Aggiungi una trama nella tua linguaA motley group of soldiers are set loose in swinging London in an initiative test to collect a selection of esoteric items.A motley group of soldiers are set loose in swinging London in an initiative test to collect a selection of esoteric items.A motley group of soldiers are set loose in swinging London in an initiative test to collect a selection of esoteric items.
Wilfrid Hyde-White
- General Lockwood
- (as Wilfrid Hyde White)
Trama
Lo sapevi?
- QuizOscar-winning actor Helen Mirren lambasted director Michael Winner in a TV interview for allegedly treating her "like a piece of meat" during a casting session for this film in 1964. Recalling the encounter, she said that he ordered her to turn around and flaunt her body for him. "I was mortified and incredibly angry. I thought it was insulting and sexist, and I don't think any actress should be treated like that, like a piece of meat, at all. I was so angry. I still am." Winner has defended his actions, saying: "I did indeed ask her to stand up. I don't remember asking her to turn around but if I did, I wasn't being serious. I can see it now. She was wearing a peasant blouse and a skirt in the photographs, with enormous bosoms which were sagging a bit even though she was young."
- BlooperWhen the famous Lutine bell is stolen, the officers at HQ describe it as weighing about a hundred pounds, and difficult, but not impossible, for a man to move around. Yet in the scene at the finish line, there's a brief shot of Poppy Pennington (Tracy Reed), herself probably not much more than that weight, scooping it up effortlessly in the scramble.
- Citazioni
Sergeant Clegg: Dig? Me? I'm a married man!
- ConnessioniReferences Il ponte sul fiume Kwai (1957)
Recensione in evidenza
Quite a lot of old movies don't live up to their animated credits. Not this one, even though they were the work of Bob Godfrey.
In 1968 Andrew Sarris rated Winner higher - among The 'Oddities, One-Shots and Newcomers' - in 'American Cinema' than Stanley Kramer ('Miscellany'). At the time Sarris seemed not to have seen (and probably never bothered to catch up with) this low budget but very funny imitation of 'It's a Mad Mad Mad World' from a mildly satirical script by the author of 'I'm All Right Jack'. It was also Michael Winner's last film in black & white, in those very far off days when even he couldn't help making a decent film.
Energetically shot entirely on location (94 in all) in and around a very wintry looking London and then frenziedly cut together (NERD NOTE: Winner's used of hard-edged wipes probably seemed very 'nouvelle vague' at the time but were actually a common feature of quota quickies thirty years earlier). It depicts a world in which audiences would have known the significance of plaster flying ducks and Trechikoff's 'Green Woman', now as impossible to revisit as the planet Jupiter itself. Shot by '2001's director of photography and featuring a Who's Who of British supporting actors past and future, most of them on good form, with Bernard Cribbins the victim of a hilarious running gag; English actor Lionel Jeffries playing a mad Scotsman would however probably offend today's politically correct sensibilities.
(In smaller parts, James Robertson Justice looks incongruous as a supercilious librarian who makes no attempt to keep his voice down; while the ubiquitous Marianne Stone looks even more striking than usual forging signatures in a collar & tie.)
In 1968 Andrew Sarris rated Winner higher - among The 'Oddities, One-Shots and Newcomers' - in 'American Cinema' than Stanley Kramer ('Miscellany'). At the time Sarris seemed not to have seen (and probably never bothered to catch up with) this low budget but very funny imitation of 'It's a Mad Mad Mad World' from a mildly satirical script by the author of 'I'm All Right Jack'. It was also Michael Winner's last film in black & white, in those very far off days when even he couldn't help making a decent film.
Energetically shot entirely on location (94 in all) in and around a very wintry looking London and then frenziedly cut together (NERD NOTE: Winner's used of hard-edged wipes probably seemed very 'nouvelle vague' at the time but were actually a common feature of quota quickies thirty years earlier). It depicts a world in which audiences would have known the significance of plaster flying ducks and Trechikoff's 'Green Woman', now as impossible to revisit as the planet Jupiter itself. Shot by '2001's director of photography and featuring a Who's Who of British supporting actors past and future, most of them on good form, with Bernard Cribbins the victim of a hilarious running gag; English actor Lionel Jeffries playing a mad Scotsman would however probably offend today's politically correct sensibilities.
(In smaller parts, James Robertson Justice looks incongruous as a supercilious librarian who makes no attempt to keep his voice down; while the ubiquitous Marianne Stone looks even more striking than usual forging signatures in a collar & tie.)
- richardchatten
- 19 set 2020
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Rena rama snurren!
- Luoghi delle riprese
- Carshalton Ponds, Surrey, Inghilterra, Regno Unito(From leaving the library until the lady driver knocks people off of their bikes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Proporzioni
- 1.85 : 1
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By what name was You Must Be Joking! (1965) officially released in Canada in English?
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