Le colline blu

Titolo originale: Ride in the Whirlwind

1966
T
1h 22min

VALUTAZIONE IMDb

6,4/10

4606

LA TUA VALUTAZIONE

Jack Nicholson, Harry Dean Stanton, Tom Filer, Cameron Mitchell, and Millie Perkins in Le colline blu (1966)

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Drama Western

Tre cowboy, scambiati per membri di una banda fuorilegge, sono inseguiti senza sosta da un gruppo.Tre cowboy, scambiati per membri di una banda fuorilegge, sono inseguiti senza sosta da un gruppo.Tre cowboy, scambiati per membri di una banda fuorilegge, sono inseguiti senza sosta da un gruppo.

Vedi le informazioni sulla produzione su IMDbPro

VALUTAZIONE IMDb

6,4/10

4606

LA TUA VALUTAZIONE

Vedi le informazioni sulla produzione su IMDbPro

Premi
- 1 candidatura in totale

Quiz
During the making of this film, Jack Nicholson told Harry Dean Stanton that he should basically not do anything, and let the wardrobe do the acting for him. Dean Stanton has stated in interviews that this particular piece of advice really solidified his approach to acting.

Blooper
Right before saying he lost his spurs, Wes (Jack Nicholson) is shown carrying them, then not carrying them (and the spurs are nowhere in sight as he is not wearing them either), then carrying them again, then being shot at and dropping them.

Citazioni
Wes: This is the 'less work I done on a weekday since I was 4, 'less I was sick.

Connessioni
Featured in A Decade Under the Influence (2003)

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Recensione in evidenza

7/10

Good minor western, watchable for more than its rising superstar

A couple of cowboys end up with a lynch-happy posse on their tails after being mistaken for members of a murderous band of stagecoach robbers. Monte Hellman's short, spare 'vigilante justice' tale is pretty good for a low-budget oater (shot back-to-back with 'The Shooting' to save money) but is likely best known for an early starring role for Jack Nicholson (who also wrote the story). Nicholson and western regular Cameron Mitchell (Uncle Buck in the great TV ranch-saga 'The High Chaparral' (1967)) are quite good as the two drifters trying to stay alive and the rest of the cast (including the always watchable Harry Dean Stanton) are serviceable. The story is lean, simple but interesting, the desert cinematography is nice, and 'action sequences' are well done. Typical of a Roger Corman project, the film is very good considering the resources available.