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8,1/10
9152
LA TUA VALUTAZIONE
Ambientato alla fine del XVI secolo nel periodo Moghul dell'India, questa è la vita sfortunata del principe Saleem, figlio dell'imperatore regnante Akbar, che si innamora della schiava danza... Leggi tuttoAmbientato alla fine del XVI secolo nel periodo Moghul dell'India, questa è la vita sfortunata del principe Saleem, figlio dell'imperatore regnante Akbar, che si innamora della schiava danzante Anarkali.Ambientato alla fine del XVI secolo nel periodo Moghul dell'India, questa è la vita sfortunata del principe Saleem, figlio dell'imperatore regnante Akbar, che si innamora della schiava danzante Anarkali.
- Premi
- 3 vittorie e 3 candidature totali
Prithviraj Kapoor
- Emperor Akbar
- (as Prithviraj)
Ajit Khan
- Durjan Singh
- (as Ajit)
Jillo
- Anarkali's Mother
- (as Jillo Bai)
Sheila Dalaya
- Suraiya
- (as Sheela Delaya)
Trama
Lo sapevi?
- QuizThe song "Pyar Kiya To Darna Kiya" has an unusual history to it: it cost Rs. 10 million at a time when a film would be made for less than a million; it was written and re-written 105 times by the lyricist, Shakeel Badayuni, before the music director, Naushad, could approve of it; it was shot in the renowned Sheesh Mahal (Palace of Mirrors); and in those days of sound recording, editing and mixing, as there was no way to provide the reverberation of sound, Naushad had playback singer Lata Mangeshkar sing the song in a studio bathroom.
- BlooperMusic and dancing styles from the 19th century were depicted, although the story takes place in the 16th century. For example, Thumri, a semi-classical music form developed in the 19th century, is adopted in a dance sequence in Kathak style, which is a 16th-century dance form.
- Curiosità sui crediti2004: The End Credits play the song 'Pyaar Kiya To Darna Kya' and its 1960 end credits are adjacent to the 2004 (Technicians) credits.
- Versioni alternativeThe original version is in B/W and only one song 'Pyar kiya to darna kya...' was shot in color as most of the film (by the time color technology was available) was complete. This was at the end of almost 10 years that the film was being completed. However, the year 2004 re-release is re-mastered from the original B/W version to Color with Dolby Digital sound and some visual enhancements.
- ConnessioniFeatured in Century of Cinema: And the Show Goes On: Indian Chapter (1996)
Recensione in evidenza
I haven't seen the black and white original of Mughal E Azam since the '80's, but I recently saw the restored revived colourised 2004 re-release for the first time and was astounded by the results. I'm not a believer in messing around with the originals, but bearing in mind director Asif always wanted to make the whole film in colour but didn't have enough money the "final" product is amazing to see - such is technology! It was incredibly expensive to make as it was, the restoration process must have cost a fabulous amount too.
Seminal Indian epic purporting to deal with events from about 400 years ago around Prince Saleem (Dilip Kumar) falling in love with a court dancer Anarkali (Madhubala) to his father Akbar's utter opposition and eventually causing a rift leading to all out war. The drama and war spectacle scenes are memorable enough, with thousands of humans and animals as extras, and the music is uniformly superb too. But it's Pyar Kiya To Darna Kya (If I have loved someone>why should I be afraid?) sung by Anarkali (Lata) to the 2 of them in the Hall Of Mirrors that is absolutely stunning - I will have to get the original and compare, because the remaster seems to have turned this song into something even more magical and mesmerising than I remembered. It took Naushad and Shakeel Badayuni one night to compose music and lyrics so timeless - a colourful piece of poetry in motion, with the insistent kaleidoscopic climax added by Asif. Awesome! According to the legend it was supposed to have an unhappy ending - needless to say I'm glad it was altered here to a happy one after such a roller-coaster ride!
A tremendous work of Art, showing the very best of Indian cinema.
Seminal Indian epic purporting to deal with events from about 400 years ago around Prince Saleem (Dilip Kumar) falling in love with a court dancer Anarkali (Madhubala) to his father Akbar's utter opposition and eventually causing a rift leading to all out war. The drama and war spectacle scenes are memorable enough, with thousands of humans and animals as extras, and the music is uniformly superb too. But it's Pyar Kiya To Darna Kya (If I have loved someone>why should I be afraid?) sung by Anarkali (Lata) to the 2 of them in the Hall Of Mirrors that is absolutely stunning - I will have to get the original and compare, because the remaster seems to have turned this song into something even more magical and mesmerising than I remembered. It took Naushad and Shakeel Badayuni one night to compose music and lyrics so timeless - a colourful piece of poetry in motion, with the insistent kaleidoscopic climax added by Asif. Awesome! According to the legend it was supposed to have an unhappy ending - needless to say I'm glad it was altered here to a happy one after such a roller-coaster ride!
A tremendous work of Art, showing the very best of Indian cinema.
- Spondonman
- 7 giu 2007
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- The Great Mughal
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 INR (previsto)
- Lordo Stati Uniti e Canada
- 161.434 USD
- Fine settimana di apertura Stati Uniti e Canada
- 60.258 USD
- 3 apr 2005
- Lordo in tutto il mondo
- 161.434 USD
- Tempo di esecuzione3 ore 17 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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