Ciclone sulla Giamaica

This film had a long and troubled history. Richard Hughes's original novel, published in 1929, is a dark and disturbing story, and James Mason, who greatly admired it, wanted to make a film of it in the 1950s, producing it for Twentieth Century-Fox as well as playing one of the leads. However, the studio saw it as a light-hearted Disney-style pirate adventure aimed at a family audience; several years after Mason's plans had come to nothing, they revived the project along these lines with Nunnally Johnson assigned as writer and producer. When Alexander Mackendrick was approached to direct, he was appalled by the travestying of Hughes's novel, and was able to persuade leading man Anthony Quinn that a more faithful and disturbing version of the book was a better idea. Johnson's script was rejected. Quinn used his considerable influence to help Mackendrick and the ensuing film was highly praised; it was, however, cut by the studio by about 25 minutes, which Mackendrick claimed had ruined it. He always insisted subsequently that he should never have attempted the film, which was a box-office failure.

The hurricane at the beginning of the film is rather clearly created with a combination of wind machines and water sprayed onto the set. Despite the torrential downpour there is sun-dappling beneath the tree where Emily is looking for her cat, and blue sky and puffy white clouds are visible in the distance behind her and her father.

Referenced in Alla bella Serafina piaceva far l'amore sera e mattina (1969)