VALUTAZIONE IMDb
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaOn a farm in the Canadian North-West, a young widow becomes the source of a jealous rivalry between her little son and her new husband.On a farm in the Canadian North-West, a young widow becomes the source of a jealous rivalry between her little son and her new husband.On a farm in the Canadian North-West, a young widow becomes the source of a jealous rivalry between her little son and her new husband.
Foto
Jimmy Ames
- Carnival Barker
- (non citato nei titoli originali)
Alan Austin
- Fire Warden
- (non citato nei titoli originali)
Phil Bloom
- Carnival Guest
- (non citato nei titoli originali)
Willie Bloom
- Carnival Guest
- (non citato nei titoli originali)
Mary Carroll
- Mrs. Campbell
- (non citato nei titoli originali)
Bud Cokes
- Carnival Guest
- (non citato nei titoli originali)
Tommy Farrell
- Carnival Barker
- (non citato nei titoli originali)
Charles Fogel
- Carnival Guest
- (non citato nei titoli originali)
Arthur Franz
- Tom Sharron
- (non citato nei titoli originali)
Fred Graham
- Officer Follette
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizActor Dennis Holmes, who played Susan Hayward's son in the film, told Barbara Nichols' biographer that Susan Hayward refused to speak to him either before or after a take. She would only talk to him when they were actually shooting a scene. Marsha Hunt said Hayward did the same thing to her during the filming of "Smash-Up, the Story of a Woman" in 1947.
- Citazioni
Dr. R. W. Gibbs: Maybe so. Maybe so, Fred. But Tomorrow is another day.
- ConnessioniRemade as Vahsi sevda (1966)
Recensione in evidenza
The title is a misnomer :actually ,it's the male character who had a mysterious past -revealed to the doctor at the end of the movie.
Henry Hathaway has always been one of my favorite American directors :he has always been eclectic ("lives of a Bengal lancer" and "Pete Ibbbetson" the same year!);here an interesting example of the way the director has almost totally mastered the style of Douglas Sirk's melodramas (particularly "all that heaven allows" and "all I desire").
Susan Hayward was perfect as ever as the widow whereas Stephen Boyd was trying to get rid of that "Messala skin" ,a thing he could never achieve:he gives an effective performance ,very nice when he appears for the first time,then oddly turning into a crude brute before redeeming himself ;whatever he plays ,he is convincing.
In fact,the worst character is the brat :his biological father disappears in the first minutes and the relationship with his son is underwritten;thus he sometimes appears selfish and even cruel (the pitchfork);ditto for Mary:she seems to be only concerned by her own pain,and it takes the words of a doctor -who becomes a true shrink- to make her feel that others too had a raw deal in their past .
Nice use of the locations and of the animals feeling the fire in the forest.
Henry Hathaway has always been one of my favorite American directors :he has always been eclectic ("lives of a Bengal lancer" and "Pete Ibbbetson" the same year!);here an interesting example of the way the director has almost totally mastered the style of Douglas Sirk's melodramas (particularly "all that heaven allows" and "all I desire").
Susan Hayward was perfect as ever as the widow whereas Stephen Boyd was trying to get rid of that "Messala skin" ,a thing he could never achieve:he gives an effective performance ,very nice when he appears for the first time,then oddly turning into a crude brute before redeeming himself ;whatever he plays ,he is convincing.
In fact,the worst character is the brat :his biological father disappears in the first minutes and the relationship with his son is underwritten;thus he sometimes appears selfish and even cruel (the pitchfork);ditto for Mary:she seems to be only concerned by her own pain,and it takes the words of a doctor -who becomes a true shrink- to make her feel that others too had a raw deal in their past .
Nice use of the locations and of the animals feeling the fire in the forest.
- dbdumonteil
- 20 apr 2012
- Permalink
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Dettagli
Botteghino
- Budget
- 1.730.000 USD (previsto)
- Tempo di esecuzione1 ora 43 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Ossessione di donna (1959) officially released in India in English?
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