Il re Enrico VIII d'Inghilterra è deciso a ripudiare Caterina d'Aragona, che non gli ha dato figli, e a sposare Anna Bolena, di cui è innamorato. La Chiesa Cattolica però è contraria...Il re Enrico VIII d'Inghilterra è deciso a ripudiare Caterina d'Aragona, che non gli ha dato figli, e a sposare Anna Bolena, di cui è innamorato. La Chiesa Cattolica però è contraria...Il re Enrico VIII d'Inghilterra è deciso a ripudiare Caterina d'Aragona, che non gli ha dato figli, e a sposare Anna Bolena, di cui è innamorato. La Chiesa Cattolica però è contraria...
- Vincitore di 6 Oscar
- 34 vittorie e 9 candidature totali
Best Picture Winners by Year
Best Picture Winners by Year
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- QuizProducer and director Fred Zinnemann, as quoted in his autobiography, calls this the easiest movie he ever made, thanks to the extraordinary caliber of the crew, and the actors and actresses, and the way they worked together.
- BlooperLord Chancellor Wolsey did not die in office; he was removed from the office of Lord Chancellor by Henry (because of his displeasure at Wolsey's failure to secure a divorce from Catherine), and died more than a year after Sir Thomas More became Lord Chancellor. Wolsey did, however, remain Archbishop of York.
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William Roper: So, now you give the Devil the benefit of law!
Sir Thomas More: Yes! What would you do? Cut a great road through the law to get after the Devil?
William Roper: Yes, I'd cut down every law in England to do that!
Sir Thomas More: Oh? And when the last law was down, and the Devil turned 'round on you, where would you hide, Roper, the laws all being flat? This country is planted thick with laws, from coast to coast, Man's laws, not God's! And if you cut them down, and you're just the man to do it, do you really think you could stand upright in the winds that would blow then? Yes, I'd give the Devil benefit of law, for my own safety's sake!
- ConnessioniFeatured in Precious Images (1986)
It's not that More objects, rather that he doesn't go along with it. He never says he's against it because that way he could be charged with treason but he doesn't sign the new law passed in favor of the king. He could get away with this, of course, but Henry VIII stubbornly refuses to have any opposition, and the rest of the movie is spent on characters trying to persuade More to abide, for this reason or that. There is also a subplot about Richard Rich (a young John Hurt) and Thomas Cromwell (Leo McKern) plotting to frame More to quiet him.
That is what I got from the plot, at least. I could be wrong. It was hard to follow, this film, because of the fast fury of dialogue in each scene, never relenting for the audience to understand. This fast approach to the subject matter wasn't too tedious, but it did prompt me to rewind a few times to hear things over.
That, I am glad to say, is the movie's only flaw. Everything else is wonderful. The acting was great. Scofield creates a sense of pride, duty, confidence and principle with his character that gives him a high, strong presence whenever he's onscreen. His character is complex and in a way simple. Simple: he's refusing to relent not because he believes strongly on the issues of marriage and divorce, but because he believes strongly that no one, not even the king, is above the law. Complex: his strength and duty begins to become self-destructive when he is jailed, his family is made poor and unhappy and he loses respect from most around him, all the while still refusing to conform. An Oscar well deserved.
The rest of the cast rounds out nicely. We have Orson Welles in a small role as the gruff Cardinal Wolsey, Leo McKern using scorn as his technique as Cromwell, Hurt playing a sad role that goes from nice and likable to selfish and nasty, and much others. Ones that stood out for me were Robert Shaw and Wendy Hiller, both Oscar nominated. Shaw is loud, rude, stupid, and in some way likable as the king, it's not his best performance but it is an entertaining one. Hiller, playing More's wife, creates a character whose pride and strength diminishes when her husband is punished, revealing what we least expected: love.
Also, the film is beautifully shot. Its scenery is nice, but how the camera captures it is better. The set direction and costumes are also very impressive, making the film as much a wonder to look at, as it is to watch. And notice how as the movie progresses and More's situation becomes more and more hopeless the tones become muddier; there are more grays and browns than the reds and oranges from early on.
The film won the 1966 Academy Award for Best Picture. I liked `The Sand Pebbles' a little more, but it was still a deserved win in my book. A great picture, made better by Scofield's powerful performance, 8/10.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- A Man for All Seasons
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo in tutto il mondo
- 164 USD
- Tempo di esecuzione2 ore
- Colore
- Proporzioni
- 1.66 : 1