Aggiungi una trama nella tua linguaA man is shot in an underground car-park by a mysterious bearded man. As he dies he recollects the events that led him to this situation, including adulterous liaisons and jealous envy.A man is shot in an underground car-park by a mysterious bearded man. As he dies he recollects the events that led him to this situation, including adulterous liaisons and jealous envy.A man is shot in an underground car-park by a mysterious bearded man. As he dies he recollects the events that led him to this situation, including adulterous liaisons and jealous envy.
Foto
- Nora Tosatti
- (as Lucia Bosé)
- Waiter
- (non citato nei titoli originali)
- Man in Tennis Club
- (non citato nei titoli originali)
- Poliziotto
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe American hippie has books on anarchism, Mao Tse Tung, Malcom X, and "Religion and the Rise of Capitalism," along with Maxwell House coffee in his car.
- BlooperLucia tells Giovanni (Frank in the English version) he's stark naked, when, two seconds later, he gets up, wearing a bathing suit, too soon to have time to put it on, and they're just going skinny dipping in the next cove over anyway.
- Citazioni
Lucia: Eddie? A fairy! I'll be damned!
Nora Tosatti: Often I can't tell, but I caught on to him soon. You know what? I noticed he was a bit impressed with your Frank.
Lucia: Ma no! And Frank was jealous of me!
Nora Tosatti: Anyway, I wanted to help him. Besides, they're usually nice and tidy, worse than women are.
- ConnessioniReferenced in Videomannen (2018)
The film shares its flashback structure with Claude Sautet's poignant French drama LE CHOSES DE LA VIE. In addition, "The Double" would be a very fitting companion piece to Aldo Lado's MALASTRANA, a giallo which it closely resembles, and which also stars Jean Sorel.
Frank (Sorel) is an indolent playboy living off proceeds from his father's business. As the film begins, Frank drives his Citroen into a Rome parking garage and is shot by a mysterious bearded man. The remainder of the story is a series of flashbacks, as the dying Frank recollects how he arrived at his present circumstance: Frank was married to the lovely but dimwitted Lucia(Ewa Aulin), but secretly pined after her mirror-image, more sophisticated mother Nora(Lucia Bose). When Nora became involved with an American drifter, Eddie(Sergio Doria), Frank was green with envy. Things spiral out of control....but not as one would expect. By the climax, the moral comes into focus: Keeping one's passions unchecked can lead to ruin. Not exactly a new notion, but it's intriguingly explored here.
"The Double" is not without its flaws. The (customarily, for an Italian film) incongruous folk music and the anything-goes attitude towards sex and lounging about are badly dated; early sections of the film are languorous and convoluted; the final scene is not quite clear, at least in the version I saw. I would love to see a subtitled incarnation of the film, as dubbing is oft disconcerting and poorly recorded.
Director Romolo Guerrieri is the real star of the proceedings. His commanding style and aplomb with the intercutting is impressive. There are countless striking visual flourishes throughout.
- Oliver_Lenhardt
- 30 set 2002
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- The Double
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- Tempo di esecuzione1 ora 28 minuti
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- 1.85 : 1