Aggiungi una trama nella tua linguaMarine atomic tests cause changes in the ocean's ecosystem resulting in dangerous blobs of radiation and the resurrection of a dormant dinosaur that threatens London.Marine atomic tests cause changes in the ocean's ecosystem resulting in dangerous blobs of radiation and the resurrection of a dormant dinosaur that threatens London.Marine atomic tests cause changes in the ocean's ecosystem resulting in dangerous blobs of radiation and the resurrection of a dormant dinosaur that threatens London.
- Prof. James Bickford
- (as Andre Morell)
- Dr. Sampson - the Paleontologist
- (as Jack McGowran)
- Tom Trevethan
- (as Henry Vidon)
- P.C. Spotting Monster
- (non citato nei titoli originali)
- Laboratory Technician
- (non citato nei titoli originali)
- Fleeing Man in Crowd
- (non citato nei titoli originali)
- Fleeing Man
- (non citato nei titoli originali)
- TV Newscaster
- (non citato nei titoli originali)
- Police Inspector
- (non citato nei titoli originali)
- Officer at Conference
- (non citato nei titoli originali)
- Navy Lieutenant
- (non citato nei titoli originali)
- Man Listening to Car Radio
- (non citato nei titoli originali)
- Scientist at Conference on Atomic Research
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizWillis H. O'Brien and Pete Peterson completed a significant amount of the stop-motion animation on a table in Peterson's garage.
- BlooperBecause of budget restraints, one shot of the monster smashing a model car is repeated no less than three times.
- Citazioni
Dr. Sampson, the Paleontologist: Oh, it's heading for the Thames. They always made for the freshwater rivers to die. That's where their skeletons have been found - some irrestible instinct to die in the shallows that gave them birth. You know, all my life I hoped this would happen. Ever since childhood I expected it. I knew these creatures were alive somewhere, but I had no proof, scientific proof, and I had to keep it to myself, or my colleagues would have all laughed at me. See, no form of life ceases abruptly, and all those reports of sea serpents - well, what can they be?... The tall, graceful neck of paleosaurus. He can stay underneath the surface for an age, and now he comes to the top.
- Curiosità sui creditiThe writing credits for this film are locked by the WGA. However, the opening credits should read: Story: Robert Abel and Allan Adler (both uncredited) Screen Play: Eugène Lourié (as Eugene Lourie) Order #1,1,1
- ConnessioniEdited into FrightMare Theater: The Giant Behemoth (2016)
What you have is a pretty bog-standard tale of nuclear radiation mutation... as was par for the course in the fifties. Here though, not only does it mutate a creature to an enormous size, but apparently resurrects a long-dead dinosaur. This then goes on the rampage through London. Though what makes this a little better than the average film in this genre is the extra details. We don't start in London but in a little fishing village in Cornwall where strange things have been occurring; a man being burned with 1st, 2nd, and 3rd degree burns, shoals of dead fish washing up on the beach, and strange lights under the surface of the sea. This pulls the viewer in with the mystery. There's also the brilliant usage of the radiation because if you get too close to the creature then you burn. When we arrive at the rampage, the director uses parts of London not fully rebuilt after the war to create an atmosphere that works well. Also, the large amount of extra's running from the monster is just right - not one or two people, but a hole streets worth of men and women.
The director is very good at his work. He sets the pace of this film perfectly. There's a small crescendo at the beginning when Marine Biologist Steve Karnes' is warning the government about the possible side effects of radiation on the oceans and their populace. Then drops to a steadier pace with the mysterious happenings. Building up slowly to the rampage at the climax. Spot on perfect.
The special effects, for their time, are not quite as good as others. However, they are passable. It's nice the puppeteer changed out to a fully automated Behemoth for the later scenes as the fixed mouth version that attacked the ferry looked a little silly. I have to admit I really loved the part where the Behemoth walks through the dockyards. The part where he wrecks one crane by tearing it apart with his teeth and the other by simply walking through it is one of the better stop animation sequences I've seen. I liked the fact the director filmed it from the position of the pavement, which had the effect of giving size to the creature.
This was a very enjoyable flick, to say the least. The story and the filming were solid as too was the acting. Everybody put their skills into making this a very watchable movie. Not remembering the movie fully, I thought that the two main characters in the fishing village section Jean (Madison) and John (Turner) would be in the whole show, their acting is that good. However, when we leave the village we never see them again.
If you've never caught a '50's sci-fi monster flick then this one would be a nice place to start. And if you are a fan of the genre, then find a copy and watch this once more, it's worth it.
- P3n-E-W1s3
- 4 feb 2018
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- The Giant Behemoth
- Luoghi delle riprese
- Plady Beach, Looe, Cornwall, Inghilterra, Regno Unito(rocky coastal scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 20 minuti
- Colore
- Proporzioni
- 1.37 : 1(original ratio)