Una giovane coppia litiga sull'idea di avere un figlio nei giorni in cui una piaga globale ha spazzato via la maggior parte della popolazione terrestre.Una giovane coppia litiga sull'idea di avere un figlio nei giorni in cui una piaga globale ha spazzato via la maggior parte della popolazione terrestre.Una giovane coppia litiga sull'idea di avere un figlio nei giorni in cui una piaga globale ha spazzato via la maggior parte della popolazione terrestre.
- Premi
- 1 candidatura in totale
Marzio Margine
- Cino
- (as Marco Margine)
Milvia Deanna Frosini
- Armed girl from Major De Votis's squad
- (as Milvia Frosini)
Adriano Aprà
- TV Journalist
- (non citato nei titoli originali)
Gioia Benelli
- TV announcer
- (non citato nei titoli originali)
Marco Ferreri
- Beach House Owner
- (non citato nei titoli originali)
Mario Vulpiani
- Major Vulpiani
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe surreal symbolic red gun with the bright spots on it can also be seen in other Marco Ferreri films, Dillinger è morto (1969) and Non toccare la donna bianca (1974).
- BlooperWhen Cino and Dora stumble upon the beach house, director Ferreri doubles as the deceased owner, lying in his porch chair dead. The scene is in long shot and the supposedly dead Ferreri's head can be seen to move slightly as he gives actor Marco Margine a piece of direction.
- Citazioni
Cino: You know the world. You're a very experienced woman. So is it right to want a child?
The Foreigner Woman: Not only is it right. It is a duty.
- ConnessioniReferenced in Sois belle et tais-toi! (1981)
Recensione in evidenza
Marco Ferreri's surreal film "Il seme dell'uomo" ("The Seed of Man" in English) looks more plausible today than it probably did when it first came out. The movie portrays a young man and woman who, after learning of a plague ravaging the populace, take refuge in a house on the coast and turn it into a miniature museum displaying cultural relics from the days before the plague. But that's not the end...
An interesting point is that the movie never identifies what the plague in question is specifically. It could be any scourge. Certainly plenty of bad things have afflicted the planet recently - the combination of global warming and the financial crisis constitutes a perfect storm - to the point that the events portrayed in this movie look as though they could come true. I bet that Marco Ferreri never realized what a prescient movie he was making!
So, I recommend this. Not just as a warning about what the world could turn into, but as a look at Italy's changing cinema in the late '60s (in which Ferreri played a major role). Definitely worth seeing.
An interesting point is that the movie never identifies what the plague in question is specifically. It could be any scourge. Certainly plenty of bad things have afflicted the planet recently - the combination of global warming and the financial crisis constitutes a perfect storm - to the point that the events portrayed in this movie look as though they could come true. I bet that Marco Ferreri never realized what a prescient movie he was making!
So, I recommend this. Not just as a warning about what the world could turn into, but as a look at Italy's changing cinema in the late '60s (in which Ferreri played a major role). Definitely worth seeing.
- lee_eisenberg
- 26 ott 2008
- Permalink
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By what name was Il seme dell'uomo (1969) officially released in Canada in English?
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