VALUTAZIONE IMDb
6,9/10
7112
LA TUA VALUTAZIONE
Una giovane ballerina continua ad avere fede nonostante infinite delusioni nelle sue mani, e spera che finalmente incontrerà l'uomo per farla innamorare lontano dalla sua vita squallida.Una giovane ballerina continua ad avere fede nonostante infinite delusioni nelle sue mani, e spera che finalmente incontrerà l'uomo per farla innamorare lontano dalla sua vita squallida.Una giovane ballerina continua ad avere fede nonostante infinite delusioni nelle sue mani, e spera che finalmente incontrerà l'uomo per farla innamorare lontano dalla sua vita squallida.
- Candidato a 3 Oscar
- 6 candidature totali
Dante DiPaolo
- Charlie
- (as Dante D'Paulo)
Leon Alton
- Dancer
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizAlthough uncredited, Gwen Verdon was assistant choreographer in the film version of Sweet Charity - Una ragazza che voleva essere amata (1969).
- BlooperIn the "Aloof" movement of "The Rich Man's Frug," two of the male principal dancers walk down the stairs to light a woman's cigarette, while the others dance behind them. The background choreography in this shot leads directly to the triangle formation of the next shot, and the two men are now in the middle of the group, although there was no time for them to reach that position.
- Citazioni
Charity Hope Valentine: Wow! This place sure is crawlin' with celebrities. I'm the only person here I never heard of.
- Versioni alternativeLaserdisc version contains an alternative ending. After Oscar leaves Charity, he starts to go crazy in his apartment. He then realizes that despite Charity's faults, he really can't live without her. He finds Charity on the bridge in Central Park and, thinking she's going to jump, falls into the river. Charity jumps in after Oscar and forgives him. The two then walk off together, soaking wet, through the park. Bob Fosse thought this ending was too corny, and decided to use the depressing, yet more inspirational, ending for the film's major release.
- ConnessioniFeatured in Sweet Charity: From the Stage to the Screen (1969)
- Colonne sonoreMy Personal Property
(uncredited)
Music by Cy Coleman
Lyrics by Dorothy Fields
Performed by Shirley MacLaine
Recensione in evidenza
Shirley MacLaine is excellent in this underrated, brassy musical based on the Italian classic film, NIGHTS OF CABIRIA.
MacLaine plays Charity Hope Valentine, a sweet but rather clueless woman who works in a dance hall but yearns for love. She's constantly linking up with men who use her, take her money, dump her. The film opens with Charity in Central Park with her "boyfriend." Sitting on a bridge, she chirps about making a wish and throwing something off the bridge. The creep shoves her into the water.
She has two wiser-but-cynical pals, played by Chita Rivera and Paula Kelly. They seem resigned to their fates as dance hall girls but there's still an ember of hope for a better life.
Charity meets an Italian film star (Ricardo Montalban) and spend the night with him ... in his closet. She then meets a repressed man (John McMartin) in a stalled elevator and seems to have found happiness at last..... But is happiness in the cards for Charity? MacLaine seems to channel Gwen Verdon (who starred in the show on Broadway and who worked with MacLaine on the dance numbers) and excels in the many productions numbers, especially "If They Could See Me Now" and "Somebody Loves Me at Last." MacLaine also has a spirited rooftop dance number with Rivera and Kelly as they opine "There's Gotta Be Something Better Than This." The show-stopper is probably the "Big Spender" number which features MacLaine, Rivera, and Kelly with a line of dance hall girls who try to lure men to be their partners. It's a sensational number that shows Bob Fosse's choreographic skills and also demonstrates the cynical life of a dance hall girl.
Other great numbers include MacLaine and Montalban's visit to the Pompeii Club where the dancers go through a series of landmark Fosse dances. The lead dancer here is the sensational Suzanne Charny. Among the dancers are also Ben Vereen, Lee Roy Reams, and Chelsea Brown.
Sammy Davis turns up the heat with the "River of Life" number which shows Charity and Oscar (McMartin)seeking meaning and discovering the 60s counter culture. Then there's Stubby Kaye as the dance hall manager who throws Charity a wedding party and sings "I Love to Cry at Weddings." This is a hugely underrated musical filled with great music and production numbers. Big, bright, brassy, and brazen, what's not to love? MacLaine won a Golden Globe nomination.
MacLaine plays Charity Hope Valentine, a sweet but rather clueless woman who works in a dance hall but yearns for love. She's constantly linking up with men who use her, take her money, dump her. The film opens with Charity in Central Park with her "boyfriend." Sitting on a bridge, she chirps about making a wish and throwing something off the bridge. The creep shoves her into the water.
She has two wiser-but-cynical pals, played by Chita Rivera and Paula Kelly. They seem resigned to their fates as dance hall girls but there's still an ember of hope for a better life.
Charity meets an Italian film star (Ricardo Montalban) and spend the night with him ... in his closet. She then meets a repressed man (John McMartin) in a stalled elevator and seems to have found happiness at last..... But is happiness in the cards for Charity? MacLaine seems to channel Gwen Verdon (who starred in the show on Broadway and who worked with MacLaine on the dance numbers) and excels in the many productions numbers, especially "If They Could See Me Now" and "Somebody Loves Me at Last." MacLaine also has a spirited rooftop dance number with Rivera and Kelly as they opine "There's Gotta Be Something Better Than This." The show-stopper is probably the "Big Spender" number which features MacLaine, Rivera, and Kelly with a line of dance hall girls who try to lure men to be their partners. It's a sensational number that shows Bob Fosse's choreographic skills and also demonstrates the cynical life of a dance hall girl.
Other great numbers include MacLaine and Montalban's visit to the Pompeii Club where the dancers go through a series of landmark Fosse dances. The lead dancer here is the sensational Suzanne Charny. Among the dancers are also Ben Vereen, Lee Roy Reams, and Chelsea Brown.
Sammy Davis turns up the heat with the "River of Life" number which shows Charity and Oscar (McMartin)seeking meaning and discovering the 60s counter culture. Then there's Stubby Kaye as the dance hall manager who throws Charity a wedding party and sings "I Love to Cry at Weddings." This is a hugely underrated musical filled with great music and production numbers. Big, bright, brassy, and brazen, what's not to love? MacLaine won a Golden Globe nomination.
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Dettagli
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Tempo di esecuzione2 ore 29 minuti
- Proporzioni
- 2.35 : 1
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By what name was Sweet Charity - Una ragazza che voleva essere amata (1969) officially released in India in English?
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