VALUTAZIONE IMDb
6,9/10
4427
LA TUA VALUTAZIONE
Il rapporto pericolosamente ossessivo tra un fratello e una sorella manipolatori, che tendono a isolarsi e a trascinare gli altri nei loro giochi psicologici.Il rapporto pericolosamente ossessivo tra un fratello e una sorella manipolatori, che tendono a isolarsi e a trascinare gli altri nei loro giochi psicologici.Il rapporto pericolosamente ossessivo tra un fratello e una sorella manipolatori, che tendono a isolarsi e a trascinare gli altri nei loro giochi psicologici.
- Nominato ai 1 BAFTA Award
- 2 candidature totali
Karin Lannby
- The Mother
- (as Maria Cyliakus)
Jean Cocteau
- Narrator
- (voce)
Annabel Buffet
- Le mannequin
- (non citato nei titoli originali)
Pierre Bénichou
- Young schoolboy (Extra)
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizJean Cocteau was allowed a day of shooting, when Jean-Pierre Melville wasn't feeling up to the mark. Cocteau was to follow Melville's instructions exactly or do nothing at all. Eight shots in all, which were supposed to be of a summer's day but were done in midwinter in the rain.
- BlooperThe amount of blood on Paul's face changes between when he is in the shop and when he is in the taxi.
- Versioni alternativeThe song that Michael sings while sitting at the piano was deleted for the original American release.
- ConnessioniEdited into Histoire(s) du cinéma: Une vague nouvelle (1999)
- Colonne sonoreConcerto in A minor for 2 violins and string orchestra (Opus 3, No. 8; RV 522)
Written by Antonio Vivaldi
Recensione in evidenza
I recently saw this movie, titled The Strange Ones in English, with English subtitles on TCM. I know a little French, and it seemed the English translations may not have captured all the nuances, but I'm not sure.
Before writing my review I wanted to see what more experienced or better informed people were saying, and I gather that most of the favorable reviewers liked the daring themes presented in stark black and white format with highly dramatic acting and artistic camera work. No doubt about it, this movie features all of those, and I did watch the whole thing because of those elements.
As with many French films I've seen over the years, this film presents an amoral view of life, i.e., there is no right or wrong, in fact in this movie there is no real consideration of right or wrong in the script or the story at all.
Minutes before my sister learned that her fiancée had been killed in a car accident, she asked me "what is existentialism?" I had a sense for the concept but I struggled to make it concrete. That awful phone call ended the conversation about literature, but I never forgot that moment. Now I know the answer, and The Strange Ones could well serve as a teaching tool in literature or philosophy classes; a person actively watching and thinking about this movie will "get" what existentialism is (in cinema anyway).
This film brilliantly presents strange people, maybe "weird people" better says it, going through unusual events in an unusual context. In existentialism nothing really has overarching meaning, so whatever happens, happens, and the results yield not so much tragedy as very dark farce.
Before writing my review I wanted to see what more experienced or better informed people were saying, and I gather that most of the favorable reviewers liked the daring themes presented in stark black and white format with highly dramatic acting and artistic camera work. No doubt about it, this movie features all of those, and I did watch the whole thing because of those elements.
As with many French films I've seen over the years, this film presents an amoral view of life, i.e., there is no right or wrong, in fact in this movie there is no real consideration of right or wrong in the script or the story at all.
Minutes before my sister learned that her fiancée had been killed in a car accident, she asked me "what is existentialism?" I had a sense for the concept but I struggled to make it concrete. That awful phone call ended the conversation about literature, but I never forgot that moment. Now I know the answer, and The Strange Ones could well serve as a teaching tool in literature or philosophy classes; a person actively watching and thinking about this movie will "get" what existentialism is (in cinema anyway).
This film brilliantly presents strange people, maybe "weird people" better says it, going through unusual events in an unusual context. In existentialism nothing really has overarching meaning, so whatever happens, happens, and the results yield not so much tragedy as very dark farce.
- dial911book
- 1 gen 2015
- Permalink
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