of the title, it represented a cultural expression of that time, by insinuating that the "pagan saga" remained within "german" culture, and their influences would persist latent and dangerous, those "gods" were still alive.