Il mondo di Apu

Titolo originale: Apur Sansar

1959
T
1h 45min

VALUTAZIONE IMDb

8,4/10

17.325

LA TUA VALUTAZIONE

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1 video

62 foto

Tragedy Drama

Quest'ultimo capitolo della trilogia di Apu di Satyajit Ray segue la vita di Apu da adulto orfano che aspira a diventare uno scrittore.Quest'ultimo capitolo della trilogia di Apu di Satyajit Ray segue la vita di Apu da adulto orfano che aspira a diventare uno scrittore.Quest'ultimo capitolo della trilogia di Apu di Satyajit Ray segue la vita di Apu da adulto orfano che aspira a diventare uno scrittore.

Regia
- Satyajit Ray
Sceneggiatura
- Bibhutibhushan Bandyopadhyay
- Satyajit Ray
Star

Vedi le informazioni sulla produzione su IMDbPro

VALUTAZIONE IMDb

8,4/10

17.325

LA TUA VALUTAZIONE

Regia
- Satyajit Ray
Sceneggiatura
- Bibhutibhushan Bandyopadhyay
- Satyajit Ray
Star

Vedi le informazioni sulla produzione su IMDbPro

Nominato ai 1 BAFTA Award
- 4 vittorie e 2 candidature totali

Apurba Roy
(as Soumitra Chattopadhyay, Soumitra Chatterji: in subtitles)

Sharmila Tagore

Aparna

Alok Chakravarty

Kajal
(as Shriman Alok Chakraborty, Aloke Chakravarty: in subtitles)

Swapan Mukherjee

Pulu
(as Swapan Mukhopadhyay, Swapan Mukerji: in subtitles)

Tushar Bandyopadhyay

Gupi Banerjee

Panchanan Bhattacharya

Shanti Bhattacherjee

Office Associate

Jiten Bhons

Abhijit Chatterjee

Aparna's Brother
(as Abhijit Chattopadhyay)

Jogesh Chatterjee

Asha Devi

Belarani Devi

Apu's Neighbor
(as Belarani)

Sefalika Devi

Shashinarayan's wife

Biren Ghosh

Dhiren Ghosh

Landlord

Biresh Majumdar

Dhiresh Majumdar

Shashinarayan

Regia
- Satyajit Ray
Sceneggiatura
- Bibhutibhushan Bandyopadhyay
- Satyajit Ray
Tutti gli interpreti e le troupe
Produzione, botteghino e altro su IMDbPro

Trama

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Quiz
Sharmila Tagore, who plays Aparna, the wife of Apu (played by Soumitra Chatterjee), and who was only 14-years-old when she appeared in the film, later recalled filming the scene in which Apu brings his new bride back to his untidy apartment in the city. The director, Satyajit Ray, gave Tagore no direction, other than that she was to enter the room and look around, and she did not view the apartment set before they shot the scene. So when Chatterjee opened the door and they both walked in, Aparna's reaction to Apu's living quarters was actually Tagore's own spontaneous reaction. Later, she realized that Ray deliberately did not prepare her, in order to obtain exactly that spontaneous response from her.

Blooper
When Apu arises from bed, there is a spilled inkwell on his left side. However, when he is cleaning up the mess, there is an ink stain on the right side of his shirt.

Citazioni
Pulu: So are you writing anything? What are you writing?
Apurba Roy: A wonderful novel.
Pulu: And you've kept it mum all this time?
Apurba Roy: You know a good publisher?
Pulu: All in good time.
Apurba Roy: Listen to this: a young boy. A young boy. A village boy. Poor but sensitive. His father's a priest. The father dies. The boy comes to the city. He doesn't want to be a priest. He'll study. He's ambitious. He studies. Through his education and struggles, we watch as he sheds his old superstitions and fixed views. He questions everything and takes nothing on trust. Yet he has imagination and sensitivity. Little things move him and bring him joy. Perhaps he has greatness in him, the ability to create, but...
Pulu: He doesn't make it.
Apurba Roy: That's right. But it doesn't end there. It's not a tragedy. He does nothing great. He remains poor, in want. But he never turns away from life. He doesn't run away. He wants to live. He says living itself brings fulfillment and joy. He wants to live!

Versioni alternative
There is an Italian edition of this film on DVD, re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.

Connessioni
Featured in Apur Panchali (2013)

Colonne sonore
For He's a Jolly Good Fellow
Played by the band

Recensioni degli utenti64

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Recensione in evidenza

10/10

The final episode of the Apu Trilogy

The final episode of the Trilogy takes us to a young adult Apu. Received the British Film Award which Sathyajits' other two episodes (Song of the Road, Unvanquished) also received.

This movie together with the other two movies are a monumental work in movie making. The way the story is portrayed, and the use of many details, enrich the emotional experience it provides. One can recall the way the screen of the movie theatre fades into the window of the horse carriage, or the way the hole on the window curtain reverberates with the spotted decorations on the actress face and etc.

This a "must see" movie for all, in the different ways emotions are expressed and the way it takes the audience in a roller coater ride of emotions. It is an enriching and a moving experience. It reinforces and reinvigorates the humanity within each of us.

To enjoy the movie most, viewers should see the first two episodes in sequence before viewing "Apur Sangsar."