Un uomo cerca risposte sulla vita, la morte e l'esistenza di Dio, giocando a scacchi contro la Morte durante la Peste Nera.Un uomo cerca risposte sulla vita, la morte e l'esistenza di Dio, giocando a scacchi contro la Morte durante la Peste Nera.Un uomo cerca risposte sulla vita, la morte e l'esistenza di Dio, giocando a scacchi contro la Morte durante la Peste Nera.
- Premi
- 9 vittorie e 2 candidature totali
Siv Aleros
- Flagellant
- (non citato nei titoli originali)
Sten Ardenstam
- Knight
- (non citato nei titoli originali)
Harry Asklund
- The Landlord
- (non citato nei titoli originali)
Benkt-Åke Benktsson
- Merchant at the Inn
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizIngmar Bergman credited the film with helping him overcome his crippling fear of death. Because the film dealt so overtly with the subject, he found it a highly cathartic experience.
- BlooperThe chess players focus on capturing the Queen. The Queen was not a super-powerful piece until centuries later when a recent chess-variant initially called "chess of the mad queen" became more popular than the classic game.
- Citazioni
Antonius Block: We must make an idol of our fear, and call it god.
- ConnessioniEdited into Severed Ways: The Norse Discovery of America (2007)
Recensione in evidenza
The mysteries of religion and death have long been a popular focus among artists of all media, including film. And while many films question these mysteries, they seldom provide any real insight into the world of the unknown. In Ingmar Bergman's THE SEVENTH SEAL, these mysteries are not only questioned; they are dissected, splayed, and scrutinized.
THE SEVENTH SEAL could very well serve as sort of a manifesto for existentialism. Its deep acuity and haunting imagery is powerful enough to jar even passive viewers out of their complacency and force them to examine their own reality. The delicately crafted story centers around a 14th century knight named Antonius Block and his ongoing game of chess with a shadowy, hooded figure: Death. Bergman uses this allegory not just to personify death, but to illustrate the lengths man will go to in order to avoid it. In the end, however, Death is a much better player than any of us, and though he may humor some of his opponents by letting them think that they have the advantage, the end result is inevitable: Death always wins. No matter how skillfully we plan our moves or how determined we are to win, we can never beat Death.
In Antonius's search for answers, he encounters a variety of very unique characters, each with their own outlook on life, death, faith, fear and love. Their commentary on such matters is often dryly funny and always brilliant, continuously and effectively challenging our perceptions of the world around us. For me, the dialogue was definitely the high point of the film, as it was extremely thought-provoking and carefully constructed throughout. Almost every line spoken is, in one way or another, daunting and unforgettable. Jöns's description of love as "the blackest of all plagues" is a quote that will forever be engraved in my mind.
THE SEVENTH SEAL truly is a remarkable accomplishment in the world of cinema. It is a deep, mesmerizing, and darkly beautiful work of art. More importantly, THE SEVENTH SEAL is one of those rare movies that doesn't just entertain, but also has the power to change the way one thinks.
THE SEVENTH SEAL could very well serve as sort of a manifesto for existentialism. Its deep acuity and haunting imagery is powerful enough to jar even passive viewers out of their complacency and force them to examine their own reality. The delicately crafted story centers around a 14th century knight named Antonius Block and his ongoing game of chess with a shadowy, hooded figure: Death. Bergman uses this allegory not just to personify death, but to illustrate the lengths man will go to in order to avoid it. In the end, however, Death is a much better player than any of us, and though he may humor some of his opponents by letting them think that they have the advantage, the end result is inevitable: Death always wins. No matter how skillfully we plan our moves or how determined we are to win, we can never beat Death.
In Antonius's search for answers, he encounters a variety of very unique characters, each with their own outlook on life, death, faith, fear and love. Their commentary on such matters is often dryly funny and always brilliant, continuously and effectively challenging our perceptions of the world around us. For me, the dialogue was definitely the high point of the film, as it was extremely thought-provoking and carefully constructed throughout. Almost every line spoken is, in one way or another, daunting and unforgettable. Jöns's description of love as "the blackest of all plagues" is a quote that will forever be engraved in my mind.
THE SEVENTH SEAL truly is a remarkable accomplishment in the world of cinema. It is a deep, mesmerizing, and darkly beautiful work of art. More importantly, THE SEVENTH SEAL is one of those rare movies that doesn't just entertain, but also has the power to change the way one thinks.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The Seventh Seal
- Luoghi delle riprese
- Hovs Hallar - Naturreservat, Skåne län, Svezia(Opening beach scene and ending scene)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 150.000 USD (previsto)
- Lordo in tutto il mondo
- 311.212 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Proporzioni
- 1.37 : 1
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What is the streaming release date of Il settimo sigillo (1957) in Australia?
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