Una satira sociale su un giovane uomo facoltoso di nome Elgar che lascia la villa di famiglia a Long Island per seguire l'amore in un ghetto di Brooklyn.Una satira sociale su un giovane uomo facoltoso di nome Elgar che lascia la villa di famiglia a Long Island per seguire l'amore in un ghetto di Brooklyn.Una satira sociale su un giovane uomo facoltoso di nome Elgar che lascia la villa di famiglia a Long Island per seguire l'amore in un ghetto di Brooklyn.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 5 candidature totali
- Copee
- (as Lou Gossett)
- Professor Duboise
- (as Melvin Stewart)
- Peter
- (as Bob Klein)
- Walter Gee
- (as Douglas Grant)
Trama
Lo sapevi?
- QuizThe opening shot is of director Hal Ashby's actual (and short-lived) marriage to actress Joan Marshall. He is flanked by the film's star, Beau Bridges (his best man) on the left and producer Norman Jewison on the right.
- Citazioni
Elgar Winthrop Julius Enders: [being held at gunpoint by Marge] I am the new landlord. And you are disregarding your lease by practicing whatever you're practicing here with these, with these readings. I'll have you thrown out! So if you want to shoot, just go ahead and shoot. That'll be running an illegal business, nonpayment of rent... and manslaughter.
- ConnessioniFeatured in Ein Fall für Stein: Recherchen im Rottwald (1976)
I thought the acting was top notch. Beau Bridges was very convincing as a naive, sheltered man learning to appreciate and embrace a different culture. But the movie is so much deeper than that... It dealt with people trying to break free from stereotypes, people struggling to be proud of who they are and be accepted for who they are, and some people not even knowing who they are, trying to find their niche.
I love the scene at the party that was supposedly in honor of Elgar, where more than one person tells him what it feels like to go from being an outcast to being the envy of everyone. If I remember correctly, they likened it to you having a mole in the middle of your forehead, and people are basically disgusted by it. But, then one day, that becomes the thing to have, and people begin to draw moles on their faces, but you have a real mole right there on your forehead, prominent for everyone to see, and suddenly you are "it", and your self esteem is taken to new heights. It seems like everything would be fine for you now, but I also interpreted that speech as saying that, at the time, blacks felt like they were a fad that might eventually fade out. I thought the words were very powerful, as well as the way the scene was carried out.
I don't think a film such as this could be pulled off properly now, because there is the constant threat of backlash if things aren't completely "PC", not to mention the fact that things are so different now. I think this film was made at the right time, but it still rings true 31 years later. And, thank goodness for the satisfying and realistic ending.
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Dettagli
Botteghino
- Budget
- 1.950.000 USD (previsto)